Laura Lippman - The Sugar House

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Tess Monaghan’s life is back on course. She is beginning to make a name for herself as a PI, she’s even banking good money. And then her father asks her a favour: to investigate the death in prison of a friend’s brother convicted of killing an unidentified girl, otherwise known as “Jane Doe”. Tess’s search leads her to “the Sugar House”, a brutal institution where she discovers Jane Doe’s real identity. And then Tess’s father begs her to drop the case… It is not until her parent’s house is set on fire and a body pulled from the wreckage, that she realises that her life may have taken a very wrong turning indeed – one from which there is no going back…

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“If you found a connection, what would it prove?”

“I don’t know. That I’m not crazy.”

Jackie smiled. “We already know you’re crazy. Look, it’s late. Help me load my things and the baby in the car, and you get out of here, too. Have a drink, let that sweet young boy of yours make you feel good.”

“I’m beyond feeling good these days,” Tess said, lifting a sleeping Laylah from her portable crib. As Tess had told Jackie, she had no generic baby longings. But, oh, how she loved this one, with her chubby arms and legs, her puckish face. She hated to think of the day when Laylah would turn on her own reflection, when she would look in the mirror and yearn for the opposite of whatever she saw there. Yet that day came for every female she had ever known. Look at Gwen Schiller, as exquisite as a china figurine, or Devon Whittaker, her cousin Sarah. Men suffered no such self-doubt, even when they should. What Tess wouldn’t give to stalk through life with just a little of, say, Adam Moss’s arrogance and certainty.

The phone rang, and Jackie and Tess exchanged a glance. Only bad news, wrong numbers, and drunken ex-boyfriends rang at this hour.

“Keyes Inc.,” Tess said, remembering to use the firm’s proper name for once, using the speaker phone so she could continue to rock Laylah.

“Herman Peters.” The young reporter spoke more rapidly than usual, and it took a beat for her to register the name, another beat for irritation to set in.

“I told you, Herman, you’ll get your interview when the time is right. Be patient.”

“I am patient, but-”

“You call this patient, ringing me at my office this late at night, to nag me about the interview?”

“I’m not calling about the story.” He was speaking even faster now, his words tumbling over one another. “I mean, I’m not calling about that story. I’m at the office, working this multialarm fire by phone-we’re right on top of deadline, and the call just went out, so I’m taking feed from another reporter at the scene-and I crisscrossed the address and I saw the name. It’s not an uncommon name in Baltimore, but I had a hunch, and I called Feeney at home and he says yeah, they’re related, so I thought I should call you, as a courtesy, really, before you saw it on the eleven o’clock news-”

“What are you talking about? Who’s related?”

“Patrick and Judith Monaghan, over in Ten Hills.”

“They’re my parents.”

“Their house is on fire.”

Because she was still holding Laylah, Tess did not cry out or rush for the door. Denied reflexive action, she had a moment to think. She wished she hadn’t. Thinking was highly overrated.

“Herman-why all this effort to get a house fire in on deadline? That’s pretty mundane by the Blight ’s standards, isn’t it?”

Herman Peters asked questions, he was not used to answering them. She could practically feel him squirming at the other end of the phone line.

“I’m not…It’s just that…”

Her voice low, in deference to Laylah, she repeated herself. “Why are you working a house fire?”

“Because-because it’s a fatality, too. They took a body out. I’m sorry, Tess, but we heard it on the scanner. There’s a body, they’ve called in arson, and they’re saying it’s a suspected homicide.”

chapter 29

TESS HAD JUST CRESTED THE HILL AT THE TOP OF HER parents’ street when she saw the shower of sparks go up, like the tail end of a low-rent fireworks display.

The roof just went , she thought. Which means the house is gone .

Take the roof, she told whatever deity lurked in the night sky, and I’ll believe in you . Take the house. Take her bedroom, which her mother had turned into a sewing room eight years ago. Take the pine paneled basement, site of all her early forays into vice. Take the sunporch, where she had done her homework in the late afternoon. Take her mother’s carefully chosen furnishings, which matched so perfectly they made Tess’s teeth hurt. Melt the plastic covers on the living room furniture. Take everything, take whatever you need to be appeased.

But please, don’t take my parents. Not yet, not this way .

She saw the body bag first, lying on a gurney, then smelled the sweetish smell she knew from the fires she had covered as a reporter. Funny, she had never asked anyone what that smell was. It was probably insulation, or some other construction material, but Tess had always worried it might be flesh. She knew most people did not actually burn in fires-they died from breathing smoke, they were dead long before flames ever touched them. Still, she had never wanted to know for sure the source of that smell.

A firefighter stopped her, and it was only then she realized she had been running toward the house. Toward the body. “It’s my parents’ place,” she told the rubbery sleeve blocking her path. She kept trying to move toward the body, but the sleeve held her back. Only one body, she saw, only one. Not good enough. She wasn’t prepared to make such a choice.

The firefighter forced her to turn away from the house, to face across the street. She thought he wanted to shield her, but he was trying to get her to look at the neighbor’s lawn, where Patrick and Judith stood, holding on to one another. Their faces were impassive; they might have been watching someone else’s tragedy on the eleven o’clock news. The scene was made only more surreal by the Christmas decorations that surrounded them, an elaborate gingerbread house with grinning gingerbread men who twisted on mechanized bases. Six-foot candy canes, illuminated from within, lined the walkway.

Tess felt as if she had wakened from the worst nightmare of her life and found her parents at the foot of her bed, smiling, reassuring her.

The only difference was that their house continued to burn.

“Mommy,” Tess said, running across the street. “Daddy.”

They opened their little circle to her, and now they were all three clutching one another. Tess finally understood what it meant to hold on to someone for dear life.

“I never really liked that house,” her father said. “All these years, I never really liked it.”

They laughed, a little shakily, but they laughed. The smoking shell was a more traumatic sight for her than it was for her parents, even if they were the ones who still lived there. Tess had never known another home. She had gone from there to college, from college to an apartment on the North Side of Baltimore, and then to her little place at the top of Kitty’s building. But none of those had been home. In her mind, this white frame Colonial was the only house in the world, the place she thought of when she heard the word home . She had known it wouldn’t always belong to her family. In fact, she had thought her parents silly to cling to such an oversized place. But she had assumed the house would always be here, that she would have the rest of her life to drive by this spot and measure herself against the girl she had been fifteen years ago, twenty years ago, twenty-five years ago.

She knew too well that people died, but she had thought houses lived forever.

Crow arrived, alerted by Jackie, who had taken Esskay home when Tess went racing into the night. He didn’t try to join the circle of family, but stood respectfully apart, quiet and subdued.

“Arson,” he said after a while, and it wasn’t a question. He pointed with his chin at the investigators who were beginning to examine the scene.

“Where were you?” Tess asked her parents. “How is it that you weren’t here when it started?”

“We had an errand, then some dumb Christmas party,” her father said. “The woman from your mother’s work, who makes that awful eggnog.”

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