Val McDermid - Dead Beat

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Dead Beat introduces Kate Brannigan, a female private detective who does for Manchester what V.I. Warshawski has done for Chicago. As a favour, Kate agrees to track down a missing songwriter, Moira Pollock, a search that takes her into some of the seediest parts of Leeds and Bradford. But little does she realize that finding Moira is a prelude to murder…

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'So I do the odd line. So what? I'd had a bit, but I wasn't flying. I just don't remember if he came in once or twice, OK?' The belligerent edge was back in his voice.

'You ever use heroin?'

'No way. I've seen too many talented kids go down that road. No, all I do is a bit of recreational coke.'

'But you'd know where to get heroin if someone else wanted it?'

He shook his head in wide, disbelieving sweeps. 'Oh no, you don't pin that one on me. I don't deal, not for anybody, not for my nearest and dearest. Personal use, that's all.'

'But you'd know where to get it?' I persisted.

'I'd have a shrewd idea who to ask. If you work in this business, you get to hear things like that. But if you're nosing into heroin dealers, I'm not the one you should be asking.' Micky lit his next cigarette. I was beginning to feel like a herring in a smokehouse. I'd be a kipper before morning if I hung around Micky.

'So who should I be asking?'

He shrugged, and a malicious gleam crept into his eyes. 'A certain little lady who's got nothing better to do with her time. Ask her why she was so fascinated by Paki Paulie at the Hassy the other week.'

He obviously meant Tamar. The description certainly didn't fit Gloria. And where better to meet a dealer than the Hacienda, full as it always is of kids looking for the next kick? I filed the hint away for further investigation.

'Have you got any idea who killed Moira?' I asked.

'I can't imagine any of them having the bottle, frankly,' Micky said contemptuously. 'Except Neil. That bastard would do anything for a few bob. He must have made a fucking fortune out of her death already, all the stories he's been selling to the papers. Fucking vulture.' The venom in his voice was shocking.

'Sounds like there's not a lot of love lost between the two of you,” I observed. When it comes to spotting the obvious, I'm an Olympic contender.

'Let's just say he's not the person I'd choose to write my biography.'

'Why's that?'

'He's too fond of seeing his name in big letters in the papers. He turned over my brother-in-law, you know. Years ago, it was, but Des's never recovered. OK, Des was a bit dodgy, he ripped a few people off, but he wasn't a bad lad, not a proper villain, not when you compare him to those City bastards who rip people off to the tune of millions. Thanks to Neil fucking Webster, Des ended up inside for eighteen months. He used to have his own business, you know, but now he's just a bloody brickie working for buttons. Tell you what, an' all,' Micky continued, his accent losing its classless-ness and becoming pure East End, 'that fucker Webster won't have given him another thought. I bet he doesn't even realise why I hate his guts.'

All this was deeply fascinating, but I couldn't see its relevance. In spite of Micky's obvious conviction, I couldn't see Neil coldbloodedly planning murder for the sake of a byline. Before I could divert the conversation down more profitable paths, the door from the house opened and a wave of Giorgio cut through the smoky air.

I turned in my chair to watch Tamar sweep across the room in her silk pyjamas. Without a word of greeting, she made for the fridge. She bent over to peer inside, then slammed it shut with an air of bad temper. She started for the cupboards on the other side of the kitchen and caught Micky's eyes on her. 'Stop letching, sleazeball,' she threw at him on her way to the Weetabix.

Micky scrambled to his feet and hurried out of the room, grabbing his coat as he went. Thanks a bunch, Tamar, I thought to myself as I watched her tip two bars into a bowl and drench them with sugar. On her way back to the fridge, I remarked, 'Sleep well?'

'What the hell business is it of yours?' she grumbled as she poured milk on her cereal and perched on a stool at the breakfast bar. If she was always this charming first thing in the evening, it wasn't so surprising that Jett preferred to wake up alone.

'You can always tell good breeding,” I said airily. 'Plebs like me, we can never aspire to the courtesy of the moneyed classes.'

To my surprise, she spluttered with laughter, spraying the worktop with gobbets of coconut matting. 'OK, I'm sorry, Kate,' she conceded. It was the first time I'd seen a side of her that explained why Jett had put up with her for more than five minutes. 'I'm always a complete shit until I've had something to eat. I think I get low blood sugar in the night. I guess all this business over Moira is just making it worse. And breakfast with Bonzo there was a prospect too dire for words.' Her upper class drawl exaggerated her words, made them seem more amusing than they were.

'So what's the daughter of a baronet doing among the Neanderthals, then?' I asked, trying to pick up the tone of her own remarks. Richard's background info was still coming in handy.

She gave an ironic smile. 'Depends who you want to believe. According to my mother, I'm indulging in a belated teenage rebellion, having a bit of rough before I settle down. According to the lovely Gloria, I'm a gold-digger who likes having her name linked in the gossip columns with Jett. According to Kevin, I was useful in the early days because I kept Jett amused, but now I'm a pain because we keep rowing.'

'And according to you?'

'Me? I'm still here because I'm crazy about the guy. I'll admit that when I first met him, I thought he might be fun to play with for a while. But that changed. In a matter of days, that changed. I'm here because I love him and I want to make it work. In spite of all the efforts of his so-called friends to put a spanner in the works,' she added, with an edge of bitterness that nullified the light tone of her earlier remarks.

'Was Moira one of those?' I asked, getting up to make myself some coffee.

She nodded. 'In spades. Sorry, an unfortunate turn of phrase, but maybe not so inaccurate. She treated me like a brainless bimbo to the point where I felt like having my degree framed and hung on my door. Did you know I have an upper second in modern languages from Exeter?' she asked defensively. I waved an empty mug at Tamar and she nodded. 'Black, one sugar. Moira seemed to think that since I wasn't a black, working-class musician then I could have nothing to offer Jett. It was ironic. She didn't want him any more, but she was damned if she was going to let anyone else be part of his life.'

I was almost beginning to feel sorry for Tamar myself. Then I remembered the display in the drawing room the previous morning, and how insincere I'd instinctively felt it to be. 'Well, she won't be around to throw any more spanners,' I responded heartlessly.

'And if I'm being honest, I'd have to say I'm glad. If I'd heard one more sentimental conversation about "our roots" I think I'd have screamed. But I didn't kill her. You can't get away from the fact that they made good music together. And I wouldn't have taken that away from him. I know how much his work means to him.' Tamar stirred her coffee demurely. I nearly believed her. Then I remembered Micky's hints and their implications. Someone had been shoving heroin at Moira, and it looked like Tamar. I decided to wait till I had more evidence to hit her with, rather than waste the talkative mood she was in today. It hadn't escaped me that the reason for her co-operation might be nothing more than a desire to stay in Jett's good books.

'I hate to be a bore, but I have to ask you what you were doing on the night Moira was killed,' I said. T know you'll have run through it already with the police, but I have to go through the motions.' I gave what was supposed to be a winning smile.

Tamar ran a hand through her tousled hair and pulled a face. 'Bor-ring is right. OK. I'd been shopping in town all afternoon, then I met my sister Candida for a coffee in the Conservatory, you know, just off St Anne's Square. I got back around half-past seven. I bumped into Jett and Moira in the hall on their way down to the studio. Jett said they'd be about half an hour, and I decided to cook dinner.

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