Jonathan Kellerman - Monster

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Two murder victims have been discovered in the boots of their cars. The first was would-be actor, Richard Dada; the second Dr Claire Argent, a psychiatrist at a maximum security hospital. Milo Sturgis tends to think there will be plenty of suspects amongst her clientele, but as his friend Alex Delaware remarks, none of his patients ever killed anyone and as they investigate the backgrounds of both victims it appears that Milo needs to look elsewhere, because neither of them are who they made themselves out to be.
As they slowly unravel the strands of their lies another, truly monstrous, character emerges: a man who gains his pleasure not from mere mutilattion and murder but from making his victims watch their own forthcoming death on film. And somehow he has control over some of the Claire Argent's patients, apparently securely behind bars.
In one of the most complex plots he has yet devised, Jonathan Kellerman has created a devastating mystery thriller.

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"She had plenty of choice. She quit a research position at County General, neuro-something."

"Maybe she was doing research here, too."

"Maybe," he said, "but her job title was Psychologist II, pure civil service, and the director-some guy named Swig- didn't mention research. Why would she quit County for this?"

"You're sure she wasn't fired?"

"Her ex-boss at County told me she quit. Dr. Theobold."

"Myron Theobold."

"Him you know?"

"Met him a few times at faculty meetings. What else did he say?"

"Not much. Like he didn't know her well. Or maybe he was holding back. Maybe you should talk to him."

"Sure."

He spotted an opening, swung in sharply, hit the brakes hard. Yanking off his seat belt, he looked through the windshield. The man in the plaid shirt had unlocked the second fence and come closer. He waved. Milo returned the gesture. Fifties, gray hair and mustache.

Milo pulled his jacket from the backseat and pocketed his keys. Gazed beyond the man in the plaid shirt at the chain-link desert. "She spent eight hours a day here. With deranged, murderous assholes. And now she's dead-wouldn't you call this place a detective's happy hunting ground?"

Chapter 4

Dollard unlocked the rear gate and took us out of the yard and across a short cement path. The gray building appeared like a storm cloud-immense, flat-roofed, slab-faced. No steps, no ramp, just brown metal doors set into the block at ground level. Small sharp-edged letters said STARKWEATHER: MAIN BLDG. Rows of tiny windows checked the cement. No bars across the panes. The glass looked unusually dull, filmed over. Not glass. Plastic. Thick, shatterproof, wind-whipped nearly opaque. Perhaps clouded minds gained nothing from a clear view.

The doors were unlocked. Dollard shoved the right one open. The reception area was cool, small, ripe with a broiled-meat smell. Pink-beige walls and black linoleum blanched under blue-white fluorescence. Overhead air-conditioning ducts emitted a sound that could have been whispering.

A heavyset, bespectacled woman in her thirties sat behind two old wooden desks arranged in an L, talking on the phone. She wore a sleeveless yellow knit top and a picture badge like Dollard's. Two desk plaques: RULE ONE: I'M ALWAYS RIGHT. RULE TWO: REFER TO RULE ONE.And L. SCHMITZ. Between them was a stack of brochures.

Her phone had a dozen lines. Four lights blinked. On the wall behind the desk hung a color photo of Emil Starkweather flashing a campaign smile full of bridgework. Above that, a banner solicited employee contributions for Toys for Tots and the United Way. To the left, a small, sagging shelf of athletic trophies and group photos trumpeted the triumphs of "The Hurlers: Starkweather Hosp. Staff Bowling Team."

First prize for seven years out often. Off to the right stretched a long, bright hallway punctuated by bulletin boards and more brown doors.

Dollard stepped up to the desk. L. Schmitz talked a bit more, finally got off. "Morning, Frank."

"Morning, Lindeen. These gentlemen are Mr. Swig's ten o'clock."

"He's still on a call, should be right with you. Coffee?"

"No, thanks," said Dollard, checking his watch.

"Should be soon, Frank."

Milo picked up two brochures and gave one to me. Lindeen watched him, then got back on the phone and did a lot of "uh-huh"ing. The next time she put down the receiver, she said, "You're the police about Dr. Argent, right?"

