Robert Crais - The Forgotten Man

I said, "Nice pictures. Is that you?"

"What the fuck you care, is that her in the nice pictures? You think those pictures NICE? You want us to have a little coffee, pass time like we FRIENDS?"

I looked at him. The day had been a slow grind from morning to midafternoon with not much to show for it. He didn't like me looking at him, and glowered even harder.

He said, "What?"

Dana came up beside me and pulled at my arm.

"He's scared of the three strikes. He has two convictions."

"Don't tell him nothin' about me, not a goddamned thing."

I understood his fear-if he caught another felony conviction he could go back to jail for the rest of his life.

I said, "No one cares about you unless you know something about Faustina. Do you?"

"No!"

"Then that's all you have to say. The police are going to talk to Stephen. If he tells them you drove and you say you didn't, what's that going to look like?"

"I ain't sayin' nothin' to nobody! I can NOT be part of this!"

Dana's eyes worked up to full-scale tears.

"Stephen said we gotta."

"Fuck Stephen! You leave me out of this and do NOT even mention my name! I don't want to hear my name, not ONE TIME!"

Thomas jabbed the air to show her what one time meant, then stalked around the corner into the dining room. Suddenly, after all the shouting, their apartment was silent. Dana wiped at her eyes and cleared her throat. She spoke softly so Thomas wouldn't hear.

"Stephen says it'll be all right. He said to cooperate."

"This is a homicide investigation, Dana. The police won't be here to bust you-or Thomas. They just want to know about Faustina. You see?"

She glanced to make sure Thomas wasn't listening, then lowered her voice still more.

"Thomas took those pictures. He's a really, really good photographer. We're doing a pay site and he's taking the pictures of me. He's even building the web site for me. He knows all about that stuff."

I nodded, and knew why she told me-all her dreams with Thomas were riding on the hope that Stephen had told her the truth-that everything would be all right.

"Dana, I want you to look at this."

I showed her the morgue shot of Faustina and walked her through my questions exactly as I had with the others. Faustina paid Dana to pray for his forgiveness. He told her nothing about himself and his reasons for being in Los Angeles; they did not have sex; and, when they finished praying, he walked her to the door. During their hour together, he never mentioned where he was from, why he was in Los Angeles, how long he intended to stay, or any other person or place. The only difference with what I heard from the other escorts was that Dana had asked Faustina why he needed to be forgiven. I guess Dana wasn't yet so hardened that she no longer cared.

I said, "Did he tell you?"

"He said for loving too much."

"You asked him why he wanted God to forgive him, and he said for loving too much?"

"Isn't that sad?"

"What or who did he love too much?"

A woman he met once and never saw again? A son he never knew?

"I dunno. I said, how can you love too much? Loving someone is a good thing-you don't have to be forgiven for that. I wanted to make him feel better, you know, but he said love could be terrible, he said love could be the Fifth Horseman and could kill you as dead as the other four, and then he started crying and I felt so bad I started crying, and I put my arms around him because I wanted him to feel better, but he didn't want me touching him like that. He kinda unwrapped me and gave back my hands and said let's keep praying, okay?, asking me real nice, 'cause that's the only thing will make it better, so we kept praying, and I didn't even know what he meant until Thomas told me."

Thomas's voice came quietly from the dining room.

"The Horsemen. She didn't know about the Four Horsemen, so I had to tell her what he meant by the fifth."

He was watching us from the mouth of the dining room. The Four Horsemen of the Apocalypse were war, pestilence, disease, and famine-the four forces that could destroy the world. Herbert Faustina had added love to the list.

Thomas glanced at Dana, then me.

"We don't know nothin' about a murder. She didn't have sex with him or solicit anything, so this ain't prostitution. It ain't against the law to be paid for saying your prayers, am I right?"

"That's right. No harm, no foul."

"So what can they pop me for if I drove her to pray?"

"Nothing."

"All right, then-"

He nodded some more, still circling his commitment, then finally went for the meat.

"All right, he had a brown car."

Dana looked horrified.

"Thomas-"

He stopped her with the finger.

"That asshole Stephen hadda bring me into this, now I got to look out for me. All I did was drive you to pray, and now I'm gonna cooperate with the police and earn my love. You got to give to get, and I will NOT go to prison. This is me, being a good citizen. He had a brown Honda Accord. The left rear hubcap was missing and it had a big dent back there, right by the wheel."

I stared at him, then looked at Dana, but Dana had an empty expression like she didn't have any idea what he was talking about.

"Were you in his car? Did you go for a ride with him?"

"She didn't go anywhere with the man. She finished with the praying like she said, and came out and got in the car- my car- and told me about what they did, the prayin', and that's when I set her straight about the Horsemen. Then we talked about what we want to do, get something to eat or go have some drinks or come home, and she says, hey, look, that's him."

Dana suddenly nodded, as if she only now remembered and saw it clearly.

"That's right. He came outside."

Thomas silenced her with the finger again and kept going. He had made the commitment, he had the floor, and nothing would stop him now.

"So now I'm lookin' 'cause I want to see this stupid john with all his prayin', and there he is. He got into a car and drove away, the brown Honda."

"You see his license plate?"

"No, man, I was too busy lookin' at this goofy asshole, in there crying 'bout forgiveness."

"Was it a California plate?"

"Never even looked. He come backin' out and there's this big-ass dent and the car all dirty. I tol' her, look at that piece of shit he drivin'. He got two hundred to spend on pussy, he oughta wash his car."

I suddenly felt a pulse of my own hope. Brown Honda Accords were as common as sand fleas, but a brown Accord with a missing left rear hubcap and dented wheel well was a specific vehicle. The dent meant it wasn't a rental.

"Okay. Then what?"

"Nothing. What you think, what? He went off, and we went over to Stephen's, drop off his cut of the money. We shared a blunt, then came home. Stephen like to spark up, he get some money. He keep a lot of dope in that house."

Thomas made a nasty smile when he mentioned the pot, like he was paying Stephen back for putting him in this position. He would mention it to the police, too.

I wanted to tell Diaz about the car. If Faustina's car was still near the scene, an alerted patrol officer might find it. Then we could trace his name and address through the vehicle registration. If the shooter was currently joyriding in Faustina's car, we might even catch the killer.

I thanked them for their time, then started out when I saw the pictures again. I looked back at them. Dana had come up beside Thomas, and slipped her hand into his.

I said, "What Faustina said about love being the Fifth Horseman? He was wrong."

I pulled the door, then hurried back to my car, and called Diaz. If I couldn't reach her, I planned to call Starkey, but Diaz answered on the third ring.

She said, "Cole, is that you? I've been trying to get you the past hour."