Robert Crais - The Monkey's Raincoat

"Did you find what you were looking for?" she said.

"In the box on the desk." I showed her the stack of paper.

She closed her eyes. "Oh, God. I'm sorry. I put those things in there this morning. I don't know why I didn't see them."

"Stress. You give a person enough stress and they begin to fog out. People start having little fender benders in parking lots. People forget their keys. People can't see things right under their noses. It happens to everybody. Even Janet Simon."

She took a nibble of her sandwich, then rearranged it on the plate. "You don't like her very much, do you?"

I didn't say anything.

"She's my friend. She's a very strong lady. She understands." Sit, Ellen. Speak.

"She's your anchor," I said. "She is that because she's abusive and insulting and she reinforces your lousy self-image, which is what you want. If she's right about you, then Mort's right about you. If Mort's right about you then you deserve to be treated the way he treats you and you shouldn't rock the boat which is something you do not want to do." Mr. Sensitive. "Other than that, I like her fine."

"You made a joke."

I had said a very hard thing and she wasn't angry. She should've been, but she wasn't. Maybe enough years of Janet Simon will do that to you. Or maybe she hadn't heard.

I shrugged. "Being funny, that's one way to deal with stress. Investigators, cops, paramedics. Paramedics are the funniest people I know. Have you in stitches."

She looked at me. Blank.

"Paramedics are the funniest people I know. Have you in stitches ."

"Oh."

"Another little joke."

We smiled at each other. Just your basic lunchtime conversation.

"Did you mean that, what you said about Janet?"

Maybe she had heard. Maybe, deep down, she was even angry. "Yes."

"You're wrong."

"Okay."

She took another microscopic bite of her sandwich, then pushed it away. Maybe she absorbed nutrients from her surroundings. "You must like being a private investigator," she said.

"Yes. Very much." I took the top off one of the sandwich halves, pulled the stems off two of the peppers, put the peppers on the sandwich, sealed it up again.

"Did you go to college for that?"

"University of Southeast Asia. Two-year program."

"Vietnam?"

"Unh-huh." I finished the first half of the sandwich, put three peppers on the remaining half, and started on that one.

"That must have been awful," she said.

"There were some very real disadvantages to being there, yes." I swallowed, took a sip of water, patted my lips with the napkin. "But adversity has a way of strengthening. If it doesn't kill you, you learn things. For instance, that's when I learned I wanted to be Peter Pan."

She didn't quite frown. She quizzled.

"You're quizzling."

"Pardon me?" Confused.

"Me being funny again. I learned to be funny in Vietnam. Funny is a survival mechanism. I started yoga. Pranayamic breathing is a great way to keep your mind right. We'd be in a bunker, six of us, breathing in one nostril, out the other, om ing to beat hell as the rockets came in. You see how this gets funny?"

"Of course."

"Yoga led to tai chi, tai chi led to tae kwon do, which is Korean karate, and wing chun, which is an offshoot of Chinese kung fu. All very centering, stabilizing activities." I spread my hands. "I am a bastion of calm in a chaotic world."

Blank eyes.

"I learned that I could survive. I learned what I would do to keep breathing, and what I wouldn't do, and what was important to me, and what wasn't. Just like you're going to learn that you can survive what's happening to you."

She pursed her lips, looking away to pick at a bread crumb on her milk glass.

"If I can survive Vietnam, you can survive Encino," I said. "Try yoga. Be good for you."

"Yoga."

Apparently she didn't consider yoga an appropriate substitute for a husband. "Mrs. Lang, do you know where Mort kept his gun?"

She looked surprised. "Mort didn't have a gun."

I showed her the receipt, "Well, this is years ago," she said.

"Guns tend to hang around. Keep an eye out for it."

She nodded. "All right. I'm sorry."

"You say that a lot. You don't have to be sorry. You look away a lot, too, and that's something else you don't have to do."

"I'm sorry."

"Quite all right."

She took a sip of her milk. It left a moustache on her upper lip. "You are funny," she said.

"It's either that or be smart." I killed the rest of the sandwich and sorted the paperwork: bank stuff together, credit card billings together, phone stuff by itself. Without Janet Simon around, she was much more relaxed. You could look past the frightened eyes and mottled face and slumped shoulders and get glimpses of her from better days. I said, "I'll bet you were the third prettiest girl in eleventh grade."

Happy-lines came to the corners of her eyes. She touched at her hair again. " Second prettiest," she said.

It was good when she smiled. She probably hadn't done a lot

"High school. Clarence Darrow Senior High in Elverton, That's where we grew up. In Kansas."

"High school sweethearts."

She smiled. "Yes. Isn't that awful?"

"Not at all. You go to college together?"

Her eyes turned a little wistful. "Mort was in theater arts and business. His parents had quite a large paint store there, in Elverton. They wanted him to take it over but Mort wanted to act. No one can understand that in Elverton. You say you want to act and they just look at you."

I shrugged. "Mort didn't have it so bad."

She looked at me.

"He had the second prettiest girl at Clarence Darrow Senior High, didn't he?"

She looked at me some more until she realized what I was doing, then she grinned, and nodded, and finally gave a short uncertain laugh. She told me I was terrible.

I pushed the paperwork across the table to her. "Be that as it may, I want you to go through and notate all the phone numbers that you can identify. Go through the credit card billings and see if the purchases make sense to you. Same with the bank statements and the check stubs."

She looked at the stacks of paper. The smile disappeared. No happy-lines around the eyes. "Isn't that what I'm paying you for?" she said softly.

"We're going to have to take care of that, too. So far, you're not paying me anything."

"Yes, of course." Awkward and uncomfortable.

I sighed. "Look, I could do this, sure, but it's faster if you do it. I won't know any of these phone numbers, but you will, and that will save time. I don't know what you people bought from the Broadway or on Visa. I see a Visa charge from The Ivy for a hundred dollars a week every week, I don't know you and Janet make a regular thing of it there every Thursday."

"There's nothing like that."

"There might be something else."

She was looking at the paper like it was going to jump at her. "It's not that I don't want to," she said, "it's just that I'm not very good at these things."

"You'll surprise yourself."

"I'm so bad with figures."

"Try"

"I'll mess it up." I leaned back in the chair and put my hands on the table. At the Grand Canyon, I'd seen a man with acrophobia force himself toward the guardrail because his daughter wanted to look down. He almost made it, both hands on the rail, leaning forward in a lunge with his feet as far back as possible, before the cold sweats cut his knees out from under him and he collapsed to the pavement. Ellen Lang's eyes looked like his eyes.

She tried to smile again, but it came out broken this time. "It really will be better if you do it, don't you see?"

I saw. "Mort really did it to you, didn't he."

She stood quickly and scooped up what was left of her sandwich and the Fred Flintstone glass. "You stop that right now. You sound just like Janet."