Michael Connelly - The Black Echo

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From Kirkus Reviews
Second tense, tightly wound tangle of a case for Hieronymous Bosch (The Black Echo, 1991). This time out, the LAPD homicide cop, who's been exiled to Hollywood Division for his bumptious behavior, sniffs out the bloody trail of the designer drug ``black ice.'' Connelly (who covers crime for the Los Angeles Times) again flexes his knowledge of cop ways-and of cop-novel clich‚s. Cast from the hoary mold of the maverick cop, Bosch pushes his way onto the story's core case-the apparent suicide of a narc-despite warnings by top brass to lay off. Meanwhile, Bosch's boss, a prototypical pencil-pushing bureaucrat hoping to close out a majority of Hollywood 's murder cases by New Year's Day, a week hence, assigns the detective a pile of open cases belonging to a useless drunk, Lou Porter. One of the cases, the slaying of an unidentified Hispanic, seems to tie in to the death of the narc, which Bosch begins to read as murder stemming from the narc's dirty involvement in black ice. When Porter is murdered shortly after Bosch speaks to him, and then the detective's love affair with an ambitious pathologist crashes, Bosch decides to head for Mexico, where clues to all three murders point. There, the well-oiled, ten- gear narrative really picks up speed as Bosch duels with corrupt cops; attends the bullfights; breaks into a fly-breeding lab that's the distribution center for Mexico's black-ice kingpin; and takes part in a raid on the kingpin's ranch that concludes with Bosch waving his jacket like a matador's cape at a killer bull on the rampage. But the kingpin escapes, leading to a not wholly unexpected twist-and to a touching assignation with the dead narc's widow. Expertly told, and involving enough-but lacking the sheer artistry and heart-clutching thrills of, say, David Lindsay's comparable Stuart Haydon series (Body of Evidence, etc.).

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Bosch picked up the phone and with a small penknife that was attached to his key chain he popped the cover off the mouthpiece. There was nothing there that shouldn’t be. Then he took the cover off the earpiece. It was there. Using the knife he carefully lifted out the speaker. Attached behind it by a small magnet was a small, flat, round transmitter about the size of a quarter. There were two wires attached to the device, which, he knew, was sound activated and called a T-9. One wire was wrapped around one of the phone’s receiver wires, piggybacking power for the bug. The other wire went into the barrel of the handset. Bosch gingerly pulled it, and out came the backup energy source: a small, thin power pack containing a single AA battery. The bug ran off the phone’s juice, but if the phone was disconnected from the wall, the battery could provide power for maybe another eight hours. Bosch disconnected the device from the phone and placed it on the table. It was now running off the battery. He just stared at it, thinking about what he was going to do. It was a standard police department wire. Pickup range, fifteen to twenty feet, designed to take in everything said in the room. The transmission range was minimal, maybe twenty-five yards at most, depending on how much metal was in the building.

Bosch went to the living room window again to look up the street. Lewis and Clarke still showed no sign of alert or that the bug had been discovered. Lewis was through picking his teeth.

Bosch turned on the stereo and put on a Wayne Shorter CD. He then went out a side door in the kitchen into the carport. He could not be seen from the IAD car. He found the tape recorder in the first place he looked; the junction box beneath the DWP electric meter on the back wall of the carport. The two-inch reels were turning to the sound of Shorter’s saxophone. The Nagra recorder, like the T-9, was wired to the house current but had a battery backup. Bosch disconnected it and brought it inside, where he set it on the table next to its counterpart.

Shorter was finishing “502 Blues.” Bosch sat in the watch chair, lit a cigarette and looked at the device as he tried to form a plan. He reached over, rewound the tape and pushed the play button. The first thing he heard was his own voice saying he wasn’t there, then Jerry Edgar’s message about the Hollywood Bowl. Then the next sounds were the door opening and closing twice, then Wayne Shorter’s sax. They had changed reels at least once since the test call had been made. Then he realized that Eleanor Wish’s visit had been taped. He thought about that and wondered if the bug had picked up what had been said on the back porch. Bosch’s stories about himself and Meadows. He grew angry thinking about the intrusion, the delicate moment stolen by the two men in the black Plymouth.

