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Nevada Barr: Track Of The Cat

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Nevada Barr Track Of The Cat

Track Of The Cat: краткое содержание, описание и аннотация

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Fleeing New York to find refuge as a ranger in the remote backcountry of West Texas, Anna Pigeon stumbles into a web of violence and murder when fellow park ranger Sheila Drury is mysteriously killed and another ranger vanishes.

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Anna studied it through the glasses. It was the only possible place in a three-mile radius of the ridge where Craig had camped. In the shadowless light she could see a game trail along the spine of the ridge she camped on and down to the land bridge between the two hills.

Again she searched land and sky full circle. For the moment she was alone but for a jet in the northeast quadrant of the sky. Leaving the binoculars behind, she trotted down the ridge, following the faint animal track. Lechugilla spines curved like daggers shin-high. Low, rugged barrel cacti, aptly named "Horse Crippler" pushed up through the rocky soil. No trees, no shrubs more than twenty or thirty inches tall grew on the hills, and the cacti were a foot or more apart, rationing the meager rainfall.

On the land bridge connecting her hill with Eastern's at the head of a long L-shaped ravine, she stopped. Gridding the saddle in her mind, Anna began a foot-by-foot search. The hard ground held no prints, but near the center of the ridge she found what she was looking for: a broken piece of slate, a stone with a scratch on it, and a crushed cactus. Eight feet away, running parallel, was another short line of destruction. Satisfied, she trotted back to her comfortless bivouac.

As the first pinprick stars dared the blue above the mountains, she camouflaged her pack with sand and pebbles and took up her vigil on the dark side of the terraced stone.

Ten-fifteen brought the moon's silver bulge, pushing up the sky above El Capitan. The desert hills began to itch and skitter with small close life.

Anna began to wait.

Waiting changed from the passive to the active, became a burden to bear, a weight to lift with each breath. Time seemed to change direction, flow backward.

I don't do well at this, she thought. Good or bad, she ached to make something happen, take action. She pulled out her watch. 11:17. Fourteen minutes had elapsed since she had last checked the time. How many more to go? Thirty? An hour? Never? Irrationally she wondered if she could survive another vigil at the next full moon; if she could survive the next half hour of this one. Surely her nerves, taut an hour and two minutes after moonrise, would begin snapping soon. She'd hear tiny cracks, like rubber bands breaking under pressure, and bit by bit her body would begin to grow numb.

Another waiting, as intense, as desperate, flashed into her mind and she almost laughed aloud. She'd been fifteen, waiting for Dan Woolrick to call. Sylvia had said he'd told Donny he was going to ask her to the Tennis Court dance. All one Saturday she'd waited for the phone to ring, afraid even to go to the toilet lest she miss it.

A small comfort: waiting for death was easier than waiting for a boy to call.

Somewhere after midnight consciousness crept away, dreams took the place of thoughts. Into this unstable world came the sound of alien footsteps. Craig's aliens walked the desert with faint pounding footfalls and glowing halos of green. The air throbbed with their advance, the regular rhythm beating into Anna's lungs till she couldn't draw breath.

Nightmare jerked too hard and she woke, still sitting tailor fashion in her shadow. The Martians vanished.

The pulsing footsteps did not.

Anna cupped both hands behind her ears. "Make moose ears," she remembered absurdly from some naturalist's program. Swiveling her head like a radar dish, she picked up the sound more clearly. The pounding steps plodded methodically down from the northeast, marching up the long L-shaped wrinkle between her camp and Eastern's.

Pulling on her sneakers, Anna laced them tightly then belted her.357 to her waist and took a last, long drink of water. The thumping grew louder and she pulled herself carefully within the moonless shadow.

The helicopter, flying low, passed so close she had to close her eyes against the sand blasted from beneath the propeller blades. It swung up, cleared the ridge by what seemed only inches. For a second it hovered there, silhouetted against the distant pale cliffs of Guadalupe's high country, then settled onto the flat saddle.

Anna pressed her binoculars to her eyes, cupping her hands around the end lest some stray gleam of light catch the glass and give her away.

No lights were struck, no navigation lights marked the helicopter. The only illumination was the eerie glow of the pilot's instrument panel through the bubble of Plexiglas on the front of the fuselage.

Two men jumped from the helicopter. One's hair shone like a white flame in the cold light. The other was dark- another shadow in the night. Between them they dragged a crate six feet long and three feet square from the back of the helicopter. Moving quickly, with practiced motions, they lifted two more boxes, one from each of the wire-mesh baskets suspended above the runners to either side of the aircraft, and set them on the ground. If they spoke, the sound of the rotors drowned out their voices.

The white-haired man climbed back into the helicopter. Shadowman waved once and the aircraft lifted up, slipped over the ridge and dropped again from sight down the long ravine.

"Cheeky bastards," Anna whispered. Flashes sparked in the periphery of her vision. She was pressing the binoculars too hard into her eye sockets. Easing back, she forced herself to breathe slowly. Then she let herself look again. The shadow man had disappeared. Focusing her glasses on the largest of the three crates, Anna studied it. Through the slats she could just discern a faint green light, the color of a glowworm.

Anna had expected it, waited for it, considered it when she was planning this night venture. This time she was to watch and wait, make notes and remember. She'd promised herself and, in her mind if not via AT &T, promised Molly. There'd be no Lone Ranger, no John Wayne, no Rambolina, no misguided tragic heroines. Just the watching and the waiting and the gathering of evidence. Then channels: proper channels and legal gymnastics. And faith.

"One whole hell of a lot of faith," Anna muttered. Staring hard at the dying green light inside the crate, she wondered where she'd thought she would find that faith, the strength to sit and watch the slaughter, the belief that this one must die to get the system rolling. A system that didn't give a damn, a system that counted non-human lives as "resources."

"Fuck that," she said aloud, frightening herself with the noise. For a second she froze, a palm clamped across her mouth, in horror of her outburst. But Shadowman did not reappear.

Where was he?

Anna cursed silently.

Slipped off for a pee? Why hide? To his knowledge none but spiders and snakes looked on. Anna forced every spark of her concentration into her hearing until it felt as if her ears waved around her head on stalks.

Faint, scrabbling: a tiny avalanche scraped loose in the ravine between the hills, down from the saddle. Shadowman had made a misstep. Anna knew where he was and, from where he was, he couldn't see the crates. That decided her.

Rising in one fluid motion, she moved to the far edge of the ridge where she, too, would be out of sight from the inhabited darkness of the ravine, and ran lightly down the animal track she'd followed that afternoon. In the glareless light of the moon with its hard contrasts of shadow and light, Anna could see the faint trail clearly. Stones gouged her feet through the soft rubber of her running shoes. Cactus spines would easily penetrate the thin leather. But she moved with scarcely a sound.

Within minutes she reached the flattened saddle where the helicopter had landed. There she dropped to a crouch and, willing heart and lungs to be quiet, again pushed her ears out over the desert. From the ravine came the sound of feet crunching on gravel, rustling. A man unselfconsciously moving about, comfortable in the knowledge that he was alone. A metallic ringing: the top of a canister pried loose.

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