Michael Connelly - The Black Echo

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From Kirkus Reviews
Second tense, tightly wound tangle of a case for Hieronymous Bosch (The Black Echo, 1991). This time out, the LAPD homicide cop, who's been exiled to Hollywood Division for his bumptious behavior, sniffs out the bloody trail of the designer drug ``black ice.'' Connelly (who covers crime for the Los Angeles Times) again flexes his knowledge of cop ways-and of cop-novel clich‚s. Cast from the hoary mold of the maverick cop, Bosch pushes his way onto the story's core case-the apparent suicide of a narc-despite warnings by top brass to lay off. Meanwhile, Bosch's boss, a prototypical pencil-pushing bureaucrat hoping to close out a majority of Hollywood 's murder cases by New Year's Day, a week hence, assigns the detective a pile of open cases belonging to a useless drunk, Lou Porter. One of the cases, the slaying of an unidentified Hispanic, seems to tie in to the death of the narc, which Bosch begins to read as murder stemming from the narc's dirty involvement in black ice. When Porter is murdered shortly after Bosch speaks to him, and then the detective's love affair with an ambitious pathologist crashes, Bosch decides to head for Mexico, where clues to all three murders point. There, the well-oiled, ten- gear narrative really picks up speed as Bosch duels with corrupt cops; attends the bullfights; breaks into a fly-breeding lab that's the distribution center for Mexico's black-ice kingpin; and takes part in a raid on the kingpin's ranch that concludes with Bosch waving his jacket like a matador's cape at a killer bull on the rampage. But the kingpin escapes, leading to a not wholly unexpected twist-and to a touching assignation with the dead narc's widow. Expertly told, and involving enough-but lacking the sheer artistry and heart-clutching thrills of, say, David Lindsay's comparable Stuart Haydon series (Body of Evidence, etc.).

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There was too much light. If they were waiting down there for him he would be a sitting duck. He backed out and around behind the vault door. He put his shoulder against it and slowly began to push the huge slab of steel closed.

Bosch could hear several sirens approaching now. Looking out into the street he saw an ambulance and two police cars coming down Wilshire. The unmarked car with Houck in it screeched to a halt in front and he came out with handgun drawn. The door was halfway closed and finally moving under its own force. Bosch slipped around it and back into the vault. He stood there over the blast hole as the door slowly closed and the light dimmed. He realized he had poised at such a moment many times before. It was always at the edge, at the entrance, that the moment was most thrilling and frightening to him. He would be at his most vulnerable at the moment he dropped into the hole. If Franklin or Delgado was down there waiting for him, they had him.

“Harry,” he heard Wish call to him, though he couldn’t understand how her voice made it through the now paper-thin opening. “Harry, be careful. There may be more than two.”

Her voice echoed in the steel room. He looked down into the hole and got his bearings. When he heard the vault door clink shut and there was only blackness, he jumped.

***

As he came down in the rubble Bosch crouched and fired a shot from his Smith & Wesson into the blackness and then hurled himself flat against the bottom of the tunnel. It was a war trick. Shoot before they shoot you. But nobody was waiting for him. There was no return fire. No sound, except the faraway sound of running footsteps on the marble floor above and outside the vault. He realized he should have warned Eleanor, told her the first shot would be his.

He held his lighter out away from his body and snapped it on. Another war trick. Then he picked up the flashlight, turned it on and looked around. He saw that he had fired his shot into a dead end. The tunnel the thieves had dug to the vault went the other way. West, not east as they had thought when they looked over the blueprints the night before. That meant they had not come from the storm line Gearson had guessed they would. Not from Wilshire, but maybe Olympic or Pico to the south, or Santa Monica to the north. Bosch realized that the DWP man and all the rest of the agents and cops had been skillfully led astray by Rourke. Nothing would be as they had planned or thought. Harry was on his own. He focused the beam down the tunnel’s black throat. It sloped down and then up, giving him only about thirty feet of visibility. The tunnel went west. The SWAT team was waiting to the south and east. They were waiting for nobody.

