Michael Connelly - The Black Echo

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From Kirkus Reviews
Second tense, tightly wound tangle of a case for Hieronymous Bosch (The Black Echo, 1991). This time out, the LAPD homicide cop, who's been exiled to Hollywood Division for his bumptious behavior, sniffs out the bloody trail of the designer drug ``black ice.'' Connelly (who covers crime for the Los Angeles Times) again flexes his knowledge of cop ways-and of cop-novel clich‚s. Cast from the hoary mold of the maverick cop, Bosch pushes his way onto the story's core case-the apparent suicide of a narc-despite warnings by top brass to lay off. Meanwhile, Bosch's boss, a prototypical pencil-pushing bureaucrat hoping to close out a majority of Hollywood 's murder cases by New Year's Day, a week hence, assigns the detective a pile of open cases belonging to a useless drunk, Lou Porter. One of the cases, the slaying of an unidentified Hispanic, seems to tie in to the death of the narc, which Bosch begins to read as murder stemming from the narc's dirty involvement in black ice. When Porter is murdered shortly after Bosch speaks to him, and then the detective's love affair with an ambitious pathologist crashes, Bosch decides to head for Mexico, where clues to all three murders point. There, the well-oiled, ten- gear narrative really picks up speed as Bosch duels with corrupt cops; attends the bullfights; breaks into a fly-breeding lab that's the distribution center for Mexico's black-ice kingpin; and takes part in a raid on the kingpin's ranch that concludes with Bosch waving his jacket like a matador's cape at a killer bull on the rampage. But the kingpin escapes, leading to a not wholly unexpected twist-and to a touching assignation with the dead narc's widow. Expertly told, and involving enough-but lacking the sheer artistry and heart-clutching thrills of, say, David Lindsay's comparable Stuart Haydon series (Body of Evidence, etc.).

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There were almost a dozen home addresses listed. Most of them were apartments in Hollywood. There was a house in San Pedro, prior to the 1979 bust. If he was dealing at the time, he was probably getting it at the port in Long Beach, Bosch thought. The San Pedro address would have been convenient.

Bosch also saw that he had lived in the Sepulveda apartment since leaving Charlie Company. There was nothing else in the file about the halfway house or what Meadows did there. Bosch found the name of Meadows’s parole officer on the copies of his six-month evaluation reports. Daryl Slater, worked out of Van Nuys. Bosch wrote it down in the notebook. He also wrote down the address of Charlie Company. He then spread the arrests sheet, the work and home history, and the parole reports out in front of him. On a new piece of paper he began to write out a chronology beginning with Meadows’s being sent to federal prison in 1981.

When he was done, many of the gaps were closed. Meadows served a total of six and a half years in the federal pen. He was paroled in early 1988, when he was sponsored by the Charlie Company program. He spent ten months in the program before moving to the apartment in Sepulveda. Parole reports showed he secured a job as a drill operator in the gold mine in the Santa Clarita Valley. He completed parole in February 1989 and he quit his job a day after his PO signed him off. No known employment since, according to the Social Security Administration. IRS said Meadows hadn’t filed a return since 1988.

Bosch went into the kitchen and got a beer out and made a ham and cheese sandwich. He stood by the sink eating and drinking and trying to organize things about the case in his head. He believed that Meadows had been scheming from the time he walked out of TI, or at least Charlie Company. He’d had a plan. He worked legitimate jobs until he cleared parole, and then he quit and the plan was set into action. Bosch felt sure of it. And he felt that it was therefore likely that, at either the prison or the halfway house, Meadows had hooked up with the men who had burglarized the bank with him. And then killed him.

The doorbell rang. Bosch checked his watch and saw it was eleven o’clock. He walked to the door and looked through the peephole and saw Eleanor Wish staring at him. He stepped back, glanced at the mirror in the entrance hall and saw a man with dark, tired eyes looking back at him. He smoothed his hair and opened the door.

***

“Hello,” she said. “Truce?”

“Truce. How’d you know where I-never mind. Come in.”

She was wearing the same suit as earlier, hadn’t been home yet. He saw her notice the files and paperwork on the card table.

“Working late,” he said. “Just looking over some things in the file on Meadows.”

“Good. Um, I happened to be out this way and I just wanted, I just came by to say that we… Well, it’s been a rough week so far. For both of us. Maybe tomorrow we can start this partnership over.”

