Denise Mina - Deception aka Sanctum

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Deception aka Sanctum: краткое содержание, описание и аннотация

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Lachlan Harriot is in a state of shock. His wife Susie has been convicted of the murder of serial killer Andrew Gow, a prisoner in her care. Unless Harriot can come up with grounds for an appeal in two weeks' time, Susie will be given a life sentence, depriving her of her home, her family and her two-year-old daughter.
Harriot is convinced that his wife, a respected forensic psychiatrist, is innocent, and each night climbs the stairs to Susie's study where he goes through her papers, laboriously transcribing onto his computer her case notes, her interviews with Gow and his new wife Donna, and the press cuttings from the trial. But his search for the truth soon raises more questions than answers.
Why had Susie stolen a set of prison files and then lied about it? What was the precise nature of her relationship with Gow? And, most importantly, what is it in her study that she doesn't want her husband to find? As the documents on Harriot's computer begin to multiply, his perception of what really happened between Gow and Susie becomes ever more complex. But first he must decide what he's to do with a discovery that involves violence, sexual obsession, lust and ultimate betrayal.
In her first stand-alone novel following her acclaimed Garnethill trilogy, Denise Mina looks at the shifting sands that separate fact and fiction, perception and reality, responsibility and culpability. Sanctum is a powerful psychological portrait of people living on the edge, an account of the deals with the devil that lie beneath their apparent respectability, and the terrifying journeys they are prepared to make in order to survive.

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I was thinking about how unnecessary it was to be unkind and not return the call, how it was kicking a man when he was down, etc. I got really angry and lost my temper with Margie for knocking over a plant pot and treading soil into the crack in the kitchen lino. I should have known then that I was losing control. I kept coming back to Tucker, thinking about him and getting hot.

It was only four-thirty, and it occurred to me that I could phone Sunnyfields and ask for him. I felt nervous thinking about it; they often didn’t put me through to Susie if she was in a meeting, and he could have successfully dodged me again. I realized that I would be better off just turning up at his door.

I hurried Margie through her tea, abandoning her yogurt so soon after the first refusal that she got confused and ate two-thirds of it before starting the “no” game again. Yeni settled down with her in front of the television, and I said I was going out to the supermarket. Won’t be long. They wouldn’t even notice I was gone.

Harvey Tucker’s street isn’t far off the motorway. It’s narrow and dark, with big old houses set back in wide gardens. At the foot of the street, hemmed in behind a low wall of bollards, a stream of slow-moving rush-hour traffic passed like a lazy herd of migrating buffalo, kicking up dust. The lights were on in the houses neighboring Tucker’s, and cruising slowly past in my dark car, I could see kids turning on televisions in front rooms, families settling in for the evening.

Harvey wasn’t in when I got there. The lights were off: no Mrs. Tucker, then, no grizzly little Tuckers to deal with. Just Harvey living alone, and, I thought, so much the better.

His house is much grander than ours. It’s one of those solid, tall Victorian villas with a crunchy red-gravel drive and big, clean bay windows with swaths and swags of expensive material thrown about all over them. I’ve only ever met Harvey once, at a Christmas party, but I could have guessed he lived somewhere like this. He’s an angular, splindly man with thin legs that match his thin hair and thin smile. He’s about fifty and has a faintly jaundiced pallor. He looks as though he would have been a sickly, whining child.

It was six o’clock, and I know they finish at Sunnyfields at five. It took Susie about fifty minutes to drive home, and we’re diagonally across the city, so I knew he’d be home soon. I waited outside in the car, rehearsing all the hell I was going to give him and watching until I saw a silver BMW pull slowly into the driveway. Tucker turned the engine off and stopped for a moment before he undid his belt. He climbed slowly out of the big, sleek car, opened the back passenger door, took out his briefcase, and shut the door again, pressing the beeper to lock it.

