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Michael Connelly: The Black Echo

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Michael Connelly The Black Echo

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From Kirkus Reviews Second tense, tightly wound tangle of a case for Hieronymous Bosch (The Black Echo, 1991). This time out, the LAPD homicide cop, who's been exiled to Hollywood Division for his bumptious behavior, sniffs out the bloody trail of the designer drug ``black ice.'' Connelly (who covers crime for the Los Angeles Times) again flexes his knowledge of cop ways-and of cop-novel clich‚s. Cast from the hoary mold of the maverick cop, Bosch pushes his way onto the story's core case-the apparent suicide of a narc-despite warnings by top brass to lay off. Meanwhile, Bosch's boss, a prototypical pencil-pushing bureaucrat hoping to close out a majority of Hollywood 's murder cases by New Year's Day, a week hence, assigns the detective a pile of open cases belonging to a useless drunk, Lou Porter. One of the cases, the slaying of an unidentified Hispanic, seems to tie in to the death of the narc, which Bosch begins to read as murder stemming from the narc's dirty involvement in black ice. When Porter is murdered shortly after Bosch speaks to him, and then the detective's love affair with an ambitious pathologist crashes, Bosch decides to head for Mexico, where clues to all three murders point. There, the well-oiled, ten- gear narrative really picks up speed as Bosch duels with corrupt cops; attends the bullfights; breaks into a fly-breeding lab that's the distribution center for Mexico's black-ice kingpin; and takes part in a raid on the kingpin's ranch that concludes with Bosch waving his jacket like a matador's cape at a killer bull on the rampage. But the kingpin escapes, leading to a not wholly unexpected twist-and to a touching assignation with the dead narc's widow. Expertly told, and involving enough-but lacking the sheer artistry and heart-clutching thrills of, say, David Lindsay's comparable Stuart Haydon series (Body of Evidence, etc.).

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Bosch wasn’t going to bite on that. Pederson and the other cops would have to find out from another source what really went down at Beverly Hills Safe & Lock. In fact, he began to wonder if Pederson really had an arrest report to type up. Or had the rookie at the front desk spread the word that Bosch was in the bureau and the old beat cop been sent back to pump him?

Pederson had hair whiter than chalk and was considered an old cop but was actually only a few years older than Bosch. He had walked or driven the Boulevard beat for twenty years on night watch, and that was enough to turn a man’s hair white early. Bosch liked Pederson. He was a silo of information about the street. There was rarely a murder on the Boulevard that went by without Bosch’s checking with him to see what his informants were saying. And he almost always came through.

“Yeah, it’s curious,” Bosch said. He added nothing else.

“You doing paper from your shooting?” Pederson asked after settling himself in front of a typewriter. When Bosch didn’t answer he added, “You got any more of those cigarettes?”

Bosch got up and carried a whole pack over to Pederson. He put them down on the typewriter in front of the beat cop and told him they were his. Pederson got the message. Nothing personal, but Bosch wasn’t going to talk about the shoot-out, especially about what a couple of IAD cops were doing there.

Pederson got to work on the typewriter after that, and Bosch went back to his murder book. He finished reading through it without a single forty-watt bulb lighting up in his head. He sat there with the typewriter clacking in the background and smoked and tried to think of what else there was to do. There was nothing. He was at the wall.

He decided to call his home and check the tape machine. He picked up his phone, then thought better of using it and hung up. On the off chance his desk phone wasn’t a private line, he walked around to Jerry Edgar’s spot at the table and used his line. He got his answering machine, punched in a code and listened as it played a dozen messages. The first nine were from cops and some old friends wishing him a speedy recovery. The last three, the most recent messages, were from the doctor who had been treating him, Irving and Pounds.

“Mr. Bosch, this is Dr. McKenna. I consider it very unwise and unsafe for you to have left the hospital environment. You are risking further damage to your body. If you get this message, would you please return to the hospital. We are holding the bed. I can no longer treat you or consider you my patient if you do not return. Please. Thank you.”

Irving and Pounds were not as worried about Bosch’s health.

Irving’s message said, “I do not know where you are or what you are doing, but it better be that you just do not like hospital food. Think about what I told you, Detective Bosch. Do not make a mistake we will both be sorry for.”

Irving hadn’t bothered to identify himself but didn’t have to. Neither did Pounds. His message was the last. It was the chorus.

