Michael Connelly - The Scarecrow

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The Scarecrow: краткое содержание, описание и аннотация

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Jack McEvoy is at the end of the line as a crime reporter. Forced to take a buy-out from the LA Times as the newspaper grapples with dwindling readership and revenues, he's got 30 days left on the job. His last assignment? Training his replacement, a low cost reporter just out of J-school who couldn't find the police station if it was right next store to the Times, which it is. But Jack has other plans for his exit. He is going to go out with a bang – a final story that will win the newspaper journalism's highest honor – a Pulitzer prize. Jack focuses on Alonzo Winslow, a 16-year-old drug dealer from the projects who has confessed to police that he brutally raped and strangled one of his crack clients. Jack convinces Alonzo's mother to cooperate with his investigation into the possibility of her son's innocence. But she has fallen for the oldest reporter's trick in the book. Jack's real intention is to use his access to report and write a story that explains how societal dysfunction and neglect created a 16-year-old killer. But as Jack delves into the story he soon realizes that Alonzo's so-called confession is bogus, and Jack is soon off and running on the biggest story he's had since The Poet crossed his path twelve years before.
This time Jack is onto a killer who has worked completely below police and FBI radar. His investigation leads him into the digital world of data collocation services where server farms are watched over by techs who liken themselves to scarecrows – keeping the birds of prey off their clients' data. But Jack inadvertently set off a digital tripwire and the killer – the Scarecrow – knows he's coming.

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“Never mind. Who do you want me to give my stuff to? The FBI has confirmed to me that there were two killers and they have found videos of them with several victims. At least six besides Angela. They’ll be announcing all of this at a press conference but I have lots of stuff they won’t be putting out. We’ll kick ass with this.”

“Just what I want to hear. I’m going to put you with Larry Bernard again for continuity. You have your notes? Are you ready to go?”

“Ready when he is.”

“Okay, let me call and book the conference room again so you guys can go to work.”

I spent the next two hours giving Larry Bernard everything I had, turning over my notes and filling him in off the top of my head with regard to my own actions. Larry then interviewed me for a sidebar story on my hand-to-hand battle with the serial killer.

“Too bad you didn’t let him answer that last question,” he said.

“What are you talking about?”

“At the end, when you asked him why he didn’t just take off instead of going after Walling, that’s the essential question, isn’t it? Why didn’t he run? He went after her and it didn’t make a lot of sense. He was responding to you but you said you hit him with the lamp before he answered that one.”

I didn’t like the question. It was as if he was suspicious of my veracity or what I had done.

“Look, it was a knife fight and I didn’t have a knife. I wasn’t interviewing the guy. I was trying to distract him. If he was thinking about my questions, then he wasn’t thinking about putting the knife in my throat. It worked. When I saw my chance I took it. I got the upper hand and that’s why I’m alive and he’s not.”

Larry leaned forward and checked his tape recorder to make sure it was still operating.

“That’s a good quote,” he said.

I’d been a reporter for twenty-plus years and I had just been baited by my own friend and colleague.

“I want to take a break. How much more do you need?”

“I actually think I’m good,” Larry said, his manner completely unapologetic. It was just business. “Let’s take a break and I’ll go through my notes and make sure. Why don’t you call Agent Walling and see if anything’s come up in the last few hours.”

“She would have called me.”

“You sure?”

I stood up.

“Yes, I’m sure. Stop trying to work me, Larry. I know how it’s done.”

He raised his hands in surrender. But he was smiling.

“Okay, okay. Go take your break. I have to write up a couple budget lines anyway.”

I left the conference room and went back to my cubicle. I picked up the phone and checked messages. I had nine of them, most from other news outlets wanting me to comment for their own reports. The CNN producer I had saved from the wrath of the censors by heading off Alonzo Winslow’s interview left a message that he wanted me back on for the report on the latest turn of events.

I would deal with all such requests the next day, after the story had run exclusively in the Times . I was being loyal to the end, even though I didn’t know why I should be.

The last message was from my long-lost literary agent. I hadn’t heard from him in more than a year, and then it was only to tell me he had been unable to sell my latest book proposal-a year in the life of a cold case detective. His message informed me that he was already fielding offers for a book about the trunk murders case. He asked if the killer had been given a name by the media yet. He said a catchy name would make the book easier to package, market and sell. He wanted me to be thinking about that, he said, and to sit tight while he wheeled and dealed.

My agent was behind the curve, not realizing yet that there were two killers, not one. But the message made any frustration I was feeling about not getting to write the day’s story go away. I was tempted to call the agent back but decided to wait until I heard from him with significant news. I then hatched a scheme in which I would tell him I would only take a deal from a publisher who would promise to publish my first novel as well. If they wanted the nonfiction story badly enough, they would take the deal.

After hanging up the phone, I went to my screen and looked into the city basket to see if Larry Bernard’s stories were on the daily budget. As expected, the top of the budget was weighted with a three-story package on the case.

SERIAL-A man suspected of being a serial killer who took part in the killings of at least seven women, including a Times reporter, died Tuesday night in Mesa, AZ, after a confrontation with another reporter for the newspaper led to his falling thirteen floors down a hotel stairwell shaft. Marc Courier, 26, a Chicago native, was identified as one of two men suspected in a string of sexually motivated abductions and murders of women in at least two states. The other suspect was identified by the FBI as Declan McGinnis, 46, also of Mesa. Agents said McGinnis was the chief executive officer of a data storage facility from which victims were chosen from stored law firm files. Courier worked for McGinnis at Western Data Consultants and had direct access to the files in question. Though Courier claimed to a Times reporter that he had killed McGinnis, the FBI has listed his whereabouts as unknown. 45 inches w/mug shot of Courier. BERNARD

SERIAL SIDE-In a life-or-death struggle, Times reporter Jack McEvoy grappled with the knife-wielding Marc Courier on the top floor of the Mesa Verde Inn before distracting him with the tools of his trade: words. When the suspected serial killer dropped his guard, McEvoy got the upper hand and Courier fell down a stairwell shaft to his death. Authorities say the suspect left behind more questions than answers. 18 inches w/art BERNARD

DATA-They call them bunkers and farms. They sit in pastures and deserts. They are as nondescript as the nameless warehouses that line industrial streets in every city in the country. Data storage centers are billed as economical, dependable and secure. They store vital digital files that remain just a fingertip away no matter where your business is located. But this week’s investigation into how two men used stored files to choose, stalk and prey on women is raising questions about the industry that has seen explosive growth in recent years. Authorities say the bottom-line question is not where or how you should store your digital information. The question is, who is minding it? The Times learns that many storage facilities hire the best and the brightest to safeguard their data. The problem is, sometimes the best and the brightest are former criminals. Suspect Marc Courier is a case in point. 25 inches w/art GOMEZ-GONZMART

They were going all-out again. The story package would lead the paper and be the authoritative report on the case. All other media outlets would have to credit the Times or scramble to match it. It would be a good day for the Times. The editors could already smell a Pulitzer.

I closed the screen and thought about the sidebar story Larry was going to write. He was right. There were more questions than answers.

I opened a new document on the screen and wrote my best recollection of the exact exchange I’d had with Courier. It took me only five minutes because the truth was that not a lot was said.

ME: Where’s McGinnis? Did he send you to do the dirty work? Just like in Nevada?

HIM: No response.

ME: Does he tell you what to do? He’s your mentor on murder and tonight the master won’t be happy with the student. You went oh for two.

HIM: McGinnis is dead, you dumb fuck! I buried him in the desert. Just like I was going to bury your bitch when I was through with her. Me: Why didn’t you just run? Why risk everything to go for her?

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