"Yes, ma'am," said Milo, hovering by the desk. "Did you know her?"

"Just hello and good-bye. Terrible thing." She returned to the phone.

Milo stuck around for a few more minutes. Lindeen looked up once to smile at him but didn't interrupt her conversation. He gave me a pamphlet. We both read.

Brief history of Starkweather State Hospital, then a bold-type "Statement of Purpose." Lots of photos: more shots of Emil the Embezzler; the governor breaking ground with a gold-tipped shovel, flanked by nameless dignitaries. Construction chronology from excavation to completion. Cranes, earth movers, hard-hatted worker ants. Finally a long view of the building set against a gorgeous sky that looked as false as Starkweather's chompers. The block walls were already stained. The hospital had looked weary on its birthdate.

The mission statement was written by William T. Swig, MPH, Director, and it stressed humane treatment of inmates while safeguarding the public. Lots of talk about goals, directives, objectives, interfaces. Who taught bureaucrats how to write?

I folded the brochure and slipped it in my pocket just as Lindeen said, "Okey-doke, he's free."

We followed Dollard down the hall. A few of the brown doors bore name signs in slide-out slots; most were blank. The bulletin boards were layered with state paper: notices, legislation, regulation. No other people walked the corridor. I realized the place was silent except for the sibilance from the ducts above us.

Swig's door was no different from the rest, his sign no more permanent. Dollard knocked once and opened without waiting for a reply. Outer office. Another receptionist, older and heavier than Lindeen-"Go right in, Frank." Three vases of huge yellow roses, obviously homegrown, sat on her desk. Her PC monitor featured a Mona Lisa screen saver. Smiling, frowning, smiling, frowning…

Dollard pushed through to the inner sanctum. Swig was on his feet with his hand out as we entered.

He was younger than I'd expected, maybe thirty-five, sparely built, with a soft, round baby face under a bald dome and several ominous moles on his cheeks and chin. What little hair he did have was blond and cottony. He wore a short-sleeved blue shirt, plaid tie, navy slacks, moccasin loafers.

"Bill Swig." Introductions all around. Swig's hand was cool and small-boned. His desk was a bit larger than his secretary's, but not by much. No joke plaques here, just a pen-and-pencil set, books and folders, several standing picture frames, their felt backs to us. A photo on the right-hand wall showed Swig in a dark suit with a curly-haired, pointy-chinned woman and two pretty girls around four and six, both Asian. A few books and lots of rubber-banded paper in a single case. Swig's plastic window offered an oily view of the yard.

Dollard said, "Anything else?"

Swig said, "No thanks, Frank," and Dollard hurried out.

"Please, sit. Sorry to keep you waiting. Tragedy, Dr. Argent. I'm still shocked."

"I guess you'd be a hard one to shock, sir," said Milo.

Swig looked confused.

"Working here," said Milo. "The things you see."

"Oh. No, not really, Detective Sturgis. This is generally a peaceful place. Probably safer than the streets of L.A. Especially since the air-conditioning's fixed. No, I'm as shockable as anyone."

"The air-conditioning?"

"We had a problem," said Swig. "The condensers went out a few years ago. Before I arrived." He raised his hands, palms up. "My predecessor couldn't get them fixed. As you might imagine, the comfort of our patients isn't a high priority in Sacramento. Staff attrition's what finally did it. People started quitting. I filed a report, we finally got a new system. Today's a perfect example-can you imagine it without A.C.?"

"How did the inmates handle it?"

Swig sat back. "It was a bit of a… challenge. So… how can I help you?"

"Any ideas about Dr. Argent's murder?"

Swig shook his head. "I can understand your thinking it might be work-related, but I term that impossible. Because of one simple fact: Dr. Argent's patients are here, and she was murdered out there." He pointed at the window. "Add to that the fact that her tenure was totally trouble-free, and there's nothing to work with, is there?"

"Model employee?"

"I was very impressed with her. Calm, level, thoughtful. Everyone liked her. Including the patients."

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