Holding the flashlight off to the right, away from his body, he began to crawl down the passageway. The tunnel was no taller than three and a half feet, top to bottom, and maybe three feet wide. He moved slowly, holding his gun in the same hand he used to crawl with. There was the smell of cordite in the air, and bluish smoke hung in the beam of the flashlight. Purple Haze, Bosch thought. He felt himself perspiring freely, from the heat and the fear. Every ten feet he stopped to wipe sweat out of his eyes with the sleeve of his jacket. He didn’t take the jacket off because he didn’t want to differ from the description given to the people who would follow him in. He didn’t want to be killed by friendly fire.

The tunnel alternately curved left and then right for fifty yards, causing Bosch to become confused about his direction. At one point it dipped below a utility pipeline. And at times he could hear the rumble of traffic, making the tunnel sound like it was breathing. Every thirty feet burned a candle placed in a notch dug into the tunnel wall. In the sandy, chunky rubble at the bottom of the tunnel he looked for trip-wires but found a trail of blood.

After a few minutes of slow travel, he turned the flashlight off and sank back on his calves to rest and try to control the sound of his breathing. But he could not seem to get enough air into his lungs. He closed his eyes for a few moments, and when he opened them he realized there was a pale light coming from the curve ahead. The light was too steady to be from a candle. He started moving slowly, keeping the flashlight off. When he made his way around the bend, the tunnel widened. It was a room. Tall enough to stand in and wide enough to live in, he thought, during the dig.

The light came from a kerosene lantern sitting on top of an Igloo cooler in the corner of the underground room. There were also two bedrolls and a portable Coleman gas stove. There was a portable chemical toilet. He saw two gas masks and also two backpacks with food and equipment in them. And there were plastic bags full of trash. It was the camp room, like the one Eleanor had assumed was used during the dig into the WestLand vault. Bosch looked at all the equipment and thought of Eleanor’s warning about there possibly being more than two. But she had been wrong. Just two of everything.

The tunnel continued on the other side of the camp room, where there was another three-foot-wide hole. Bosch turned the lantern flame off so he wouldn’t be backlit and crawled into the passageway. There were no candles in the walls here. He used the flashlight intermittently, turning it on to get his bearings and then crawling a short distance in the dark. Occasionally, he stopped, held his breath and listened. But the sound of traffic seemed farther away. And he heard nothing else. About fifty feet past the camp room the tunnel reached a dead end, but Bosch saw a circular outline on the floor. It was a plywood circle covered with a layer of dirt. Twenty years earlier he would have called it a rathole. He backed away, crouched down and studied the circle. He saw no indication it was a trap. In fact, he did not expect one. If the tunnelers had rigged the opening, it would have been to guard against entry, not exit. The explosives would be on this side of the circle. Nevertheless, he took his key-chain knife out and carefully ran its edge around the circle, then lifted it up a half inch. He pointed the light into the crack and saw no wires or attachments to the underside of the plywood. He then flipped it up. There were no shots. He crawled to the edge of the hole and saw another tunnel below. He dropped his arm and the flashlight through the hole and flicked on the beam. He swept it around and braced for the inevitable gunfire. Again, none came. He saw that the lower passageway was perfectly round. It was smooth concrete with black algae and a trickle of water at the bottom of its curve. It was a stormwater drainage culvert.

He dropped through the hole and immediately lost his footing on the slime and slipped onto his back. He propped himself up and with the flashlight began looking for a trail in the black slime. There was no blood, but in the algae there were scrape marks that could have been made with shoes digging for purchase. The trickle of water moved in the same direction as the scrape marks. Bosch went that way.

By now, he had lost his sense of direction, but he believed that he was heading north. He turned off the beam and moved slowly for twenty feet before flicking it on again. When he did so, he saw that the trail was confirmed. A smeared handprint of blood was at about three o’clock on the curved wall of the pipe. Two feet farther and at five o’clock there was another. Franklin was losing blood and strength quickly, he guessed. He had stopped here to check the wound. He would not be too much farther ahead.

Slowly, trying to lower the noise of his breathing, Bosch moved forward. The pipe smelled like a wet towel and the air was damp enough to put a film on his skin. The sound of traffic rumbled from somewhere nearby. There was the sound of sirens. He felt the pipe was on a gradual downward slope that kept the trickle of water moving. He was going deeper underground. There were cuts on his knees that bled and stung as he slipped and scraped along the bottom.

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