I suddenly realized how near the house he was and thought he might dodge indoors before I caught him, so I opened my car door and, slamming it shut, ran across the noisy gravel to him. He flinched at first, looking terrified, and raised his briefcase as if he were thinking of lashing out with it, but when he saw it was me, he let the bag fall to his side and watched me back off, lock my car, turn again, and come back toward him. It was eerie: he didn’t say hello or anything. It was as if he knew my coming to him was inevitable. When I drew close, he just turned around and opened the front door, switched off the burglar alarm, and shut the front door behind me. Our commonality of purpose felt like one of those creepy gay pickups in films about the fifties. But I’d left about twelve messages asking him to tell me something quite specific, so perhaps it wasn’t all that prescient.

When he turned on the light in the hall, I suddenly felt quite unsafe. The house was very dark, the hall papered in navy blue with gold stripes. The light had a small, stained-glass cone for a shade, but all it did was mute the light on the ceiling. From below, it was an elaborately decorated bare bulb, casting sharp shadows about the hall and Harvey ’s already Gothic face. A tall, dark wood bookcase housed the phone, a series of never opened green-bound books, and several scrawny stuffed birds, one about to take off, one staring at its feet, another (a little owl) staring startled at the opposite wall.

Harvey was standing close to me, a little too close, as if he were afraid of the hall as well. Behind him gaped two large black doorways, one leading to a front room, one to a back. I tried smiling to diffuse the atmosphere.

“So, Harvey Tucker, I’ve been trying to get you,” I blurted. Of course I meant “get you on the phone,” not “get you and attack you physically,” but his face convulsed in consternation, and he stumbled away from me, across the hall to the mouth of the dark front room. “No,” I said. “I mean on the phone. Get you on the phone.”

He didn’t look convinced. “You’ve been phoning me a lot. Too much.” He took a long-limbed step back into the front room, until he was swallowed by the dark. “It’s threatening.”

I followed him in. “Look, Harvey, I don’t mean to be threatening, but you can understand how upset I am-”

He was standing in the dark, holding a long, gnarled and knobbled walking stick over his head. He looked terrified as I came through the door and sort of brandished it in a tiny circle, as a warning. The man had just left his work at Sunnyfields, a containment facility for Scotland ’s most dangerous criminals, and he was knee-tremblingly afraid to be alone with me. A car passed by outside, twin white headlights fanned across the dark wall opposite, and I noticed, for no good reason at all, that his fly was open.

“Come on, Harvey. I’m not the fighting kind,” I said, cheerily. “I need to talk to you. It doesn’t seem much to ask. I’ve had a terrible time.”

Still he hesitated, afraid to give up the stick, until I leaned back and flicked the light on. “I just want to ask you some questions about Susie.”

The room was cluttered, again decorated with a lot of money, some obviously inherited furniture, and very little taste. It was done in dark, depressing colors, blue and red paper, two green chenille armchairs and matching couch, a coffee table with bow legs, a massive gray marble fireplace with a black belly, and a posy of crunchy dried flowers in the grate. On the mantelpiece sat posed professional photographs of a ten-years-younger Harvey and a pinched-faced woman. They were dressed in eighties shoulders and sharp angles, and they were sitting next to each other in front of a “stormy sky” backdrop. Next to it, in a matching thin gold frame, was another picture of Harvey sitting with the same woman and two young girls of about ten, again in front of a stormy sky. Their knees were all pointing in different directions, father left, mother right, children front and side. It gave the picture a splintered quality, as though they would all try to run away from each other the moment the shutter closed, which, judging from the quietness of the house, they had.

Harvey let the walking stick drop to the ground, the end of it hitting the nasty nylon carpet with a loud thunk that reverberated through the house, reminding us that we were alone.

My talking seemed to have calmed him a little, so I rambled on. “I’m sure you can imagine how many questions I must have about what happened to my wife. I’m pretty much in the dark about everything that went on. I thought she was going to the supermarket and then suddenly she’s arrested in Durness for a gruesome murder. I don’t even know anything about her job or what happened there with Gow and Donna. All I know”- I was being sneaky, I knew I was-“is that you were responsible for getting her sacked.”

It had exactly the effect I wanted it to: he shouted at me.

“I did not get her sacked. No one got her sacked. She stole Gow’s files from the hospital. She was caught on videotape putting the files into her bag. That’s why she got the sack.” He leaned back against a mock-Georgian liquor cabinet and panted for breath.

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