Michael Connelly - The Black Echo

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From Kirkus Reviews
Second tense, tightly wound tangle of a case for Hieronymous Bosch (The Black Echo, 1991). This time out, the LAPD homicide cop, who's been exiled to Hollywood Division for his bumptious behavior, sniffs out the bloody trail of the designer drug ``black ice.'' Connelly (who covers crime for the Los Angeles Times) again flexes his knowledge of cop ways-and of cop-novel clich‚s. Cast from the hoary mold of the maverick cop, Bosch pushes his way onto the story's core case-the apparent suicide of a narc-despite warnings by top brass to lay off. Meanwhile, Bosch's boss, a prototypical pencil-pushing bureaucrat hoping to close out a majority of Hollywood 's murder cases by New Year's Day, a week hence, assigns the detective a pile of open cases belonging to a useless drunk, Lou Porter. One of the cases, the slaying of an unidentified Hispanic, seems to tie in to the death of the narc, which Bosch begins to read as murder stemming from the narc's dirty involvement in black ice. When Porter is murdered shortly after Bosch speaks to him, and then the detective's love affair with an ambitious pathologist crashes, Bosch decides to head for Mexico, where clues to all three murders point. There, the well-oiled, ten- gear narrative really picks up speed as Bosch duels with corrupt cops; attends the bullfights; breaks into a fly-breeding lab that's the distribution center for Mexico's black-ice kingpin; and takes part in a raid on the kingpin's ranch that concludes with Bosch waving his jacket like a matador's cape at a killer bull on the rampage. But the kingpin escapes, leading to a not wholly unexpected twist-and to a touching assignation with the dead narc's widow. Expertly told, and involving enough-but lacking the sheer artistry and heart-clutching thrills of, say, David Lindsay's comparable Stuart Haydon series (Body of Evidence, etc.).

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“I remember,” Wish said.

“But Dixie was different. I was working the late shift in the task force offices that day and I caught the call. I went and talked to her. She told me that this john she’d picked up on Hollywood near Spa Row, you know, near the Scientology mansion, took her to this garage apartment in Silver Lake. She said that while the guy was getting naked she wanted to use the toilet. So she goes in and while she’s running the water she looks through the cabinet below the sink, probably to see if there is anything worth lifting. But she sees all these little bottles and compacts and all this women’s stuff. She looks at it all and she just puts it all together. Just like that. Bingo; this has to be the guy. So she gets a case of total creeps and bails out. She comes out of the bathroom and the guy’s in the bed. She just hauls ass through the front door.

“The thing is, we hadn’t put out all the stuff about the makeup. Or, actually, the asshole that was the media leak didn’t put out everything. See, we knew that the guy was keeping the victims’ stuff. They were found with their purses but there were no cosmetics-you know, lipstick, compacts, things like that. So when Dixie told me about what was in the bathroom cabinet she got my attention. I knew she was legit.

“And that is the point where I screwed up. It was 3A.M. by the time I was done talking to Dixie. Everybody on the task force had gone home and I was left there thinking that this guy might realize Dixie made him and clear out. So I went there alone. I mean, Dixie went with me to show me the place, but then she never left the car. Once we were there, I saw a light on above the garage, which was behind this rundown house off of Hyperion. I called for patrol backup, and while I’m waiting I see the guy’s shadow going back and forth across the window. Something tells me he is getting ready to bug out and take all the stuff from the cabinet with him. And we had no evidence from the eleven bodies. We needed the stuff that was in the bathroom cabinet. The other consideration was, what if he has someone up there? You know, a replacement for Dixie. So I went up. Alone. You know the rest.”

Wish said, “You went in without a warrant and shot him when he was reaching under the pillow on the bed. You later told the shooting team that you believed it was an emergency situation. There had been enough time for him to go out and get another prostitute. You said that gave you the authority to come through the door without a warrant. You said you fired because you believed the suspect was reaching for a weapon. It was one shot, upper torso from fifteen or twenty feet, if I remember the report. But the Dollmaker was alone, and under the pillow was only his toupee.”

