Lynne Heitman - Hard Landing

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Hard Landing: краткое содержание, описание и аннотация

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On a cold afternoon on the North Shore of Massachusetts, the body of Ellen Shepard is found hanging by the neck in the attic of her home. She leaves no family. She leaves no note. And she leaves vacant her position as the general manager of the notoriously brutal Majestic Airlines operation at Boston’s Logan Airport. The police rule her death a suicide. The company calls it a “tragic loss to the Majestic family.” But the people who worked for her call it what it is-one more victim lost to the devastating secret buried in Logan’s past, and meant to stay there.
Alex Shanahan loves the airline business. At 34 years old, she has no husband, no children, no long-term relationships-not even a dog. She has her job, which over her career has taken her from airport to airport and city to city. She lives among boxes she no longer bothers to unpack and pursues the assignments no one else will take, the ones she considers to be the best opportunities. Taking charge of the Boston operation after Ellen Shepard’s suicide is the perfect challenge for Alex.
From the moment she sets foot at Logan, Alex is pulled into the intrigue of her predecessor’s death. She is welcomed by an obscene depiction of Ellen’s dead body twisting at the end of a rope. It’s a greeting from some of her new employees, a warning that secrets can kill, and a threat that once she knows them it will already be too late.
But Alex wants to know the truth. She follows a trail of corruption and betrayal from the ramp at Logan to the airline’s executive suites. What she uncovers could bring down the airline and destroy the lives and careers of everyone involved. It could also cost Alex her life.

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I dialed the number and connected. The electronic gatekeeper asked for the account number, which I punched in straight from the card. The second request was a stumper. I needed Ellen's zip code. The airport zip code didn't work, which meant she must have used her home address on the account.

I hung up and went to look for it in Molly's Rolodex. I hadn't realized how quiet it was in the office until the phone rang in the deep silence and nearly launched me out of my shoes. As I answered the phone, I felt guilty, as if I'd tripped an alarm with my snooping. "Majestic Airlines."

"The Marblehead police are trying to get in touch with you." It was Kevin on the other end and he didn't bother to say hello.

"Why?"

"They're holding Danny."

"For what?"

"I'm not sure, but they want you to go and pick him up. Do you want the cop's name and number?"

I took down the information as well as directions on how to get to Marblehead. It was about thirty-five minutes up the coast from the airport.

"I've got another call," he said. "Do you need anything else?"

"No. Wait… What's in Marblehead?"

"Ellen Shepard's house."

The buzzer was loud in the quiet lobby. When it stopped, the door to the back offices opened, and Detective Pohan leaned out to greet me, keeping one foot back to prop open the door. He was in his late forties with a slight build, baleful brown eyes, and a droopy mustache that was as thick as the hair on his head was thin. "You got here quick. I appreciate that. You want to come on back?"

I followed him down a long, narrow aisle that ran between a row of offices to the right and a cluster of odd-sized cubicles to the left. I noticed there wasn't a whole lot of activity. Maybe the Marblehead detective squad didn't have much call for a night shift.

The last office in the row was a conference room. The door was closed, but I could see Dan through the window, sitting alone at a table. All eight fingers and both thumbs were drumming the tabletop. I couldn't see it, but I would have bet that his knees were bouncing like a couple of pistons.

Pohan reached for a file from his desk. "Ellen Shepard's landlord says Majestic Airlines is handling the affairs of the deceased."

"We are?"

"We've been instructed to call this fellow in Washington if we had any problems." He held the file open, inviting me to read the name he was pointing out. "Here, I don't have my glasses on. What is that? Castle? Castner?"

"Caseaux," I said, emphasizing the last syllable the way Lenny did. "Leonard Caseaux. I work for him."

Pohan nodded in Dan's direction. "This one asked us to call you first."

"He did?" I checked again to see if this was the right guy. What was bad enough that Dan had felt a need to call me, of all people? "Why is he here, Detective?"

"He was caught breaking into Ellen Shepard's house."

"Breaking in?"

"It's the second time. The first time the landlord saw him trying to climb through a window. This time he got all the way through, but he set off the burglar alarm."

