Nevada Barr: Track Of The Cat

Shadowman had climbed down to a cache hidden somewhere in the rocks on the side of the ravine. This rendezvous point had all the amenities neatly arranged right on National Park lands. Bastards! Anna repeated, this time without sound.

Staying low, she trotted over to the large crate. A lechugilla spine, sharp as a dagger, cut across her shin above her sneaker top. Anna hardly felt it. She knelt by the box. Snoring, deep and labored, came from inside. Pale fur pressed through the flat metal slats that formed the sides of the cage. Stripes of moonlight painted the panther within. A ghostly midnight tiger with a glowing green necklace and a black radio collar.

Anna squeezed a hand between the slats, touched the fur. Gently, she worked her fingers under the collar, feeling for a pulse. The animal was still deeply under the effects of the ketimine.

The latch on the cage was simple, made to withstand paws, not fingers. Anna tripped it and eased the end of the cage open. The lion's head lolled out, the mouth open, tongue protruding black and deathlike in the colorless light.

Anna unsnapped the glow-ring and dragged it from the cat's neck. The radio collar would not be so easy. Radio collars were riveted on. It would take more time than she had to saw through the heavy leather with her pocketknife. Somewhere there would be a rivet punch.

Great White Hunters don't like their trophies cluttered up with proof of cowardice, Anna thought bitterly. One ear on the ravine, she crept to the crates that had been unloaded from the helicopter's side panniers. Dreading the squeak of metal hinges, she lifted the lid of the first. Noiseless. Oiled. Everything bespoke well-planned, often executed night operations. How often? Anna did the simple arithmetic in her head: twenty radio-collared lions; three left. One lay in the crate. Karl tended one in his animal Shangri-La. One still roamed free. This was the nineteenth time. Nineteen full moons had spotlighted this murder-that-was-not-murder.

"Goddamned sons-of-bitches," Anna whispered. In the crate she had opened rifle barrels gleamed. Cold polished metal catching the moon. The top rifle, resting on a cloth of felt, was ornately carved. Anna dragged it out where she could see the stock clearly: the Sako, Paulsen's baby. Beneath were four more rifles, a cleaning kit, four custom-made silencers and several hundred rounds of ammunition.

Anna moved to the second crate and opened it. A radio receiving device set, no doubt, to the stolen frequency; the frequency emitted by the collars on the lions. What better way to locate one's prey in this technological age? In a canvas pouch affixed to the crate's inside edge she found the rivet punch.

The panther's breathing seemed slightly less stenorous. Again Anna felt for a pulse. Slightly stronger, perhaps. "It's okay, sweetie," she whispered as she pushed her hands beneath the lion and dragged it partially out of the crate where she would have room to work. Near a hundred pounds: the lion was fully grown, probably male.

The rivet punch was less straightforward than Anna had hoped. Wrestling with the leather and the inert lion, trying to thread the jaws of the punch through the proper holes, the light of the moon was suddenly inadequate. A final wrench and the collar fell free.

Anna smoothed down the fur of the lion's neck where it had been worn ragged beneath the collar. Feeling blessed, she stroked the darker ears, the fine muscled shoulders. Wake up, Anna thought, run away. Then I can, too.

A scraping, stone on stone, jerked her attention from the panther. Shadowman. Just below the ridge. She had stayed way too long. He was so close she could hear his puffing breaths. She didn't bother to look around. There was no place to hide.

Unsnapping the keeper with her thumb, she drew the.357 from its holster and steadied her arms on the top of the lion's crate. Without moving, she waited until the man had climbed clear of the ravine, taken a few steps onto the flat. His arms were full of goods retrieved from the cache: a canvas tarp meant to shroud the lion's corpse, flares so the helicopter could find the hunters at the end of the hunt.

"Stop where you are, Harland," Anna ordered.

Harland Roberts stopped. If he was surprised, Anna couldn't see it. The moon was at his back.

"Anna!" he said in the tone of a man with his mistress on his arm, meeting his wife unexpectedly. "I'll be damned."

"That's the plan," she returned. "Drop what you are holding. Open your arms slowly and place them on top of your head. Do it now."

He did as he was told.

Anna stood, the.357 held shoulder-point. She began moving slowly around, sure of each step, getting the moon behind her. He echoed her movements and she let him. He was too far from the rifle crate to frighten her. When the moon was behind her left shoulder and Harland stood several feet from the unconscious panther, she said: "That's far enough."

"You liked me, Anna." Harland sounded genuinely hurt. The moon was shining in his face but all Anna could read there was disappointment.

"I liked you," she said. "But you keep killing my friends."

He smiled a boyish smile. "Anna, you wouldn't shoot me." Slowly he began to move his hands down from his head.

"Yes. I would," Anna said evenly. "It isn't a problem."

His hands stopped moving.

"I'm going to tell you what to do," she stated. "You won't move until I tell you. Is this clear?"

Harland nodded. For the first time Anna read something other than fine acting in his face. Not fear: an alertness, an aliveness, a moving of mental gears. It scared her. She wanted to shoot him and be done with cat and mouse, hunter and hunted. But training took over.

"Kneel down. Do it now."

Harland knelt.

"When I tell you, take your hands from your head, walk them out in front of you. Lay face down. Do it now."

Carefully, Harland moved his hands from the top of his head. "Anna, I don't want you to shoot me. I haven't got a gun or a weapon of any kind. Listen to me. This is important." The hands were moving slowly down, held well away from his body, every movement clear, innocent. He ducked his head, bending at the waist, arms out to the side as if he would let himself fall facedown onto stone and cactus rather than risk alarming her into pulling the trigger by moving too quickly.

One hand vanished behind the prone lion's head. "Listen, Anna. The lion is choking." The animal's breathing had changed, was more rasping than before. "The ketimine can cause them to swallow their tongues. When you moved it to cut the collar you didn't put its head back in a position where it could breathe."

Anna's eyes flicked to the lion. She knew there was nothing Harland could use as a weapon near or inside the crate. Not even the heavy radio collar. She'd thrown it a couple of yards off. "Move his head," she said.

Harland brought his other arm slowly around, careful to keep it always in her sight. Both hands buried in the thick fur around the lion's throat, he began lifting the big beast gently. With a liquid motion, so smooth as not to seem sudden or even startling, he yanked the lion onto his lap, held its torso against his chest, his face almost hidden behind the lolling head.

"You would shoot me, Anna. You might even enjoy it. Will you shoot your kitty cat? I'm betting not." Harland stood up, holding the hundred-pound lion down the length of his body. The cat's belly, white and fuzzy, covered him from shoulders to knees. Its legs and tail dangled in front of his.

Anna felt sick. She moved her sights to Harland's head but it was ducked peek-a-boo fashion behind the lion's. Shoot the damn cat, Anna said to herself. Maybe the hollow point shells she carried would penetrate the lion's body, kill Harland Roberts. The white tummy, looking so soft, so vulnerable stretched before her. A perfect target. Shoot the goddam cat, Anna's mind screamed to her soul. But her finger would not move on the trigger.