John Katzenbach - The Madman

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Committed to the now-shuttered Western State Hospital when he was young, fortyish Francis Petrel starts recalling the circumstances of a nurse's grisly murder-just as the killer comes out of hiding.

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Peter looked up and realized that something was out of place, but couldn't quite put his finger on it. That was the problem with the hospital; everything was twisted around, backward, distorted or misshapen. Seeing accurately was nearly impossible. For an instant, he longed for the simplicity of a fire scene. There had been a sort of freedom in walking amid the charred, wet, and smelly remains of one fire or another, and slowly picturing in his mind's eye precisely how the fire was started, and how it had progressed, from floor to walls to ceiling to roof, accelerated by one fuel or another. There was a certain mathematical precision in dissecting a fire, and it had given him a great amount of satisfaction, holding burnt wood or scorched steel in his hands, feeling residual warmth flowing through his palms, and knowing that he would be able to imagine everything that was destroyed as it had been in the seconds before the fire took grasp. It was like the ability to see into the past, only clearly, without the fogs of emotion and stress. Everything was on the map of the event, and he longed for the easier time where he could follow each route to a precise destination. He had always thought of himself like one of the artists whose duty it was to restore great paintings damaged by time or the elements, painstakingly recreating the colors and brush strokes of so many ancient geniuses, following in the path of a Rembrandt or Da Vinci, a lesser artist, but a crucial one.

To his right, a man wearing loose-fitting hospital clothes, disheveled and unkempt, burst out into raucous, braying laugh, as he looked down and saw that he had wet his own pants. Patients were lining up for their evening medications, and he saw Big Black and Little Black trying to keep some order in the process. It was a little like trying to organize stormy waves that were pounding a beach; everything ended up in more or less the same place, but everyone was being driven by forces that were as elusive as winds and currents.

Peter shuddered and thought: I've got to get out of this place. He did not think himself crazy yet, but he knew that many of his actions could be seen as mad, and, the longer he stayed in the hospital, the more they would dominate his existence. It made him sweat, and he understood there were people Mister Evil for one who would happily see him disintegrate at the hospital. He was fortunate; he still clung to all sorts of vestiges of sanity. The other patients gave him some respect, knowing that he wasn't as mad as they. But that could end. He could start hearing the same voices that they did. Start shuffling, start mumbling, wet his pants and line up for medication. It was all right there and he knew if he did not escape, he would get sucked in.

Whatever the Church was offering, he knew he had to take it.

He looked around, eyeing each patient as they crowded forward, heading toward the nursing station and the rows of medications lined up behind the iron grating.

One of them was a killer. He knew this.

Or maybe one lining up at the same time, over in Williams or Princeton or Harvard, but moving to the same schedule, was the killer.

But how to pick him out?

He tried to think of the case as he would have an arson, and he leaned back against the wall, trying to see where it started, because that would tell him how it had gained momentum, took flower and finally exploded. It was how he processed every fire scene he was called to; work backward to the first little flicker of flame, and that would tell him not only how the fire occurred, but who was standing there, watching it. He supposed it was a curious gift. In olden times kings and princes surrounded themselves with folks who purportedly could see into the future, wasting their time and money, when understanding the past was probably a much better way of seeing what lay ahead.

Peter slowly exhaled. The hospital had a way of making one dwell on all the thoughts that echoed within him. He stopped in mid thought realizing that he had been moving his lips as he spoke with himself.

Again, he breathed out. Close. Almost talking to yourself.

He looked down at his hands, for no real reason other than to reassure himself that he was still intact. Get out, he told himself. Whatever you have to do, just get out.

But as he reached this conclusion, he saw Lucy Jones enter the corridor. She had her head down, and he could see that she was both deep in her own thoughts and upset. And, in that second, he saw a future that frightened him, leaving him with an empty, helpless feeling. He would exit, disappearing off to some program in Oregon. She would exit, returning to her office and the steady processing of crime after crime. Francis would be left behind, with Napoleon, Cleo, and the Moses brothers.

Lanky would go to prison.

And the Angel would find someone else's fingers to take.

Chapter 26

Francis spent an unsettled night, sometimes laying rigid on his bunk, listening for any sound that was out of the ordinary in the dormitory that would signal the return of the Angel to his bedside. Dozens of these noises penetrated past his squeezed-shut eyes, echoing as deep as his own heartbeat. A hundred times he thought he felt the Angel's hot breath against his forehead, and the sensation of the cold knife blade was never far from his memory. Even in the few moments when he slid inexorably away from the night fears that had driven him to sweat and anxiety, into a semblance of sleep, his rest was disturbed by frightening images. He imagined Lucy holding up her own hand, mutilated like Short Blond's. Then, this image evaporated into one of himself, and he'd felt as if his own throat had been slashed and he was in his nether state desperately trying to hold the gaping wound together.

He welcomed the first morning light that slithered through the window-panes, past the metal bars and grates, if only to signal that the hours when the Angel seemed to own the hospital were finished. For a moment he remained in his bunk, clinging to the oddest of thoughts, which was some half-finished notion that it was somehow wrong for the patients in the hospital to have the same fears of dying as the normal people outside the walls. Inside the walls, life seemed to be much more tenuous, it didn't seem to have precisely the same quotient as outside. It was, he thought, as if they didn't amount to as much, and were not quite as valuable and therefore shouldn't put such a high price on their lives. He remembered reading in a newspaper once, that the sum total value of the parts of the human body only amounted to something like a dollar or two. He thought to himself that the inmates of Western State were probably worth just pennies. If even that.

Francis went to the washroom and cleaned up, readying himself for the day. He felt a little comforted by the familiar signs of life in the hospital; Little Black and his huge brother were out in the corridor trying to get patients to make their way to the dining room for breakfast, a little like a pair of mechanics tweaking an engine, trying to get it to turn over and start running. He saw Mister Evil cruising the hallway, ignoring the entreaties from various folks about one problem or another. Francis wanted to embrace the routine.

And then, as quickly as this thought hit him, he feared it.

It was how the days slipped away. The hospital, with its compulsion for simply getting through time, was like a drug, even more powerful than those that came as pills or hypodermics. With addiction, came oblivion.

Francis shook his head, for one thing was clear to him: The Angel was much closer to the world outside, and he suspected that if he ever wanted to rejoin it, that was the mountain he would have to climb. He thought: Finding Short Blond's killer might be the only sane act left in the entire world to him.

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