Åke Edwardson - Death Angels

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Death Angels: краткое содержание, описание и аннотация

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The debut thriller in the internationally acclaimed series – available for the first time in the United States
A long-time number one bestseller in his native Sweden, Åke Edwardson's profile was conspicuously raised when his novel Frozen Tracks was chosen as a finalist for a 2008 Los Angeles Times Book Prize. Until now, however, the novel that launched Edwardson's critically acclaimed Erik Winter series has never been available in the United States. With a new series translator who fully captures Edwardson's signature atmospheric style, Death Angels is America's introduction to Sweden's youngest Chief Inspector as he teams up with Scotland Yard to solve the mysterious parallel killings of young British and Swedish tourists. Richly evocative of mid-nineties South London and Gothenburg, Sweden, Death Angels is a brilliant opening to a mesmerizing series that has become a phenomenon in international crime fiction.
***
“A crime novel with snappy dialogue, depth and-most important of all-suspense from beginning to end.” – Morala Vadstena Tidning (Sweden)
“Edwardson will not be hampered by the constraints of the crime genre… with his sharp dialogue… and a backdrop of darkness that recalls the early works of James Ellroy, one must proclaim Åke Edwardson a master of the Scandinavian detective novel.” – Le Monde des Livres (France)
“A read which even on a really warm July day sends cold shivers down my spine… Edwardson’s language is vivid and full of nuance.” – Hufvudstadsbladet (Finland)
“A fast, sleek, hard ballad.” – Die Welt (Germany)
“Clever, exciting, atmospheric!” – Der Spiegel (Germany)

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“You haven’t given me much of a chance to explain why I’m here.”

“I’m all ears.”

“You aren’t nervous, are you?”

“Me, nervous? Because I’m not used to such fine company, you mean?”

“Don’t ask me why.”

“Good-looking coat.”

“Hmm.”

“I like your ponytail too, but isn’t it rather passé these days?”

“It’s mostly to blend in here.”

“Everybody’s welcome in south London. We don’t discriminate.” Frankie filed away at the offending nail.

The computer beeped.

“An e-mail from the other world?” Macdonald asked.

“Didn’t you know that there are more computers per capita in Jamaica than anywhere else in the Caribbean?” He read the message, which appeared to be quite short.

“Wrong,” Macdonald said.

“What?”

“Brixton may officially be a suburb of London, but it has more computers per capita.”

“Very funny, but this e-mail actually comes from your bailiwick.” He quickly reread the message and closed the program.

“Since when did it stop being yours?”

Frankie’s smile flashed in the semidarkness of the room. He picked up the file and moved on to another finger.

“Brixton,” Macdonald repeated.

“Right, the e-mail is a confirmation that my subsidiary has just received a new shipment of top-quality magazines and videos.”

“A new shipment?”

“That’s what I said.”

“Where from?”

“Is this an interrogation, Steve?” A jewel glittered in one of Frankie’s front teeth.

Macdonald tried to remember what those gems were called, but couldn’t. “You know me better than that, Frankie.”

“I’m not sure twenty-five years is long enough, Paleface.”

“Come on, now.”

“We’re from two separate worlds.”

“Okay, you win. But that shipment you mentioned is what interests me at the moment. You’ve read about the murder in Clapham, haven’t you? The kid who was cut up?”

“I saw something about it on television. But that was quite a while ago. Norwegian or Swiss, wasn’t he?”

“Swedish.”

“Oh.”

Crimewatch is going to do a reenactment of it any day now.”

“It must be a big deal, then.”

“It’s a little different, that’s for sure.”

“Different? You can say that again. A white guy gets knocked off for once.”

Macdonald sipped his tea.

“When’s the last time Crimewatch did a show on a black victim?” Frankie continued.

“You know how it is.”

“I know exactly how it is. When black people get murdered, nobody gives a shit.” He put down his nail file. “How many murders did you say you had in southeast London a couple of years ago?”

“Forty-two or forty-three, I think.”

“And how many of the victims were black?”