“Bosch, call me at home as soon as you get this. I have received word that you left the hospital and we need to talk. Bosch, you are not, repeat, not, to continue any line of investigation relating to the shootings on Saturday. Call me.”

Bosch hung up. He wasn’t going to call any of them. Not yet. While sitting at Edgar’s spot he noticed a scratch pad on the table on which the name Veronica Niese was written. Sharkey’s mother. There was also a phone number. Edgar must have called her to notify her about her son’s death. Bosch thought of her answering the call, expecting it to be another one of her jerkoff customers, and instead it was Jerry Edgar calling to say her son was dead.

His thought of the boy reminded Bosch of the interview. He had not had the tape transcribed yet. He decided to listen to it, and went back to his place at the table. He pulled his tape recorder out of a drawer. The tape was gone. He remembered he had given it to Eleanor. He went to the supply closet, trying to calculate whether the interview would still be on the backup tape. The backup automatically rewound when it reached its end and then started taping over itself. Depending on how often the taping system in the interview room had been used since Tuesday’s session with Sharkey, the Q-and-A with the boy might still be intact on the backup tape.

Bosch popped the cassette out of the recorder and brought it back to his table. He put it in his own portable, put on a set of earphones and rewound the tape to its beginning. He reviewed it by playing it for a few seconds until he could tell whether it was his voice or Sharkey’s or Eleanor’s, and then fast-forwarding for about ten seconds. He repeated this process for several minutes before he finally hit the Sharkey interview in the last half of the tape.

Once he found it, he rewound the tape a bit so he could hear the interview from the start. He rewound too far and ended up listening to half a minute of another interview concluding. Then he heard Sharkey’s voice.

“What are you looking at?”

“I don’t know.” It was Eleanor. “I was wondering if you knew me. You seem familiar. I didn’t realize I was staring.”

“What? Why should I know you? I never did no federal shit, man. I don’t know-”

“Never mind. You looked familiar to me, that’s all. I was wondering if you recognized me. Why don’t we wait until Detective Bosch comes in.”

“Yeah, okay. Cool.”

There was silence on the tape then. Listening to it, Bosch was confused. Then he realized that what he had just heard had been said before he went into the interview room.

What had she been doing? The silence on the tape ended and Bosch heard his own voice.

“Sharkey, we are going to tape this because it might help us later to go over it. Like I said, you are not a suspect so you-”

Bosch stopped the tape and rewound it to the exchange between the boy and Eleanor. He listened to it again and then again. Each time it felt as if he had been punched in the heart. His hands were sweating and his fingers slipped on the buttons of the recorder. He finally pulled the earphones off and flung them onto the table.

“Damn it,” he said.

Pederson stopped typing and looked over.

PART IX

MONDAY, MAY 28

MEMORIAL DAY OBSERVED

By the time Bosch got to the veterans cemetery in Westwood, it was just after midnight.

He had checked a new car out of the Wilcox fleet garage and then driven by Eleanor Wish’s apartment. There were no lights on and he felt like a teenager checking on the girlfriend who dumped him. Even though he was alone he was embarrassed. He didn’t know what he would have done if there had been a light. He headed back east toward the cemetery, thinking about Eleanor and how she had betrayed him in love and business, all at the same time.

He started with the supposition that Eleanor had asked Sharkey if he recognized her because it was she who had been in the Jeep that delivered Meadows’s body to the reservoir. She had been looking for a sign that the boy realized this and recognized her. But he didn’t. Sharkey went on-after Bosch joined the interview-to say he had seen two people who he thought were men. He said the smaller of the two stayed in the Jeep’s passenger seat and didn’t help with the body at all. It seemed to Bosch that the boy’s mistake should have insured his life. But he knew that it had been he who had then doomed Sharkey when he suggested hypnotizing him. Eleanor had passed that on to Rourke, who knew he couldn’t risk it.

Next was the question of why. The money was the ultimate answer, but Bosch could not comfortably attribute this motive to Eleanor. There was something more. The others involved-Meadows, Franklin, Delgado and Rourke-all shared the common bond of Vietnam as well as direct knowledge of the two targets, Binh and Tran. How did Eleanor fit into this? Bosch thought about her brother, killed in Vietnam. Was he the connection? He remembered that she had said his name was Michael, but she hadn’t mentioned how or when he was killed. Bosch hadn’t let her. Now he regretted having stopped her when she apparently wanted to talk about him. She had mentioned the memorial in Washington and how it had changed her. What could she have seen that would do that? What could the wall have told her that she didn’t already know?

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