He shaved, showered and dressed in a fresh set of clothes, a tan summer suit with pink oxford shirt and blue tie. Then he went to the living room and loaded the bug and recorder into the pockets of his jacket. He took another look through the curtains with the field glasses: still no movement in the Internal Affairs car. He went out the side door again and carefully climbed down the embankment to the base of the first stilt, an iron I beam. He gingerly made his way across the incline beneath his house. He noticed along the way that the dried brush was sprinkled with pieces of gold foil, the beer label he had picked at and dropped from the porch when he was with Eleanor.

Once he got to the other side of his property, he picked his way across the hill, going under the next three stilt houses. After the third, he scrambled up the hillside and looked around the front corner into the street. He was now behind the black Plymouth. He picked the burrs off the cuffs of his pants and then walked casually into the road.

***

Bosch came up unnoticed on the passenger-side door. The window was down and just before he flung the door open he thought he could hear snoring coming from the car.

Clarke’s mouth was open and his eyes still shut when Bosch leaned in through the open door and grabbed both men by their silk ties. Bosch put his right foot on the doorsill for leverage and pulled both men toward him. Though there were two of them, the advantage belonged to Bosch. Clarke was disoriented and Lewis had little more idea what was happening. Pulling them by their ties meant that any struggle or resistance tightened the ties around their necks, cutting off their air. They came out almost willingly, tumbling like dogs on leashes and landing next to a palm tree planted three feet from the sidewalk. Their faces were red and sputtering. Their hands went to their necks, clawing at the knots of their ties as they fought to get air back into their pipes. Bosch’s hands went to their belts and yanked away the handcuffs. As the two IAD detectives were gulping air through their reopened throats Bosch managed to cuff Lewis’s left hand to Clarke’s right. Then, on the other side of the tree, he got Lewis’s right into the other set of cuffs. But Clarke realized what Bosch was doing and tried to stand up and pull away. Bosch grabbed his tie again and gave it a sharp yank down. Clarke’s head came forward and his face rammed the palm tree. He was momentarily stunned and Bosch slapped the last cuff on his wrist. Both IAD cops were wallowing on the ground then, locked to each other with the palm tree in the middle of the circle of their arms. Bosch unholstered their weapons, then stepped back to catch his own breath. He threw their guns onto the front seat of their car.

“You’re dead,” Clarke finally managed to croak through his swollen throat.

They worked their way up into standing positions, the palm tree between them. They looked like two grown men caught playing ring-around-the-rosy.

“Assaulting a fellow officer, two counts,” Lewis said. “Conduct unbecoming. We can get you for a half-dozen other things now, Bosch.” He coughed violently, spittle hitting Clarke’s suit coat. “Unhook us and maybe we can forget this.”

“No way. We aren’t forgetting a fucking thing,” Clarke said to his partner. “He’s going down like a flaming asshole.”

Bosch took the listening device out of his pocket and held it out on his palm for them to see. “Who’s going down?” he asked.

Lewis looked at the bug, recognizing what it was, and said, “We don’t know anything about that.”

“Course not,” Bosch said. He took the recorder out of his other pocket and held that out, too. “Sound-sensitive Nagras, that’s what you guys use on all your jobs, legal or not, isn’t it? Found it in my phone. Same time I notice that you two dummies have been following me all over the city. Don’t suppose you guys also dropped the bug on me so you could listen as well as watch?”

Neither Lewis nor Clarke answered and Bosch didn’t expect them to. He noticed a small drop of blood poised at the edge of one of Clarke’s nostrils. A car driving on Woodrow Wilson slowed and Bosch pulled his badge and held it up. The car kept going. The two IAD detectives did not call for help, which made Bosch begin to feel he was safe. This would be his play. The department had taken such bad publicity for illegally bugging officers, civil rights leaders, even movie stars in the past, that these two were not going to make an issue of this. Saving their own hides came before skinning Bosch.

“You got a warrant saying you can drop a bug on me?”

“Listen to me, Bosch,” Lewis said. “I told you, we-”

“I didn’t think so. Have to have evidence of a crime to get a warrant. Least that’s what I always heard. But Internal Affairs doesn’t usually bother with details like that. You know what your assault case looks like, Clarke? While you two are taking me to the Board of Rights and getting me fired for dragging you out of the car and getting grass stains on your shiny asses, I’m going to be taking you two, your boss Irving, IAD, the police chief and the whole fucking city to federal court on a Fourth Amendment case. Illegal search and seizure. I’ll throw in the mayor, too. How’s that?”

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