“Only his rug,” Bosch said. He shook his head like a Monday-morning quarterback. “The shooting team cleared me. We connected him to two of the bodies through the hair from the toupee, and the makeup in the bathroom was traced to eight of the victims. There was no doubt. It was him. I was clear, but then the shooflies started in on it. A Lewis and Clarke expedition. They ran down Dixie and got her to sign a statement saying she told me beforehand that he put his hair under the pillow. I don’t know what they used against her, but I can imagine. IAD’s always had a hard-on for me. They don’t like anybody who’s not a hundred percent part of the family. Anyway, the next thing I know they are bringing departmental charges against me. They wanted to fire me and take Dixie to a grand jury to get criminal charges. It was like there was blood in the water and two fat white sharks.”

He stopped there but Eleanor continued. “The IAD detectives misjudged things, though, Harry. They didn’t realize that public opinion would be with you. You were known in the newspapers as the cop who broke the Beauty Shop Slasher and Dollmaker cases. A character in a TV show. They couldn’t take you down without a lot of public scrutiny and embarrassment for the department.”

“Someone reached down from above them and put a stop to the grand jury move,” Bosch said. “They had to settle for a suspension and my demotion to Hollywood homicide.”

Bosch had his fingers on the stem of his empty wine glass and was absentmindedly turning the glass on the table.

“Some settlement,” he said after a while. “And those two IAD sharks are still swimming around out there, waiting for the kill.”

They sat silently for a while then. He was waiting for her to ask the question she had asked once before. Had the whore lied? She never asked it, and after a while she just looked at him and smiled. And he felt as if he had just passed the test. She started gathering the plates off the table. Bosch helped her in the kitchen and when the work was done, they stood close, drying their hands on the same dish towel, and lightly kissed. Then, as if following the same secret signals, they pressed themselves against each other and kissed with the kind of hunger lonely people have.

“I want to stay,” Bosch said after momentarily breaking away.

“I want you to stay,” she said.

***

Arson’s stoned eyes were shiny and reflected the neon night. He sucked hard on the Kool and held the precious smoke in. The cigarette had been dipped in PCP. A smile cracked across his face as the jet streams of smoke escaped his nostrils. He said, “You’re the only shark I ever heard of being used as bait. Get it?”

He laughed and took another deep drag before handing the cigarette to Sharkey, who waved it away because he’d had enough. Mojo took it then.

“Yeah, I’m getting tired of this shit,” Sharkey said. “You take a turn for once.”

“Chill out, man, you’re the only one can get away with it, man. Mojo and me, man, we just don’t play the part good as you. Besides, we got our part. You ain’t big enough to pound these faggots.”

“Well, whyn’t we do the 7-Eleven again?” Sharkey said. “I don’t like this not knowing who it is. I like it at the 7-Eleven. We pick our meat, they don’t pick me.”

“No way,” Mojo spoke up then. “We go back there, we don’t know if that last guy reported it to the sheriff’s or not. We have to stay clear a there awhile. They’re probly watching the place from the same parking lot we did.”

Sharkey knew they were right. He just thought that being out on Santa Monica on the queer stroll was getting too close to the real thing. Next thing, he guessed, the two dopers will not feel like charging in. They’ll want him to go through with it, get the money that way. That was when he would split these guys, he knew.

“Okay,” he said, stepping off the curb. “Don’t fuck me up.”

He started to cross the street. Arson yelled after him, “BMW or better!”

As if I need to be told, Sharkey thought. He walked a half block toward La Brea and then leaned against the door of a closed print shop. He was still a half block from Hot Rod’s, an adult bookstore that offered twenty-five-cent all-male peeps. But he was close enough to catch the eye of somebody walking out. If the eye was looking. He looked back the other way and saw the glow of the joint in the darkness of the driveway where Arson and Mojo sat on their bikes.

Sharkey hadn’t been standing there ten minutes when a car, a new Grand Am, pulled to the curb and the electric window glided down. Sharkey was going to blow this one off, remembering BMW or better, until he saw the glint of gold and stepped closer. His adrenaline kicked up a notch. The wrist the driver had draped over the steering wheel was adorned with a Rolex Presidential. If it was real, Arson knew where they could get $3,000 for it. A grand apiece, not to mention what else the meat might have at home or in his wallet. Sharkey looked the man over. The guy looked like a straight, a businessman. Dark hair, dark suit. Mid-forties, not too big. Sharkey might even be able to take him alone. The man smiled at Sharkey and said, “Hey, howya doin’?”

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