I looked at Dan through the window. He'd grown still and was staring down at the table like a wind-up toy that had wound down. He looked sad. "Do you mind if I talk to him?"

"Go ahead. He's not in custody or anything."

Pohan opened the door and followed me through. Dan popped up immediately and stood with his hands in his pockets. "I'm sorry about this," he said, trying to look at me as he spoke, but mostly maintaining eye contact with the floor. His cockiness was all gone. It was hard to be angry with him when he looked like a guilty puppy about to be smacked with a rolled-up newspaper.

"Why were you crawling through Ellen's window?"

"To get into the house."

"For what possible reason?"

His eyes cut over to Pohan. From the way they looked at each other, I knew Dan and the detective had covered this ground before. Pohan checked his watch, dropped the file on the table, and sighed deeply. "Why don't we sit down?"

When we were all settled, Pohan took charge. Nodding in Dan's direction, he said, "You can ask him, but my guess is he's looking for whatever we missed that will prove that Ellen Shephard was murdered."

The hair on the back of my neck stood up. Rumors were one thing, but hearing the word "murdered" uttered by an official detective in these official circumstances gave it more weight than I would have liked. "Is there reason to believe she was?"

"None."

I turned to Dan. "What makes you believe Ellen was murdered?"

"Because I know she didn't kill herself."

Pohan leaned forward, elbows on the table, hands clasped together. "Mr. Fallacaro, I know Miss Shepard was a friend of yours, and I know you think we didn't do all we could, but we can't change the facts of this case."

I could almost see Dan's blood pressure rising, so I went for a diversion. "For my benefit, Detective, could you outline the facts of the case?"

Pohan leaned back in his chair and reached up to stroke his mustache in what seemed to be an old habit. He let his attention linger on Dan for another moment, then opened the file.

"There was no evidence of forced entry. According to you, Mr. Fallacaro, the dead bolt was locked when you got there. You used the landlord's key to get in."

He paused for confirmation, got none.

"All windows and doors were secured. No evidence of a struggle. According to the autopsy, the only signs of trauma were in the neck area around the rope. No blows to the head. Landlord identified the rope. Said it had been in the attic of the house for several years, so no one brought it in with them. She was on prescribed medication for chronic depression-"

"She was taking anti-depressants?" I asked.

"Yes."

I looked at Dan, but it was impossible to tell if he had known that already. If he hadn't, he was hiding it well.

"We found an empty bottle of wine in the house. From her blood alcohol, it looks like she drank the whole thing herself that night. Drugs, alcohol, depression…" His voice trailed off as he closed the file and spread his hands over it. "This thing was ruled a suicide from the get-go, and we have found nothing to indicate that she was murdered."

Dan's chair squealed lightly as he sat back from the table. "She never would have killed herself," he said, "but if she did, she would have left a note."

"That's not always the case. You might be surprised to know that most suicide victims don't leave notes."

Pohan's patience impressed me. Dealing with angry and grieving survivors must be part of his job, the same as dealing with irate passengers was part of mine. I'd rather have mine.

Dan was shaking his head, looking as if he'd never, ever be convinced. Pohan was the more rational of the two men, but Dan's the one I had to work with.

"Detective, I didn't know Ellen, but from what I've seen, she was meticulous. If she took the time and effort to hang herself, which is not an impulsive act, wouldn't you think she would have included a note in her planning?"

He leaned back in his chair. "She was thirty-five years old and unmarried. She had no family. By all accounts, she wasn't seeing anyone. Who would she leave a note for?"

Dan's response was volcanic. "She had friends. People cared about her."

Pohan raised his hands as if to still the waters. "I'm sure she did. It's clear that you cared about her. All I'm saying is maybe she didn't know that. Maybe that's all part of the explanation for why she did it."

It was hard to argue a point like that. I watched Dan as he rocked back and forth in his squeaky chair. Pohan watched us both. "This isn't the cleanest way to close this thing out," he said. "Lots of unanswered questions, I know, but that's what happens in suicides. Unfortunately, I've seen it over and over. I'm sorry."

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