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Alistair MacLean: When Eight Bells Toll

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Alistair MacLean When Eight Bells Toll

When Eight Bells Toll: краткое содержание, описание и аннотация

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Millions of pounds in gold bullion are being pirated in the Irish Sea. Investigations by the British Secret Service, and a sixth sense, have brought Philip Calvert to a bleak, lonely bay in the Western Highlands. But the sleepy atmosphere of Torbay is deceptive. The place is the focal point of many mysterious disappearances. Even the unimaginative Highland Police Sergeant seems to be acting a part. But why? This story is Alistair MacLean at his enthralling best. It has all the edge-of-the-seat suspense, and dry humour that millions of readers have devoured for years.

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"So the little man has a little knife, has he?" he said softly. The voice was a shock. With this caveman-like strength I'd have expected a caveman-like intelligence and voice to match, but the words came in the calm, pleasant, cultured almost accentless speech of the well-educated southern Englishman. "We shall have to take the little knife from him, shan't we?" He raised his voice. "Captain Imrie?" At least, that's what the name sounded like.

"Be quiet, you fool!" The urgent irate voice came from the direction of the crew accommodation aft, "Do you want to-"

"Don't worry, Captain," The eyes didn't leave me. "I have him. Here by the wireless office. He's armed. A knife. I'm just going to take it away from him."

"You have him? You have him? Good, good, good!" It was the kind of a voice a man uses when he's smacking his lips and rubbing his hands together: it was also the kind of voice that a German or Austrian uses when he speaks English. The short guttural "gut" was unmistakable. "Be careful. This one I want alive. Jacques! Henry! Kramer! All of you. Quickly! The bridge. Wireless office."

"Alive," the man opposite me said pleasantly, "can also mean not quite dead." He sucked some more blood from the palm of his hand. "Or will you hand over the knife quietly and peaceably? I would suggest — "

I didn't wait for more. This was an old technique. You talked to an opponent who courteously waited to hear you out, not appreciating that half-way through some well-turned phrase you were going to shoot him through the middle when, lulled into a sense of temporary false security, he least expected it. Not quite cricket, but effective, and I wasn't going to wait until it took effect on me. I didn't know how he was coming at me but I guessed it would be a dive, either head or feet first and that if he got me down on the deck I wouldn't be getting up again. Not without assistance. I took a quick step forward, flashed my torch a foot from his face, saw the dazzled eyes screw shut for the only fraction of time I'd ever have and kicked him.

It wasn't as hard as it might have been, owing to the fact that my right leg still felt as if it were broken, nor as accurate, because of the darkness, but it was a pretty creditable effort in the circumstances and it should have left him rolling and writhing about the deck, whooping in agony. Instead he just stood there, unable to move, bent forward and clutching himself with his hands. He was more than human, all right. I could see the sheen of his eyes, but I couldn't see the expression in them, which was just as well as I don't think I would have cared for it very much.

I left. I remembered a gorilla I'd once seen in Basle Zoo, a big black monster who used to twist heavy truck tyres into figures of eight for light exercise. I'd as soon have stepped inside that cage as stay around that deck when this lad became more like his old self again. I hobbled forward round the corner of the radio office, climbed up a life raft and stretched myself flat on the deck.

The nearest running figures, some with torches, were already at the foot of the companionway leading up to the bridge. I had to get right aft to the rope with the rubber-covered hook I'd swung up to swarm aboard. But I couldn't do it until the midship decks were clear. And then, suddenly, I couldn't do it all: now that the need for secrecy and stealth was over someone had switched on the cargo loading lights and the midships and foredecks were bathed in a brilliant dazzle of white. One of the foredeck arc lamps was on a jumbo mast, just for'ard of and well above where I was lying. I felt as exposed as a fly pinned to a white ceiling. I flattened myself on that deck as if I were trying to push myself through it.

They were up the companion way and by the radio office now. I heard the sudden exclamations and curses and knew they'd found the hurt man: I didn't hear his voice so I assumed he wasn't able to speak yet.

The curt, authoritative German-accented voice took command.

"You cackle like a flock of hens. Be silent. Jacques, you have your machine-pistol?"

"I have my pistol, Captain." Jacques had the quiet competent sort of voice that I would have found reassuring in certain circumstances but didn't very much care for in the present ones.

"Go aft. Stand at the entrance to the saloon and face for'ard. Cover the midships decks. We will go to the fo'c'sle and then come aft in line abreast and drive him to you. If he doesn't surrender to you, shoot him through the legs. I want him alive."

God, this was worse than the Peacemaker Colt, At least that fired only one shot at a time. I'd no idea what kind of machine-pistol Jacques had, probably it fired bursts of a dozen or more, I could feel my right thigh muscle begin to stiffen again, it was becoming almost a reflex action now.

"And if he jumps over the side, sir?"

"Do I have to tell you, Jacques?"

"No, sir."

I was just as clever as Jacques was. He didn't have to tell me either. That nasty dry taste was back in my throat and mouth again. I'd a minute left, no more, and then it would be too late. I slid silently to the side of the radio office roof, the starboard side, the side remote from the spot where Captain Imrie was issuing curt instructions to his men, lowered myself soundlessly to the deck and made my way to the wheelhouse.

I didn't need my torch in there, the backwash of light from the big arc-lamps gave me all the illumination I wanted. Crouching down, to keep below window level, I looked around and saw what I wanted right away — a metal box of distress flares.

Two quick flicks of the knife severed the lashings that secured the flare-box to the deck. One piece of rope, perhaps ten feet in all, I left secured to a handle of the box. I pulled a plastic bag from the pocket of my coat, tore off the coat and the yachtsman's rubber trousers that I was wearing over my scuba suit, stuffed them inside and secured the bag to my waist. The coat and trousers had been essential. A figure in a dripping rubber diving suit walking across the decks of the Nantesville would hardly have been likely to escape comment whereas in the dusk and with the outer clothing I had on I could have passed for a crewman and, indeed, had done so twice at a distance: equally important, when I'd left the port of Torbay in my rubber dinghy it had been broad daylight and the sight of a scuba-clad figure putting to sea towards evening wouldn't have escaped comment either, as the curiosity factor of the inhabitants of the smaller ports of the Western Highlands and Islands did not, I had discovered, Jag noticeably behind that of their mainland brethren. Some would put it even more strongly than that.

Still crouching low, I moved out through the wheelhouse door on to the starboard wing of the bridge. I reached the outer end and stood up straight. I had to, I had to take the risk, it was now or never at all, I could hear the crew already beginning to move forward to start their search. I lifted the flare box over the side eased it down the full length of the rope and started to swing it slowly, gently, from side to side, like a leadsman preparing to cast his lead.

The box weighed at least forty pounds, but I barely noticed the weight. The pendulum arc increased with every swing I made. It had reached an angle of about forty-five degrees on each swing now, pretty close to the maximum I could get and both time and my luck must be running out, I felt about as conspicuous as a trapeze artist under a dozen spotlights and just about as vulnerable too. As the box swung aft on its last arc I gave the rope a final thrust to achieve all the distance and momentum I could, opened my hands at the extremity of the arc and dropped down behind the canvas wind-dodger. It was as I dropped that I remembered I hadn't holed the damned box, I had no idea whether it would float or sink but I did have a very clear idea of what would happen to me if it didn't sink. One thing for sure, it was too late to worry about it now.

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