“Yes,” he said. “And, listen, I’m sorry for what I said earlier… and I’m sorry about your brother. You were trying to say something nice and I… Can you stay a few minutes, have a beer?”

He went to the kitchen and got two fresh bottles. He handed her one and led her through the sliding door to the porch. It was cool out, but there was a warm wind occasionally blowing up the side of the dark canyon. Eleanor Wish looked out at the lights of the Valley. The spotlights from Universal City swept the sky in a repetitive pattern.

“This is very nice,” she said. “I’ve never been in one of these. They’re called cantilevers?”

“Yes.”

“Must be scary during an earthquake.”

“It’s scary when the garbage truck drives by.”

“So how’d you end up in a place like this?”

“Some people, the ones down there with the spotlights, gave me a bunch of money once to use my name and my so-called technical advice for a TV show. So I didn’t have anything else to do with it. When I was growing up in the Valley I always wondered what it would be like to live in one of these things. So I bought it. It used to belong to a movie writer. This is where he worked. It’s pretty small, only one bedroom. But that’s all I’ll ever need, I guess.”

She leaned on the railing and looked down the slope into the arroyo. In the dark there was only the dim outline of the live oak grove below. He also leaned over, and absentmindedly peeled bits of the gold foil label off his beer bottle and dropped them. The gold glinted in the darkness as it fluttered down out of sight.

“I have questions,” he said. “I want to go up to Ventura.”

“Can we talk about it tomorrow? I didn’t come up to go over the files. I’ve been reading those files for almost a year now.”

He nodded and stayed quiet, deciding to let her get to whatever it was that brought her. After some time she said, “You must be very angry about what we did to you, the investigation, us checking you out. Then what happened yesterday. I’m sorry.”

She took a small sip from her bottle and Bosch realized he had never asked if she wanted a glass. He let her words hang out there in the dark for a few long moments.

“No,” he finally said. “I’m not angry. The truth is, I don’t really know what I am.”

She turned and looked at him. “We thought you’d drop it when Rourke made trouble for you with your lieutenant. Sure, you knew Meadows, but that was a long time ago. That’s what I don’t get. It’s not just another case for you. But why? There must be something more. Back in Vietnam? Why’s it mean so much to you?”

“I guess I have reasons. Reasons that have nothing to do with the case.”

“I believe you. But whether I believe you is not the point. I’m trying to know what’s going on. I need to know.”

“How’s your beer?”

“It’s fine. Tell me something, Detective Bosch.”

He looked down and watched a little piece of the printed foil disappear in the black.

“I don’t know,” he said. “Actually I do know and I don’t. I guess it goes back to the tunnels. Shared experience. It’s nothing like he saved my life or I saved his. Not that easy. But I feel something is owed. No matter what he did or what kind of fuckup he became after. Maybe if I had done more than make a few calls for him last year. I don’t know.”

“Don’t be silly,” she said. “When he called you last year he was well into this caper. He was using you then. It’s like he’s using you now, even though he’s dead.”

He’d run out of label to peel. He turned around and leaned his back on the railing. He fumbled a cigarette out of his pocket with one hand, put it in his mouth but didn’t light it.

“Meadows,” he said and shook his head at the memory of the man. “Meadows was something else… Back then, we were all just a bunch of kids, afraid of the dark. And those tunnels were so damn dark. But Meadows, he wasn’t afraid. He’d volunteer and volunteer and volunteer. Out of the blue and into the black. That’s what he said going on a tunnel mission was. We called it the black echo. It was like going to hell. You’re down there and you could smell your own fear. It was like you were dead when you were down there.”

They had gradually turned so that they were facing each other. He searched her face and saw what he thought was sympathy. He didn’t know if that’s what he wanted. He was long past that. But he didn’t know what he wanted.

“So all of us scared little kids, we made a promise. Every time anybody went down into one of the tunnels we made a promise. The promise was that no matter what happened down there, nobody would be left behind. Didn’t matter if you died down there, you wouldn’t be left behind. Because they did things to you, you know. Like our own psych-ops. And it worked. Nobody wanted to be left behind, dead or alive. I read once in a book that it doesn’t matter if you’re lying beneath a marble tombstone on a hill or at the bottom of an oil sump, when you’re dead you’re dead.

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