John Katzenbach - The Analyst

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Happy fifty third birthday, Doctor. Welcome to the first day of your death. Dr. Frederick Starks, a New York psychoanalyst, has just received a mysterious, threatening letter. Now he finds himself in the middle of a horrific game designed by a man who calls himself Rumplestiltskin. The rules: in two weeks, Starks must guess his tormentor's identity. If Starks succeeds, he goes free. If he fails, Rumplestiltskin will destroy, one by one, fifty-two of Dr. Starks' loved ones-unless the good doctor agrees to kill himself. In a blistering race against time, Starks' is at the mercy of a psychopath's devious game of vengeance. He must find a way to stop the madman-before he himself is driven mad…

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He considered the dilemma again. On this occasion, he looked at letters that were three words away. But before writing these down, he thought to himself one over three, so he went instead to letters three lines below.

By doing this, the first three dots produced a word: the.

He continued rapidly, producing a second word: jones.

There were six more dots. Using the same scheme, they translated to: agency.

Ricky stood and walked to the bedside table, where, beneath the telephone there was a New York City telephone book. He looked up the section for theatrical talent, and found in the midst of a number of listings, a small advertisement and telephone exchange for “The Jones Agency-A theatrical and talent agency catering to the up-and-coming stars of tomorrow…”

One down. Now, Merlin the attorney.

He pictured the man in his mind’s eye: hair carefully combed; suits without wrinkles, tailored to the nuances of his body. Even his casual dress had been formal. Ricky considered the man’s hands. The fingernails had been manicured. A middle child, who wanted everything to be in order, who couldn’t tolerate the messiness of the disruptive life he’d come from. He must have hated his past, adored the safety of his adopted father, even as the old analyst had systematically twisted him. He was the arranger, the enabler, the man who had dealt with threats and money and savaged Ricky’s life with ease.

This diagnosis came more easily: obsessive-compulsive disorder.

He turned rapidly to that section of the encyclopedia, and saw the same series of highlighted letters. Using the key provided, he swiftly came up with a word that surprised him: arneson. It wasn’t exactly a jumble of letters, nor was it something that he recognized.

He paused, because this seemed to make no sense. Then he persisted, and found the next letter was V .

Ricky went back, checked the key again, knitted his brows, and then understood what he was being given. The remaining letters spelled out the word: fortier.

A court case.

He wasn’t certain which court he would find Arneson v. Fortier in, but a trip to a clerk with a computer and access to current dockets would likely turn it up.

Turning back to the encyclopedia, Ricky thought of the man at the core of everything that had happened: Rumplestiltskin. He turned to the section under P which dealt with psychopaths. There was a subsection, for homicidal.

And there were the series of dots that he’d come to expect.

Using the key already given him, Ricky quickly deciphered the letters, writing them down on a sheet of paper. When he finished, he sat up straight, sighing deeply. Then he clenched the paper in his hand, crumpling it into a ball, and angrily throwing it toward the wastebasket.

He let loose a string of epithets, which only masked what he’d half expected.

The message he’d come up with had been: not this one.

Ricky had not had much sleep, but adrenaline energized him. He showered, shaved, and dressed himself in a jacket and tie. A lunch-hour trip to a court clerk’s office and some modest cajoling of one of the impatient assistants behind the counter had provided him with some information about Arneson v. Fortier. It was a civil dispute in superior court, scheduled for a pretrial hearing the following morning. As best as he could tell, the two parties were arguing over a real estate transaction that had gone bad. There were claims and counterclaims and substantial sums of money gone astray between a pair of well-heeled midtown Manhattan developers. The kind of case, Ricky imagined, where everyone was angry and wealthy and unwilling to compromise, which meant that everyone would end up losing, except for the lawyers representing each side, who would walk away with a considerable paycheck. It was so utterly mundane and ordinary, Ricky almost felt contemptuous. But with a black streak of nastiness coursing through him, Ricky knew that in the midst of all that posturing, pleading, and back and forth threats and posing between a handful of attorneys, he would find Merlin.

The court docket gave him the names of all the parties. None stood out. But one was the man he was seeking.

The hearing was not set until the following morning, but Ricky went to the courthouse that afternoon. For a few moments he stood outside the huge gray-stone building, looking up at the sweep of steps leading up to the columns that marked the entranceway. He thought that the building’s architects dozens of years earlier had sought to endow justice with some sort of grandeur and stature, but after all that had happened to him, Ricky thought justice was really a much smaller and far less noble concept, the kind of concept that could fit into a small cardboard box.

He went inside, walking through the corridors, between courtrooms, fitting into the ebb and flow of people, noting elevator systems and emergency stairwells. It occurred to him that he could find the judge assigned to Arneson v. Fortier and probably discover who Merlin was merely by providing a description to the judge’s secretary. But, he understood, that simple act would likely turn suspicious in quick order. Someone might remember later, after he’d achieved what he wanted.

Ricky-thinking all along like Frederick Lazarus-wanted what he had in mind to do to be utterly anonymous.

He saw one thing that he thought would help: There were many distinct types wandering through the courthouse building. The three-piece suits were clearly the attorneys with business within the walls. Then there were some less well heeled, but still presentable types. Ricky put these into a category that included the police, jurors, plaintiffs, accused, and courtroom personnel. All the folks that seemed to more or less have a reason for being there, and an understanding about what role they were to play. Then there was a third, fringe category, that intrigued Ricky: the buzzards. His wife had once described them to him, long before she was diagnosed, and long before her life had become nothing more than appointments and medications and pain and helplessness. They were the old pensioners and hangers-on, who found watching courtrooms and lawyers to be entertaining. They functioned a little like bird-watchers in the forest, moving from case to case, searching out dramatic testimony, intriguing conflict, perhaps staking out seats in courtrooms where high-profile, publicity-laden cases were taking place. In appearance, they were modest, sometimes only a cut above the folks who lived on the streets. They were a step away from a VA hospital or a retirement home, and wore polyester no matter how hot it was outdoors. An easy group, Ricky thought, to infiltrate for a few moments.

He left the courthouse with his plan already forming in his head. He took a cab first to Times Square, where he entered one of the many novelty stores where one can buy a fake edition of the New York Times with one’s name in a headline. There he had the man with the printing machine make up a half-dozen phony business cards. Then he flagged another cab which bore him to a glass and steel office building on the East Side. There was a guard at the entranceway, who made him sign in, which he did with a flourish, signing Frederick Lazarus, and listing his occupation on the sheet as Producer . The guard issued him a small plastic clip-on badge with the number six on it, which designated the floor he was traveling to. The man didn’t even glance at the sign-in sheet after Ricky handed it back to him. Security, Ricky thought, operates on perceptions. He looked the part and handled himself with a brusque confidence that defied being questioned by a man at the door. It was a small performance, he believed, but one that Virgil would likely appreciate.

An attractive receptionist greeted him when he entered the office of The Jones Agency.

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