Erica Spindler - Cause for Alarm

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Kate and Richard Ryan have the perfect marriage, except that they cannot have a baby, until Julianna Starr gives her child to them, but when Julianna molds herself in Kate's image-trying to steal Richard-the nightmare begins.

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He opened his mouth to comment, and she laid her fingers gently against it to stop him. "I wanted to be an artist, but I was afraid. That I'd end up like my parents, scrambling to pay the rent, sacrificing my children's comfort for my art. I went to school wearing other people's castoffs and shoes with cardboard stuffed into the soles to cover the holes. I promised myself I wouldn't do that to my children. Or myself."

"Oh, Kate…" He threaded his fingers through her hair, fanned across the pillow.

She caught his hand and brought it to her mouth. "I was scared," she whispered. "Too scared to go after what I wanted. And too scared to give my feelings for you a chance. I'm sorry for that. And I'm sorry I hurt you."

Luke lifted himself up on an elbow and for one long, electric moment simply gazed at her. Then he brought his mouth to hers and kissed her, once, then again.

With a sigh, Kate returned the pressure of his mouth, the exploration of his tongue. He tasted like a fine wine; the taste went to her head until she grew drunk on it. She felt alive and whole and like a woman, not a mother or business owner, not like a rejected wife or widow. But like a woman, and the feeling was heady, indeed.

She slipped her arms around his neck and drew him closer. He murmured her name, and she heard the arousal in his voice, felt it in the hard length of him, pressing against her.

Suddenly, she thought of her husband. Of the last time they had made love. Of the way his mouth had felt against hers, the way her name had sounded on his lips.

And just as suddenly, what had felt so wonderful only moments before, felt wrong. As if she were being unfaithful.

Guilt replaced longing, and Kate stiffened in Luke's arms. She took her hands from behind his neck and pressed them against his chest. "I'm sorry, Luke. I just, it's-"

"Too soon."

"Yes." Beneath her fingers she felt the wild beat of his heart. She searched his gaze, pleading for understanding with hers. "Richard and I…we were together for so long. I want you, but it feels wrong. I feel like I'm cheating."

"I see."

But he didn't, she saw. Not really. "I don't want our being together to feel wrong. I don't want any regrets this time, for either of us."

He met her eyes. "You and me, Kate, that was the one thing that always felt right to me." He made a small sound of frustration. "It feels too soon to you, and I've been waiting more than ten years."

Emotion choked her. She didn't know what to say. A part of her wanted to ignore her real feelings, submerge them under the flush of passion. She wanted to be with him. To grab the sexual oblivion he offered. To forget the nightmare of her life, even if only for a short while. But most of all, she didn't want to lose him.

"Don't look at me that way." He cupped her face in his palms, kissed her hard, then rolled onto his back. He let out a long breath. "I've waited ten years, I suppose I can wait some more."

68

Luke didn't waste any time. As soon as they had arrived in D.C. and checked into a hotel, he called Tom Morris. Luckily, the man was in town and available; they arranged to meet at a neighborhood park in the Virginia suburbs at four o'clock that afternoon.

Luke deliberately made Morris wait, not so long he angered him, but long enough to get his point across. He wanted to begin their meeting with the upper hand. He wanted the man to understand, even before Luke said a word, that Luke was the one calling the shots. That he would not negotiate for anything less than what he wanted.

There could be no question as to whether he would pull this off, Luke knew. He had to.

Luke smiled grimly as he made his way across the park's thick green carpet of grass to the small duck pond where the other man waited. Morris sat on a bench, tossing crackers into the water and watching as the ducks dove and fought each other for them.

"Hello, Tom."

The man looked up. "Luke. Nice to see you again."

"Thanks for taking the time to meet with me. Why don't we walk?"

The man's eyebrows lifted slightly, as with surprise, but he nodded and stood, pocketing the remainder of the crackers.

They strolled in silence for a moment. "Pretty day," Morris said after a moment. "I like this time of year, the nip in the air, the approaching holidays. Beats the hell out of the heat and humidity of summer." He met Luke's eyes. "But I don't suppose you're here to discuss the weather."

"No, I'm not." He cut directly to the reason he had come. "One of your men killed the husband of a dear friend of mine. And now he wants to kill her and her infant daughter."

"I find that hard to believe."

Tom Morris didn't miss a beat, and Luke sensed the man already knew why he was here and everything he was about to tell him. "Do you? Ever heard the name John Powers?"

"John Powers," he repeated thoughtfully, then shook his head. "I can't say that I have."

"Let's cut the crap, Tom. I don't have time for it. Code name's Ice. Wet work specialist for the Agency. A renegade."

A flicker of something passed over the other man's face. Surprise, maybe. A grudging respect. "I might have heard of him, though not in connection with the CIA."

"Before you decide to stick with that version of the truth, let me tell you a little story." As he had with Condor, Luke laid the chain of events out for Morris, beginning with Richard's murder and ending with Kate and Julianna at his front door.

Tom Morris slipped his hands into his pockets. "Assuming what you're telling me is true-I say assuming because I find this whole story highly unlikely-what do you want from me?"

No culpability. Pass the buck.

Asshole.

"I want your assurance that if I get you proof that your man is not only out of control but a threat to the Agency, that you'll take him out."

"Take him out?" Morris's eyebrows shot up. "My God, Dallas, you're starting to sound like one of your characters."

"Look, Tom, I don't have the time to play a game of who's-on-first with you. If I get the proof, will you take him out?"

"How do you propose to get this…proof?"

"I have, in my possession, a journal. Powers' journal. It contains all the juicy stuff. Names, dates, locations."

"I presume it's in code."

"Or we wouldn't be having this conversation. You presume correctly."

"And you and your friends plan to break this code?"

"Correct again."

The man's eyes narrowed almost imperceptibly. "Save yourself the trouble, Luke. Give the book to us, we have people who specialize in this type of thing."

"I'm sure you do, but fat chance. You'll get the book when Powers is out of the picture."

"But how do you even know if you have anything of value?" Morris asked, his tone mild. "If you handed it over, I could evaluate its worth. My people could-"

"Now you're starting to piss me off." Luke stopped walking and swung to face the other man, head-on. "I may be new to this game, but I'm not stupid. Without that book, we have nothing. You know it and I know it. And that's not a position I or my friends care to be in."

He held out his hand. "Do we have a deal?"

Tom Morris paused, then took Luke's hand. "Not that I'm admitting any knowledge of this man or his activities, but yes, if you bring me something solid on this Powers, something that proves he's a threat to the Unites States or to the Agency, we'll get him off the street. That's a promise."

69

"Complimentary champagne, Mr. Winters? Mimosa?"

John smiled at the flight attendant. "Just the orange juice, please."

"Of course." She retrieved a glass from the galley and brought it to him. She set the glass on the center console table, then straightened. He was one of only three passengers in the first-class section of the 747, and she didn't appear in a rush to move on. "Going to D.C. for business or pleasure?" she asked.

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