Lynne Heitman - Hard Landing

The bright neon tubing in the window of a corner yogurt shop cast an eerie pink glow into the car, illuminating his profile when he turned to look straight ahead. "Did you ever hear of a guy named Ron Zanetakis?"

"Ramp supervisor at Kennedy?"

"Newark. I worked for him when I was a ramper down there. When I was getting ready to leave to come up here for my first management job, he gave me this little speech, like he was my old man or something. He told me how to be a good manager."

A honk from behind reminded me that I was still standing at the stop sign. I moved ahead. "Which is how?"

"Never walk past the closed door."

"What does that mean?"

"Manager's walking through the operation and comes across a door that's supposed to be open, but it's closed. He puts his ear to the door and hears something going on in there. Nobody knows he's at the door, and the easiest thing in the world would be to walk away. But the good ones, they will always go through the door. If it's locked, they'll bust it down. They're not afraid to know what's going on. Ellen never walked past. She was never afraid here, which is why I can't believe she'd kill herself over a few threatening phone calls. And she always backed me. Maybe she didn't always tell me what she was doing, but one thing I knew is when I went through the door, she'd be right behind me. Turn here," he said, almost after it was too late, "go five streets and hang a left. Her house is down at the end on the right."

When I made the first turn, I stole a glance. Dan was staring straight ahead through the windshield, but didn't appear to be looking at anything. He didn't even seem to be in the car with me. "That meant a lot to you, Ellen backing you up?"

"It may not sound like much, but in a place like Logan, it's important. To me, anyway." His voice drifted off and he went back to whatever place he'd been in.

I began to count streets. Ellen's street was a blacktop road. The only sound in the car was the wheels popping as we rolled over random bits of gravel, and I wondered if it had sounded this way the morning he had come to find her.

A low-slung black coupe parked under a single street lamp was the only car on the dead-end street. I assumed it was Dan's and pulled in behind. The clock on the dashboard showed eleven minutes after ten. The house was up on a slope and I was too low down to see it, so I stared straight ahead, just as Dan did. But I was looking at a thick stand of great old trees, winter bare in the intermittent moonlight.

"I was thinking, Dan, if you wanted to get into the house, why wouldn't we get permission and use the front door?"

"Can't. Lenny got himself put in charge by the aunt in California, and he's keeping the place locked up tight. No one gets in unless he says so."

It was hard to tell if he was exaggerating. Dan had his own way of presenting the facts. If it was true, it seemed pretty odd to me. "He's probably trying to be nice and help her out. Maybe this aunt is old. Maybe she doesn't travel. Have you asked him? You could even offer to help."

"I'm not one of Lenny's favorite people. In fact, I'm on his permanent shit list."

I looked at him and I knew, just knew, that every question was going to raise ten more.

"It's a long story," he said, reading my mind. Then he turned in his seat to face me, and I could have sworn I saw a lightbulb over his head. "But I bet he'd let you in."

"Dan-"

"You could offer to help get things organized up here. He'd probably tell the landlord it's okay and-"

"Dan."

"What?"

"I'm not sure how involved in this I want to get. I'm already enough of an outsider around here, and the job itself is going to be as much as I can handle. And if Lenny finds out what happened tonight, I won't be one of his favorite people either."

He slumped back in his seat, the lightbulb clearly extinguished. "What you're saying is it would be a bad career move to find out that someone in the company murdered Ellen."

"That's not what I said, and it's not fair." Although he did make a good point. Not that I had to protect my career at all costs. But I also didn't want to throw it away trying to prove that a woman was murdered by an employee of Majestic Airlines if she really did kill herself.

"You're right." He popped open the car door. "That was a cheap shot. But maybe you could just think about it." He stepped out, then leaned over and poked his head back in. "Thanks for coming up tonight. I really didn't think you'd do it."

"Call me impulsive."

"Impulsive, my ass," he laughed. "You may have surprised me, but I don't get the feeling you surprise yourself much."

I smiled because he had me and we both knew it. "I don't know why I came up. I don't know why I'm interested in this whole thing. I'm still working that out. But the thing with Lenny, I will think about it."

"See you tomorrow, boss."

After he'd turned his car around and was moving down the street toward the highway, I did a U-turn, intending to follow. But with the car facing the opposite direction, I had a full view of Ellen's house. It was built on a rise, gray clapboard with black shutters bracketing its many windows. I wondered if Ellen's walls inside were bare. As I thought about it, I started to understand why the ones in her office might have been. Photos, posters, and paintings. Prizes, awards, and certificates. Each would have revealed a piece of her-where she'd been, who she'd loved, what she'd accomplished. Even what she'd dreamed about. I was beginning to understand what Kevin meant when he'd said there were no secrets at Logan. In such a place, it was no longer a mystery to me why Ellen Shepard would want to keep some part of herself to herself.

I took one last look, leaning into the dashboard so I could follow the line of the pitched roof all the way up to the point. My stomach did a little shimmy when I saw what was up there and realized why I recognized it. It was the rooster wind vane, the same one that was on the mystery drawing. Whoever had drawn that sickening picture had been to Ellen's house.

The last cherry tomato in my salad was rolling around in the bottom of the bowl, slick with salad dressing and eluding the dull prongs of my little plastic fork. No one was watching, so I plucked it out, dropped my head back, and plopped it into my mouth. At least I thought no one had been watching. I looked up to find my office filling up with men in deep purple Majestic ramp uniforms.

"Can I help you gentlemen?" I asked, dumping the plastic salad bowl into the garbage. It had felt like more, but it turned out to be only four guys. Even so, as I watched them mill about my office, I began to appreciate for the first time the value of having a desk the size of an aircraft carrier. It gave me the opportunity to peer steely-eyed across its vast, cherry-stained horizon at people who barged in unannounced, uninvited, and apparently unencumbered by any respect for my authority.

"We're here for the meetin'."

The man who'd spoken was fifty-ish with a pinkie ring and hair too young for his face. It was jet black and worn in a minor pompadour.

"I don't remember calling a meeting," I said, "and I don't know who you are."

"I'm president of Local 412 of the International Brotherhood of Groundworkers. This here's my Business Council, and we come for Little Pete's hearing."

The youngest of the four men was posed against the wall, staring vacantly out the window and looking like an underwear model. No one had mentioned that Little Pete was not little at all, and not just because he was well over six feet tall. He had a thickly sculpted, lovingly maintained bodybuilder's physique, which was shown to good effect by the shrink-wrap fit of his uniform shirt. He was an intimidating presence, more so when I thought about Dan's belief, Dan's fervent belief, that this man had killed Ellen. When he glanced over at me and we locked eyes, my mouth went dry.