Robert Crais - The Forgotten Man

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Crais's latest L.A.-based crime novel featuring super-sleuth Elvis Cole blends high-powered action, a commanding cast and a touch of dark humor to excellent dramatic effect. One morning at four, Cole gets a call from the LAPD informing him that a murdered John Doe has claimed, with his dying breath, to be Cole's father, a man Cole has never met. Cole immediately gets to work gathering evidence on the dead man – Herbert Faustina, aka George Reinnike – while cramping the style of the assigned detective, Jeff Pardy. Though Cole finds Reinnike's motel room key at the crime scene, the puzzle pieces are tough to put together, even with the unfailing help of partner Joe Pike and feisty ex-Bomb Squad techie Carol Starkey, who's so smitten with Cole that she can't think of him without smiling. Days of smart sleuthing work take the self-proclaimed "World's Greatest Detective" from a Venice Beach escort service to the California desert, then a hospital in San Diego, where doubts about Reinnike's true heritage begin to dissipate. Meanwhile, a delusional psychopath named Frederick Conrad, who is convinced that his partner in crime was killed by Cole, stalks and schemes to even the score. There's lots to digest, but this character-driven series continues to be strong in plot, action and pacing, and Crais (The Last Detective) boasts a distinctive knack for a sucker-punch element of surprise.

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"Hey, buddy. Cole, can you hear me?"

Throughout the afternoon, his eyes opened a little more each time. The nurses told Pike that talking to Cole was good, and would help him come back.

When Pike told Starkey that Cole was waking, her strained miserable expression blossomed into a sunburst smile, and she stormed straight to Cole's bed.

"That's great, man! That's fantastic! Hey, buddy, you with us? You hear me?"

They took turns talking to Cole, and holding his hand, and Pike was pleased to see Starkey in such good spirits. She seemed like her old self again, saying funny outrageous things, and bouncing around the room.

– "Cole, check this out-I'm flashing my boobies."

– "Guess what, Cole? I moved into your house. You're not using it, so I figured what the hell. I shot your cat."

– "You know, Cole, this is a really stupid way to avoid buying me dinner."

At seven-thirty that night, Pike left Starkey with Cole, and stepped into the hall. He stretched deeply, bending far forward to ease the stiffness in his back. When he stood, Lucy Chenier was rushing toward him. She slowed to a fast walk. Her face was gray with fatigue and strain, and sagging with worry.

She said, "Where is he?"

Pike nodded toward the door.

Lucy blew past him into the room. Pike watched Starkey as Lucy went to the bed. The edgy light in Starkey's face dulled, and her energy, it seemed to Pike, faded. Starkey stepped away from the bed to make room for Lucy, and Pike resumed his place at the foot of the bed.

Lucy took Cole's hand in hers. Her eyes filled, and the tears showered onto the sheets.

She said, "You better not die on me. You better not. Do you hear me, Elvis Cole? You-"

Lucy heaved with a terrible sob, and she gasped as she cried.

Cole's eyes fluttered. His left eye opened more than his right.

"Luce?"

Lucy cried harder, but now her face broke into a smile.

Cole's rolling eyes focused.

"Luce-"

"Yes, baby. I'm here. I'm here. You come back to me now. You come back."

Starkey hacked away. Pike saw her watch Lucy, then turn her eyes to the floor. After a while, Starkey left to stand in the hall. Pike considered the meaning, but would not leave Cole's side. He patted Cole's leg.

"Elvis."

Cole looked at him.

Pike said, "I'm the one who's supposed to get shot."

Cole managed a smile, then slipped back into sleep.

Pike stayed. Every day visitors came and left, but Pike remained at the hospital. He stayed at the hospital nonstop for twelve days before taking a break, and, then, he left only because they were sure his friend was past the worst of it; Elvis Cole was with them, again; he would live.

PART FIVE. The Forgiven Man

62

I said, "Here is good."

Pike eased the rental car to the side of the gravel road under the lush canopy of a beautiful willow tree.

"You know where it is?"

"Over there somewhere. I can find it."

Pike had flown with me back to the place she lies buried. I still had trouble walking, and didn't trust myself to drive. I would rather have come alone, but having Pike's company was good.

Pike said, "You want me to come with you?"

"No, you wait. I won't be long."

I had to use a cane, and my side stitched with sharp pains when I moved. The therapists warned me the pain would linger for months, and might never completely leave, so I had made peace with it.

My grandparents and my mother were buried near each other at the rear of the grounds. My aunt had died in an auto accident fifteen years earlier, and was buried outside Chicago where she had lived with her husband. I had two cousins, but I never saw them. I had not been to my mother's grave since the day she was buried.

I found the little black rectangle and stared down at her name. The stone was dirty and weathered, but green grass softened its edges and made it look better than it was. No one was left to put flowers. Probably no one had put flowers since my aunt moved away. It hurt to bend, but I bent anyway, and placed the roses on her name.

I said, "Hi, Mama."

My eyes filled, and I cried for a while. I felt bad that I never came to see her, and bad that I had blamed her for so much over the years, because now it all seemed selfish and cruel. Her sickness was a sad thing, and beyond anyone's measure. Her only true crime was giving me a dream, and I had resented her for it. My true crimes were greater. Like the pain in my side, some things simply need to be accepted, and overcome.

I limped back to the car, and tried to make myself comfortable. It wasn't easy.

"Okay. I'm done."

"You good?"

"Yeah. We had a nice talk."

Pike and I drove back to the airport, and returned to Los Angeles the same day.

It was good to be home.

***
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