“Something like…”

“Hell, Steve, stop pretending like you’re even trying to remember. I know that at least thirty-five of them were black. You don’t have to be a mathematician to figure that out. And I also know that those murders have as much of a chance of appearing on Crimewatch as I do of being admitted to a gentlemen’s club on the Mall.”

“We’re doing everything we can.”

“To get me into a club?”

“To attract the attention of the press.”

“I’m not blaming you for it. You can’t help it if you’re white.” Frankie went at it with the file again.

“I’m looking for any clues I can get,” Macdonald said.

“And so you come knocking on the gates of my kingdom.”

“Right.”

“What the hell for? What does this goddam murder have to do with my business?” Frankie put the file back down.

“Nothing in particular, but certain things happened while the crime was being committed that we’re anxious to find out more about. Have you heard about the two kids from London who were murdered in Sweden recently? In Gothenburg?”

“No, that’s news to me.”

“One of them is from Tulse Hill, where your aunt lives.”

“White boys.”

“Yes.”

“My heart bleeds for them.”

“Not as much as theirs.”

“Sorry, Steve.”

“All three murders have certain things in common, and it’s possible that one or more videotapes are lying around somewhere with a blow-by-blow account of exactly what happened. This is something that only the police have any inkling of, and you know what that means.”

“I won’t say a word.”

“You understand why I’m telling you all this?”

“Murders on film. What makes you think something like that?”

“I can’t give you the details, but certain indications point in that direction.”

“You really think that’s a possibility?”

“Yes.”

“Not in my worst nightmares… It’s the most disgusting thing I’ve ever heard.”

Macdonald nodded.

“You’ve got your work cut out for you, Steve.”

Macdonald raised his cup to his lips, but the tea was cold.

“This isn’t your typical murderer on crack who waits patiently for the police to arrive,” Frankie said. He stood up, rubbing his forehead with his fist. “And you think I can help you find your snuff movie?”

“I’m just trying to get a little information. Like how much of this crap is actually around.”

“I stay away from that sort of thing.” Frankie glanced at the poster. “I swear by the spirit of my Caribbean ancestors.”

“If I had any reason to think otherwise, we would have taken our tea down at the Eltham police station.”

“I assume you want me to make some discreet inquiries.”

“As discreet as possible.”

“That goes without saying.”

“Do you know anyone who has an inner room that’s closed to the general public?”

“Sure.”

Macdonald got up.

“But not where they show snuff movies. Not as far as I know, anyway. It’s revolting enough, shit that makes the stuff I show here look like family day at the beach, but not the kind of thing you’ve had the bad taste to talk about.”

“See what you can find out,” Macdonald said.

“You can always ask your usual gossipmongers, can’t you? Like that pimp on Old Compton Street.”

“I’ll take care of that part, don’t worry.”

“Fine.”

“Call me in a couple of days, no matter what turns up. And watch your step.”

“Snuff movies…” Frankie shook his head.

“Give me a break. This can’t be the first time you’ve heard about a murder being filmed.”

“No, but you’ll never see any of this in the stores, Steve. These movies are marketed through special distribution channels that run high above our smutty little lives.”

“Shit flows downward. Or maybe in both directions and meets in the middle. Someplace in this paradise we call Soho is somebody who knows.”

“I envy your optimism.”

“Thanks for the tea hour, Frankie.”

“I’ll call you on Friday.”

Macdonald gave a half wave and walked out. Turning right outside the theater, he crossed Wardour Street and continued east on Old Compton. The rain had stopped. People sat at outdoor cafés and pretended it was spring. I envy their optimism, he thought.

When he got to Greek Street, he went into the Coach and Horses pub, ordered a Theakston Old Peculier and wriggled out of his coat. It was the usual crowd of literary wannabes, has-beens and lethal combinations of the two. A couple of authors who had come close to making it big spent most of their time here drowning their sorrows in drink. The place was always half empty at this time of day.

An intoxicated woman three stools away was carrying on a conversation with two men at a nearby table. “You have no fucking idea what it means to be a gentleman,” she shouted, then raised her glass to her lips.

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