Jeffery Deaver - The Coffin Dancer

“Where are you hiding?”

“The hangars’re all boarded up. The grass is too short for cover. There’re no trucks or oil drums. No alleys. No nooks.”

In her gut: desperation. What’m I going to do? I’ve got to plant the bomb. I don’t have any time. Lights… there’re lights everywhere. What? What should I do?

She said, “I can’t hide around the other side of the hangars. There’re lots of workers. It’s too exposed. They’ll see me.”

For a moment, Sachs herself floated back into her mind and she wondered, as she often did, why Lincoln Rhyme had the power to conjure her into someone else. Sometimes it angered her. Sometimes it thrilled.

Dropping into a crouch, ignoring the pain in her knees from the arthritis that had tormented her off and on for the past ten of her thirty-three years. “It’s all too open here. I feel exposed.”

“What’re you thinking?”

There’re people looking for me. I can’t let them find me. I can’t!

This is risky. Stay hidden. Stay down.

Nowhere to hide.

If I’m seen, everything’s ruined. They’ll find the bomb; they’ll know I’m after all three witnesses. They’ll put them in protective custody. I’ll never get them then. I can’t let that happen.

Feeling his panic she turned back to the only possible place to hide. The hangar beside the taxiway. In the wall facing her was a single broken window, about three by four feet. She’d ignored it because it was covered with a sheet of rotting plywood, nailed to the frame on the inside.

She approached it slowly. The ground in front was gravel; there were no footprints.

“There’s a boarded-up window, Rhyme. Plywood on the inside. The glass is broken.”

“Is it dirty, the glass that’s still in the window?”

“Filthy.”

“And the edges?”

“No, they’re clean.” She understood why he’d asked the question. “The glass was broken recently!”

“Right. Push the board. Hard.”

It fell inward without any resistance and hit the floor with a huge bang.

“What was that?” Rhyme shouted. “Sachs, are you all right?”

“Just the plywood,” she answered, once more spooked by his uneasiness.

She shone her halogen flashlight through the hangar. It was deserted.

“What do you see, Sachs?”

“It’s empty. A few dusty boxes. There’s gravel on the floor -”

“That was him!” Rhyme answered. “He broke in the window and threw gravel inside, so he could stand on the floor and not leave footprints. It’s an old trick. Any footprints in front of the window? Bet it’s more gravel,” he added sourly.

“Is.”

“Okay. Search the window. Then climb inside. But be sure to look for booby traps first. Remember the trash can a few years ago.”

Stop it, Rhyme! Stop it.

Sachs shined the light around the space again. “It’s clean, Rhyme. No traps. I’m examining the window frame.”

The PoliLight showed nothing other than a faint mark left by a finger in a cotton glove. “No fiber, just the cotton pattern.”

“Anything in the hangar? Anything worth stealing?”

“No. It’s empty.”

“Good,” Rhyme said.

“Why good?” she asked. “I said there’s no print.”

“Ah, but it means it’s him , Sachs. It’s not logical for someone to break in wearing cotton gloves when there’s nothing to steal.”

She searched carefully. No footprints, no fingerprints, no visible evidence. She ran the Dustbuster and bagged the trace.

“The glass and gravel?” she asked. “Paper bag?”

“Yes.”

Moisture often destroyed trace and though it looked unprofessional certain evidence was best transported in brown paper bags rather than in plastic.

“Okay, Rhyme. I’ll have it back to you in forty minutes.”

They disconnected.

As she packed the bags carefully into the RRV, Sachs felt edgy, as she often did just after searching a scene where she’d found no obvious evidence – guns or knives or the perp’s wallet. The trace she’d collected might have a clue as to who the Dancer was and where he was hiding. But the whole effort could have been a bust too. She was anxious to get back to Rhyme’s lab and see what he could find.

Sachs climbed into the station wagon and sped back to the Hudson Air office. She hurried into Ron Talbot’s office. He was talking to a tall man whose back was to the door. Sachs said, “I found where he was, Mr. Talbot. The scene’s released. You can have the tower -”

The man turned around. It was Brit Hale. He frowned, trying to think of her name, remembered it. “Oh. Officer Sachs. Hey. How you doing?”

She started to nod an automatic greeting, then stopped.

What was he doing here? He was supposed to be in the safe house.

She heard a soft crying and looked into the conference room. There was Percey Clay sitting next to Lauren, the pretty brunette who Sachs remembered was Ron Talbot’s assistant. Lauren was crying and Percey, resolute in her own sorrow, was trying to comfort her. She glanced up, saw Sachs, and nodded to her.

No, no, no…

Then the third shock.

“Hi, Amelia,” Jerry Banks said cheerfully, sipping coffee and standing by a window, where he’d been admiring the Learjet parked in the hangar. “That plane’s something, isn’t it?”

“What’re they doing here?” Sachs snapped, pointing at Hale and Percey, forgetting that Banks outranked her.

“They had some problem or other about a mechanic,” Banks said. “Percey wanted to stop by here. Try to find -”

“Rhyme,” Sachs shouted into the microphone. “She’s here!”

“Who?” he asked acerbically. “And where is there?”

“Percey. And Hale too. At the airport.”

“No! They’re supposed to be at the safe house.”

“Well, they’re not. They’re right here in front of me.”

“No, no, no!” Rhyme raged.A moment passed. Then he said, “Ask Banks if they followed evasive driving procedures.”

Banks, uncomfortable, responded that they hadn’t. “She was real insistent that they stop here first. I tried to talk her -”

“Jesus, Sachs. He’s there someplace. The Dancer. I know he’s there.”

“How could he be?” Sachs’s eyes strayed to the window.

“Keep ’em down,” Rhyme said. “I’ll have Dellray get an armored van from the Bureau’s White Plains field office.”

Percey heard the commotion. “I’ll go to the safe house in an hour or so. I have to find a mechanic to work on -”

Sachs waved her silent, then said, “Jerry, keep them here.” She ran to the door and looked out over the gray expanse of the airfield as a noisy prop plane charged down the runway. She pulled the stalk mike closer to her mouth. “How, Rhyme?” she asked. “How’ll he come at us?”

“I don’t have a clue. He could do anything.”

Sachs tried to reenter the Dancer’s mind, but couldn’t. All she thought was, Deception…

“How secure is the area?” Rhyme asked.

“Pretty tight. Chain-link fence. Troopers at a roadblock at the entrance, checking tickets and IDs.”

Rhyme asked, “But they’re not checking IDs of police, right?”

Sachs looked at the uniformed officers, recalling how casually they’d waved her through. “Oh, hell, Rhyme, there’re a dozen marked cars here. A couple unmarkeds too. I don’t know the troopers or detectives… He could be any one of them.”

“Okay, Sachs. Listen, find out if any local cops’re missing. In the past two or three hours. The Dancer might’ve killed one and stolen his ID and uniform.”

Sachs called a state trooper up to the door, examined him and his ID closely, and decided he was the real article. She said, “We think the killer may be nearby, maybe impersonating an officer. I need you to check out everybody here. If you don’t recognize ’em, let me know. Also, find out from your dispatcher if any cops from around the area’ve gone missing in the past few hours.”