Erica Spindler - Forbidden Fruit

The author of over twenty-five books, Erica Spindleris best known for her spine-tingling thrillers. Her novels have been published all over the world, selling over eleven million copies, and critics have dubbed her stories “thrill-packed page turners, white-knuckle rides, and edge-of-your-seat whodunits.”

Erica is a New York Times and USA TODAY bestselling author. In 2002, her novel Bone Cold won the prestigious Daphne du Maurier Award for excellence.

Also by Erica Spindler

BREAKNECK

LAST KNOWN VICTIM

COPYCAT

KILLER TAKES ALL

SEE JANE DIE

IN SILENCE

DEAD RUN

BONE COLD

ALL FALL DOWN

CAUSE FOR ALARM

SHOCKING PINK

www.mirabooks.co.uk

To Melissa Senate For all the years and all the books

My heartfelt thanks to the following people for their part in bringing Forbidden Fruit to life:

Linda Kay West

Lieutenant John Jackson

Sergeant Michael Pfeiffer

Metsy Hingle

Jan Hamilton Powell

Karen Stone

Cary Weissert

Dianne Moggy

Melissa Senate

Nathan Hoffman

Evan Marshall and MIRA Books

Vacherie, Louisiana 1959

Hope Pierron sat in the window seat of her third floor bedroom and gazed out at the Mississippi River. She smiled to herself, anxiousness and excitement coiling in the pit of her gut. She controlled both with icy determination. She had waited all her life for this day; now that it had come, she would not reveal herself by appearing too eager.

She pressed a hand to the sun-warmed glass, wishing she could break it, leap out and fly to freedom. How many times during her fourteen years, years spent trapped within the red walls of this house, had she wished the same thing? To be a bird, to leap from the window and fly to freedom?

After today, she wouldn’t need to wish for wings. After today, she would be free of this house. Of the stigma of sin. Free of her mother and all who she had known.

Today she would be reborn.

Hope closed her eyes, thinking of her future, yet picturing her past and this hated house, instead. The Pierron House had been a fixture on River Road, a part of the culture of southern Louisiana since the summer of 1917. That had been just before the demise of Storyville, when her grandmother Camellia, the first Pierron madam, had moved her daughter and her girls here.

Surprisingly, neither hue nor cry had erupted then, nor when the gentlemen began calling. All these years later, this house, the activities within, were still accepted, just as the heat and mosquitos of August were accepted—with resigned dismay and sugar-sweet disdain.

Hope supposed one could expect no less; after all, this was Louisiana, a place where food, drink and other sensory intoxicants were as much a part of day-to-day living as mass and confession. Louisianians accepted their penance with as much joie de vivre as they did their pleasure; they understood that in a strange way, The Pierron House represented both.

The building itself, a Greek Revival structure with twenty-eight imposing Doric columns and sweeping wraparound galleries, was an architectural wonder. Ironically, when the afternoon sun struck it just so, the house glowed a virginal, almost holy white. When the sun set, however, the illusion of holiness ended. The house came alive with the music of men the likes of Jelly Roll Morton and Tony Jackson, the walls rang with the laughter of those who had come to taste the forbidden fruit and of those who sold it.

Every evening of her life she had been forced to hear that laughter, had been forced to witness the regularity with which her mother’s girls led their gentlemen up the serpentine staircase. Cloaked in a sinfully plush, bloodred carpet, those stairs led to the six large bedrooms on the second floor, bedrooms outfitted opulently with silks and brocades and large, soft beds.

Beds designed to make a man feel like a king or, on a particularly good night, a god.

For as long as she could remember, Hope had known what went on in those bedrooms. Just as she had known who and what she was—the whore’s daughter, a trick baby, tainted by sin.

From secret places and small, unnoticed peepholes, Hope had watched with a mixture of fascination and horror the things that men and women did with each other. And sometimes, while the couple writhed on the bed, she would rock back and forth, her thighs pressed tightly together, her breath coming in small, uneven gasps.

Those were the times The Darkness held her in its grip, clamoring for unholy release.

Afterward, guilty and ashamed, Hope would punish herself. The way she touched herself, the things she watched, were wrong. Sinful. She had learned of her sin at mass and in catechism, as she sat alone because none of the other children would come near her. Yet, outside the church walls and inside these, such behavior was lauded—especially by the men who laughed by night and averted their eyes by day.

At the creak of the stairs that led to her bedroom, Hope turned away from her window and faced the door. A moment later, her mother appeared in the doorway.

Lily Pierron was an incredible beauty, same as all the Pierron women had been. Her face and figure seemed not to have aged with the years; her hair was the same velvety blue-black it had been in Hope’s childhood. The other whores commented on it behind her mother’s back; Hope had heard them whispering. They speculated that Lily had made a pact with the devil. They speculated that all the Pierron women had.

All except Hope. Hope was not nearly as beautiful as her mother—her own hair was a deep brown instead of black, her eyes a watery rather than brilliant blue, her features sharp instead of soft.

She was not as beautiful because The Darkness was not as strong in her.

“Hello, Mama,” Hope murmured, fixing a sweet, sad smile on her mouth.

The older woman returned her melancholy smile and took a step into the room. “You look so grown-up standing there like that. For a moment, I hardly recognized you.”

Hope’s heart began to thud against the wall of her chest. “It’s just me, Mama.”

Her mother laughed softly and shook her head. “I know. But it seems only yesterday you were a baby.”

And only an eternity of yesterdays that she was a prisoner of this place. “To me, too, Mama.”

Lily crossed to the bed and the suitcase that lay open on top of it. Hope saw the effort it took her mother to keep from falling apart, and wondered if her mother noticed that her daughter’s eyes were dry, her hands and voice steady. She wondered what her mother would say if she knew the truth, if she knew that her only daughter planned to never see her again.

“Is this the last one?” her mother asked. “The car will be here any moment.”

“Yes. I’ve already taken the others down.”

Lily carefully tucked the final few items into the case, then closed the bag and fastened the clasps. “There.” She lifted her swimming gaze to Hope’s. “All ready to…go.” Her throat closed over the last, and the word came out choked.

Hope forced herself to cross to her mother. She caught Lily’s hands with her own and brought them to her cheek. “It’s going to be all right, Mama. Memphis isn’t that far.”

“I know. It’s just that—” Her mother drew in a ragged breath. “How am I going to manage without you? You’re the best thing…the only good thing in my life. I’m going to miss you desperately.”

Hope curved her arms around her mother, fighting a smile. She hid her face against her mother’s shoulder. “I’m going to miss you, too. So much. Maybe I shouldn’t go. Maybe I should stay and help—”