Laura Lippman - In Big Trouble

He did, swooping down on the table like a sudden change in the weather.

"Monaghan!" He pumped her hand with a vigorous up-and-down motion, as if her arm were the lever on an old-fashioned water pump. He was a tall, lanky man with something on his face that was either an early 5 o'clock shadow, a weak beard, or crumbs from his breakfast cereal. He wore a jacket over his blue jeans, and a reporter's notebook was sticking out of his back pocket, tenting the jacket. He pulled out the notebook and threw it down on the table with a loud smack, yelling for a waitress. The staff regarded him tolerantly, if not fondly.

He squinted at her. "I thought you'd be a tough old gal, with a fedora and a trench coat, and here you are, looking like some damn cheerleader. How old are you, twenty-one?"

"I'm thirty," she said, a bit sharply. He looked about thirty-five or forty and she wanted him to know he shouldn't patronize her.

"Excuse me. Never knew you could insult a lady by underestimating her age." He picked up the menu but didn't bother to open it. "You drink at lunch?"

Tess figured no one would ask that question unless he drank at lunch. Why not? she thought. She'd sip, he'd slurp, she'd have an edge. This was not, after all, her buddy Feeney, who owed her so many favors, and who would sit on a story at her request. She'd have to tread carefully here.

"Do they have good margaritas?"

"They're the only reason to come here. That and the view. Food's pretty mediocre, compared to what else is out there. If there was any truth in advertising, they'd call it Casa So-So." He waved frantically at the waitress, his long arm slashing the air. "Two frozen margaritas."

"On the rocks for me." Frozen margaritas went down too easily.

The waitress brought the drinks and a basket of chips, with a thin, brown sauce new to Tess's taste buds. She poked the edge of a chip into it, like a shy swimmer dipping her toe in the ocean. It might be mediocre to Sheppard, but it was still awfully good by her standards.

"Tess Monaghan," A. J. said, drumming his hands on the table. "Tess Monaghan, private eye. How'd you get into this private investigator gig, anyway? I thought you worked at a newspaper up in Baltimore."

"I was working for the paper as an investigator when we spoke. But I was a reporter at the Baltimore Star , before it folded."

"That thing we didn't talk about last winter-boy, that ended pretty badly, didn't it?"

"Yes." The image of the body in the ditch was always there, waiting for moments like this to clutch at her. The white T-shirt had been so bright against the winter-brown land, the blue plastic grocery bags had looked like a bier of roses.

"This related?"

"No. I'm on a missing person case of sorts."

"Something in it for me? Remember, the newspaper is your friend. A story might flush out some leads."

" No ." Perhaps she was a little too quick. But one of the few honorable things Guzman had done was not go to the media. Well, maybe not honorable-he had his own agenda, as evidenced by Steve Villanueve's botched surveillance and interrogation-but the bottom line was there had been no leaks. She wanted to keep it that way.

"I mean, I'm more interested in poking around in your archives. I thought you could help me."

"Sorry, our library is closed to the public. But if you tell me what you need, maybe I can get it for you."

He was persistent, she had to give him that. "Aren't your archives searchable on the Web?"

"Only for the last two years, and it will cost you two bucks an article to pull up more than the headline. Before then, most of the paper is stored in shoeboxes."

Tess laughed. Every newspaper reporter she had ever known took a perverse pride in denigrating their employer's resources.

"No, literally," A. J. said. "That was the old system. Shoeboxes. The old publisher cut a deal with Joske's department store, and he got these shoeboxes really cheap, which they stacked on top of each other. One day a whole wall of 'em fell over on one of the librarians, and the workers' comp claim convinced the company to modernize. Even if you could get in there, you'd never be able to find what you want."

"Probably doesn't matter, anyway. The good stuff never gets in the paper."

"Amen."

"I mean, this guy I'm looking for…Tyner Gray-he's a lawyer, disappeared with his partner's money." The lie was fun to tell, even if Tyner wasn't there to hear his name taken in vain. "I don't think it's the first time he disappeared down here, he might have even been living a double life. But as you said, the juicy stuff never sees print anyway."

He nodded, having forgotten that she was the one who had expressed this sentiment, not him. He had only seconded it. "Tyner Gray. Doesn't ring a bell."

"Oh, he's a small-timer. Probably never crossed your screen." She paused, trying to decide if she could make the transition she needed without sounding too forced. "I got excited for a moment when I saw the item about this guy, Tom Darden, whose body was found in the Hill Country. Because Gray had used the name Darden once. But I don't think there's a connection."

"Can't see that there would be, given that Darden was locked up for the last twenty years."

"Yeah. The paper called it the ‘infamous Danny Boyd case,' but I've never heard of Danny Boyd. Should I have?"

"Not unless you were around here two decades ago. Even then, there are plenty of folks who don't know what happened. ‘Infamous'-that's a kind of a code."

"Code for what?"

A. J. glanced at the tables around them, as if he were planning to break a confidence. "It was before my time, but everyone knows that Danny Boyd's kidnappers molested him. But we couldn't print that detail, because he had been identified when he was snatched, and, of course, we don't identify victims of sexual assault. Especially when he's a rich man's little boy. So it became the ‘infamous' Danny Boyd case. It's a wink at the reader, you see, a tip that there's something salacious we can't tell." He sighed. "Of course, given recent events, it's hard to remember those innocent days when there were things that newspapers didn't deem fit to print."

"I knew there was something," she said happily, as if this were a game they were playing. Read Between the Lines, Win Cash Prizes. Much better than Wingo any day. "Maybe it's the ex-reporter in me, but I always can tell if the reporter is holding something back when I read the paper. This may make me sound cynical, but I figure this Sterne guy, who's getting so much press for this All Soul Festival, can't be as saintly as he's made out to be."

"Gus Sterne? Actually, what you see is what you get, in my experience. A little arrogant, maybe, but basically a good guy for someone with that much money and that much clout."

"Still, everyone has skeletons in their closets." She was pushing too hard, A. J. was wary again. "Hey, I've been in some San Antonio homes. People here have skeletons on their bookshelves."

He smiled, but the good ol' boy veneer was gone, revealing a much shrewder man than she wanted to deal with.

"You got a lead on the murders? Because if you do, all bets are off."

The murders. Thousands of people had been killed in this city over the last twenty years, and many of those cases must have gone unsolved as well. But there was no doubt what "the murders" were.

She was grateful for the interruption of a short, plump man with an old-fashioned flash camera, who stopped at the table and asked if the gentleman would like a photograph of the beautiful, beautiful lady, to remember this magic moment always. A. J. waved him away impatiently.

"Well?" he asked Tess.

"I never heard of Lollie Sterne before my work brought me to Texas," she said, pleased to have the truth on her side, at least momentarily. "It's her daughter, Emmie Sterne, I'm looking for. I have a friend who was in a band with her, and she skipped out on him, owing him some money. End of story."