Jonathan Kellerman - Monster

"Incompetent to stand trial," said Dollard. "Your basic 1026."

"How many do you have here?" said Milo.

"Twelve hundred or so. Old Chet's case is kinda sad. He was living on top of a mountain down near the Mexican border-some kind of hermit deal, sleeping in caves, eating weeds, all that good stuff. Couple of hikers just happened to be unlucky enough to find the wrong cave, wrong time, woke him up. He tore 'em up-really went at 'em with his bare hands. He actually managed to rip both the girl's arms off and was working on one of her legs when they found him. Some park ranger or sheriff shotgunned Chet's leg charging in, that's why it looks like that. He wasn't resisting arrest, just sitting there next to the body pieces, looking scared someone was gonna hit him. No big challenge getting a 1026 on something like that. He's been here three years. First six months he did nothing but stay curled up, crying, sucking his thumb. We hadtoIV-feedhim."

"Now he beats people up," said Milo. "Progress."

Dollard flexed his fingers. He was in his late fifties, husky and sunburnt, no visible body fat. The lips beneath the mustache were thin, parched, amused. "What do you want we should do, haul him out and shoot him?"

Milo grunted.

Dollard said, "Yeah, I know what you're thinking: good riddance to bad rubbish, you'd be happy to be on the firing squad." He chuckled. "Cop thinking. I worked patrol in Hemet for ten years, woulda said the exact same thing before I came here. Couple of years on the wards and now I know reality: some of them really are sick." He touched his mustache. "Old Chet's no Ted Bundy. He couldn't help himself any more than a baby crapping its diaper. Same with old Sharbno back there, pissing in the dirt." He tapped his temple. "The wiring's screwy, some people just turn to garbage. And this place is the Dumpster."

"Exactly why we're here," said Milo.

Dollard raised an eyebrow. "That I don't know about. Our garbage doesn't get taken out. I can't see how we're gonna be able to help you on Dr. Argent."

He flexed his fingers again. His nails were yellow horn. "I liked Dr. Argent. Real nice lady. But she met her end out there." He pointed randomly. "Out in the civilized world."

"Did you work with her?"

"Not steadily. We talked about cases from time to time, she'd tell me if a patient needed something. But you can tell about people. Nice lady. A little naive, but she was new."

"Naive in what way?"

"She started this group. Skills for Daily Living. Weekly discussions, supposedly helping some guys cope with the world. As if any of 'em are ever getting out."

"She ran it by herself."

"Her and a tech."

"Who's the tech?"

"Girl named Heidi Ott."

"Two women handling a group of killers?" Dollard smiled.

"The state says it's safe."

"You think different?"

"I'm not paid to think."

We neared the chain-link wall. Milo said, "Any idea why someone in the civilized world would kill Dr. Argent? Speaking as an ex-cop."

Dollard said, "From what you told me-the way you found her in that car trunk, all cleaned up-I'd say some sociopath, right? Someone who knew damn well what he was doing, and enjoyed it. More of a 1368 than a 1026-your basic lowlife criminal trying to fake being crazy 'cause they're under the mistaken impression it'll be easier here than in jail. We've got two, three hundred of those on the fifth floor, maybe a few more, 'cause of Three Strikes. They come here ranting and drooling, smearing shit on the walls, learn quickly they can't B.S. the docs here. Less than one percent succeed. The official eval period's ninety days, but plenty of them ask to leave sooner."

"Did Dr. Argent work on the fifth floor?"

"Nope. Hers were all 1026's."

"Besides total crazies and ninety-day losers, who else do you have here?" said Milo.

"We've got a few mentally disordered sex offenders left," said Dollard. "Pedophiles, that kind of trash. Maybe thirty of 'em. We used to have more but they keep changing the law- stick 'em here, nope, the prison system, oops, back here, unh-uh, prison. Dr. Argent didn't hang with them, either, least that I noticed."

"So the way you see it, what happened to her couldn't relate to her work here."

"You got it. Even if one of her guys got out-and they didn't-none of them could've killed her and stashed her in the trunk. None of them could plan that well."

We were at the gate. Tan men standing still, like oversized chess pieces. The faraway machine continued to grind.

Dollard flicked a hand back at the yard. "I'm not saying these guys are harmless, even with all the dope we pump into them. Get these poor bastards delusional enough, they could do anything. But they don't kill for fun-from what I've seen, they don't take much pleasure from life, period. If you can even call what they're doing living."

He cleared his throat, swallowed the phlegm. "Makes you wonder why God would take the trouble to create such a mess."

Two corpses in car trunks. Claire Argent was the second.

The first, found eight months earlier, was a twenty-five-year-old would-be actor named Richard Dada, left in the front storage compartment of his own VW Bug in the industrial zone north of Centinela and Pico-a warren of tool-and-die shops, auto detailers, spare-parts dealers. It took three days for Dada's car to be noticed. A maintenance worker picked up the smell. The crime scene was walking distance from the West L.A. substation, but Milo drove over to the scene.

In life, Dada had been tall, dark, and handsome. The killer stripped off his clothes, bisected him cleanly at the waist with a tooth-edged weapon, dropped each segment in a heavy-duty black plastic lawn bag, fastened the sacks, stashed them in the Volkswagen, drove to the dump spot, most probably late at night, and escaped without notice. Cause of death was loss of blood from a deep, wide throat slash. Lack of gore in the bags and in the car said the butchery had been accomplished somewhere else. The coroner was fairly certain Dada was already dead when cut in half.

"Long legs," Milo said, the first time he talked to me about the case. "So maybe cutting him solved a storage problem. Or it was part of the thrill."

"Or both," I said.

He frowned. "Dada's eyes were taken out, too, but no other mutilation. Any ideas?"

"The killer drove Dada's car to the dump spot," I said, "so he could've left on foot and lives close by. Or he took the bus and you could interview drivers, see if any unusual passengers got on that night."

"I've already talked to the bus drivers. No memory of any conspicuously weird passengers. Same for taxi drivers. No late-night pickups in the neighborhood, period."

"By 'unusual' I didn't mean weird," I said. "The killer probably isn't bizarre-looking. I'd guess just the opposite: composed, a good planner, middle-class. Even so, having just dumped the VW, he might've been a little worked up. Who rides the bus at that hour? Mostly night-shift busboys and office cleaners, a few derelicts. Someone middle-class might be conspicuous."

"Makes sense," he said, "but there was no one who stuck in any of the drivers' memories."

"Okay, then. The third possibility: there was another car ready to take the killer away. Extremely careful planning. Or an accomplice."

Milo rubbed his face, like washing without water. We were at his desk in the Robbery-Homicide room at the West L.A. station, facing the bright orange lockers, drinking coffee. A few other detectives were typing and snacking. I had a child-custody court appearance downtown in two hours, had stopped by for lunch, but Milo had wanted to talk about Dada rather than eat.

"The accomplice bit is interesting," he said. "So is the local angle-okay, time to do some footwork, see if some joker who learned freelance meat-cutting at San Quentin is out on parole. Get to know more about the poor kid, too-see if he got himself in trouble."