Jonathan Kellerman - The Murder Book

He ate slowly, figuring Bosc would be in there for at least an hour, doing the old body-beautiful thing. By the time he'd asked for the check and was working on his third coffee refill, the Saab was still in plain view. He threw down money, hazarded a trip to the men's room, left the restaurant, and sat in the Dodge for another half hour before Bosc emerged with wet hair. Back in his street clothes- the blue shirt and black slacks- minus the tie.

Bosc bounced over to the Saab, disarmed the alarm, but instead of getting in, stopped to check his reflection in the side window. Fluffing his hair. Undoing the shirt's second button. Milo watched the asshole show off that big smile for the glass audience- Bosc actually turned his head here and there. Appreciating his own damn face from multiple angles.

Then Bosc got in the Saab and did an L.A. thing: drove less than a block before pulling into another parking lot.

A bar. Little cedar-sided cube stuffed between a sushi bar and a bicycle shop. A painted sign above the cedar door labeled the place as EXTRAS . A banner to the right advertised the psychic benefits of happy hour.

Half a dozen cars in the lot. Not too many happy people?

But Craig Bosc was. Grinning as he parked next to a ten-year-old Datsun Z, got out, checked his teeth in the side mirror, rubbed them with his index finger, went inside.

EXTRAS. Milo 'd never enjoyed the ambience, but he knew the bar by reputation. Watering hole for small-time actroids- pretty people who'd arrived in L.A. with a couple years of Stanislavski or summer stock or college theater under their belts, fueled by Oscar fantasies but settling, a thousand cattle calls later, for the occasional walk-ons and crowd scenes and nonunion commercials that comprised 99.9 percent of movie work.

Craig Eiffel Bosc, Master Thespian.

Time for a bad review.

Bosc stayed in the bar for another hour and a half and emerged alone, walking a little more slowly and tripping once. When the guy resumed driving west on Ventura, he'd slowed to ten miles under the limit and was doing that dividing line nudge that made it clear he was under the influence.

A 502 stop would offer the opportunity for a face-to-face with Bosc, but pulling the turkey over for a deuce was the last thing Milo wanted. Being off duty, the most he could pull off would be a citizen's arrest. That meant holding on to Bosc while calling a patrol car, then having the blues take over and losing any hope of private time with Mr. Smiles.

So he continued tailing the Saab and hoped Bosc wouldn't attract law enforcement attention or run someone over.

Another short ride- two blocks to a strip mall near Coldwater, where Bosc went shopping for groceries at a Ralphs, deposited two paper bags in the Saab's trunk, made a five-minute stop at a mailbox rentals place, and returned to the car with a stack of envelopes under his arm.

Mail drop, same setup as the West Hollywood POB where he'd registered as Playa del Sol. The tail resumed, with Milo two lengths behind as Bosc turned right on Coldwater, traveled north past Moorpark and Riverside, then east on Huston.

Quiet street, apartments and small houses. That made it a tough follow-along, even with the quarry oblivious and slightly intoxicated. Milo waited at the corner of Coldwater and Huston and kept his eye on the Saab. The blue car traveled one block, then another, before hooking left.

Hoping Bosc didn't live in some security building with a subterranean garage, Milo waited half a minute, wheeled his way up a block and a half, parked, got out and continued on foot toward the spot where he'd estimated the Saab had come to rest.

Luck was with him. The blue car was out in the open, sitting in the driveway of a one-story, white stucco bungalow.

The house had a cement lawn and no fence. A couple of scraggly palms brushing the front façade were the only concessions to green. The driveway was twenty feet of cracked slab, barely long enough for a single vehicle, and it ended at the house's left side. No backyard. The bungalow sat on a fractional lot- a sliver that had escaped tear-down and development- and behind the tiny house, on the rear-neighboring property, loomed a four-story apartment complex.

The glamour of Hollywood.

Milo returned to the Dodge and drove twenty feet past the bungalow. Plenty of parked cars, here, but he managed to find a spot between a van and a pickup that afforded him a clean, diagonal view. Bosc's gym-bar-shopping excursion had taken up most of the afternoon, and the sun was beginning to drop. Milo sat there, his 9mm resting on his hip, the weapon substantial and cool and comforting, and he felt better than he had in a long time.

Maybe Bosc was in for the evening, because by 5 P.M. he hadn't shown himself, and lights had gone on in the white bungalow's front rooms. Lacy curtains obscured the details, but the fabric was sheer enough for Milo to make out flashes of movement.

Bosc shifting from room to room. Then, at nine, a window on the right side of the house went cathode-blue. TV.

Quiet night for Master Thespian.

Milo climbed out of the Polaris, stretched the stiffness from his joints, made his way across the street.

He rang the bell, and Bosc didn't even bother to shout out a "Who's there?" just opened it wide.

The actor had changed into khaki shorts and a tight black T-shirt that hugged his actorly physique. One hand gripped a bottle of Coors Light. The other held a cigarette.

Casual, loose, eyes bloodshot and droopy. Until Milo's face registered and Bosc's well-formed mouth dropped open.

The actor didn't react to the roust like an actor would- like any kind of civilian would. His legs spread slightly and he planted his feet, the beer bottle jabbed at Milo's chin and the cigarette's glowing tip headed for Milo's eyes.

Split-second reaction. Tight, little martial arts ballet.

Milo was mildly surprised, but he'd come ready for anything and retracted his head. The vicious kick he aimed at Bosc's groin landed true, as did the chop to the back of Bosc's neck, and the guy went down, putting an end to any debate.

By the time Bosc had stopped writhing on the floor and the green had gone out of his complexion, his hands were cuffed behind him and he was panting and struggling to choke out words and Milo was kicking the door shut. He lifted Bosc by the scruff and dumped him on the black leather couch that took up most of the living room. The rest of the decor was a white beanbag chair, a huge digital TV, expensive stereo toys, and a chrome-framed poster of a wound red Lamborghini Countach.

Bosc sprawled on the sofa, moaning. His eyes rolled back and he retched and Milo stepped back from the expected projectile puke. But Bosc just dry heaved a couple of times, got his eyes back on track, looked up at Milo.

And smiled.

And laughed.

"Something funny, Craig?" said Milo.

Bosc's lips moved a bit, and he struggled to talk through the grin. Sweat globules as big as jelly beans beaded up his forehead and rolled down his sculpted nose. He flicked one away with his tongue. Laughed again. Spit at Milo's feet. Coughed and said, "Oh yeah. You're in big trouble."

Isped up Highway 33, sucking in the grass-sweet air of Ojai. Thinking about Bert Harrison living here for decades, light-years from L.A. For all that, the old man had been unable to avoid the worst the city had to offer.

As I approached the bank of shops that included O'Neill & Chapin, I eased up on the gas pedal. The stationery shop was still shuttered and a CLOSED sign was propped in the window of the Celestial Café. Midway through town, I turned onto the road that led up to Bert's property, drove a hundred feet from his driveway, and parked behind a copse of eucalyptus.