Jeffery Deaver - The Vanished Man

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The New York Times bestselling author of The Stone Monkey is back with a brilliant thriller that pits forensic criminologist Lincoln Rhyme and his partner, Amelia Sachs, against an unstoppable killer with one final, horrific trick up his sleeve.
The Los Angeles Times calls his novels "thrill rides between covers." The New York Times hails them as "dazzling," and The Times of London crowns him "the best psychological thriller writer around." Now Jeffery Deaver, America 's "master of ticking-bomb suspense" (People) delivers his most electrifying novel yet.
It begins at a prestigious music school in New York City. A killer flees the scene of a homicide and locks himself in a classroom. Within minutes, the police have him surrounded. When a scream rings out, followed by a gunshot, they break down the door. The room is empty.
Lincoln Rhyme and Amelia Sachs are brought in to help with the high-profile investigation. For the ambitious Sachs, solving the case could earn her a promotion. For the quadriplegic Rhyme, it means relying on his protégée to ferret out a master illusionist they've dubbed "the conjurer," who baits them with gruesome murders that become more diabolical with each fresh crime. As the fatalities rise and the minutes tick down, Rhyme and Sachs must move beyond the smoke and mirrors to prevent a terrifying act of vengeance that could become the greatest vanishing act of all.

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Lord above our green pastures, look at this: there were more Japanese people or Chinese or something – who could tell? – than in Tokyo. And Hispanics everywhere in this part of New York City, like mosquitoes. And rag-heads too, who he didn't see why they weren't simply rounded up and shot because of the Trade Towers. A woman in one of those Moslem outfits, all covered up, was crossing the street.

He had a fast urge to kill her because she might know somebody who knew somebody who'd attacked his country.

And Indians and Pakistanis too, who should be sent back home because he couldn't understand what the fuck they were saying, not to mention they weren't Christians.

Hobbs was furious at what the government had done, opening up the borders and letting these animals inside, to gobble up the country and force decent people into little islands of safety – places like Canton Falls – which were getting smaller and smaller every day.

But God had winked at sharp-operator Hobbs Wentworth and given him the blessed role of freedom fighter. Because Jeddy Barnes and his friends knew that Hobbs had one other talent aside from teaching Bible stories to children. He killed people. And he did it very, very well. Sometimes his fishing gear was a Ka-Bar knife, sometimes a garrote, sometimes the sweet Colt, sometimes the compound bow. His dozen or so missions over the past few years had gone perfectly. A spic in Massachusetts, a leftist politician in Albany, a nigger in Burlington, a baby-killing doc in Pennsylvania.

And now he was going to add a prosecutor to his list. He pushed the cart through the nearly empty underground parking garage off Center Street and paused at one of the doors, waiting. Looking apathetic about starting his night shift as a janitor. After a few minutes the door opened and he nodded pleasantly at the woman stepping out of the downstairs lobby, a middle-aged woman with a briefcase, wearing jeans and a white blouse. She smiled but pulled the door shut firmly behind her and said, sorry, she couldn't let him inside, he understood, with security being what it was.

He said, sure, he understood. And smiled back.

A minute later he dumped her twitching body into the cart and pulled her ID card lanyard over her head. He slid it through the electronic reader and the door clicked open.

He now took the elevator to the third floor, rolling the cart in front of him, the woman's body obscured by wads of garbage bags. Hobbs found the office that Mr. Weir had decided would be the best one to use. It offered a good view of the street and, since it belonged to the Department of Highway Statistics, wasn't likely to have any emergencies that would require employees to be here on Sunday evening. The door was locked but the big man simply kicked his way inside (Mr. Weir had said there wasn't time to teach him how to pick locks).

Inside, Hobbs took his gun from the cart, mounted the scope and sighted on the street below. A perfect shooting blind. He couldn't miss. Truth be told, though, he was uneasy.

It wasn't actually bagging Grady that troubled him; he could easily catch that trophy, no problem. It was getting away afterward that had him somewhat concerned. He liked his life in Canton Falls, liked telling his Bible stories to the children, liked hunting and fishing and sitting around with all his likeminded friends. Even Cindy was fun on some nights, given the right lighting and a bit of liquor.

But Magic Man Weir's plan had made provisions for his escape. When Grady appeared Hobbs would shoot five rounds, one right after the other, at him through the sealed window. The first bullet would shatter the glass and might be deflected but the rest would kill the prosecutor. Then, Mr. Weir explained, Hobbs should push open a fire door – but not actually leave that way. It would "misdirect" the police into thinking that was his escape route. Instead he should return to the parking garage. He'd move the old Dodge in a handicapped spot and climb into the trunk. At some point – possibly that night but more likely tomorrow – the car'd be towed to the parking-violations impound garage.

The towing crews were prohibited from opening either the locked doors or the trunk of cars they were towing and so they'd take the car to the garage, driving right past any barricades, without a clue that it contained a passenger. When it seemed safe Hobbs would pop the trunk from the inside and escape back to Canton Falls. There was plenty of water and food in the trunk and an empty jar if he had to pee.

It was a smart plan.

And, as a God-winked sharp operator, Hobbs would try his best to pull it off.

Sighting on random passersby to get a feel for the killing field, Hobbs reflected that Mr. Weir must put on some damn fine magic shows. He wondered if, after this was all over, he could get the man to come back to Canton Falls and put on a show for the Sunday school.

At the very least, Hobbs decided, he'd make up some stories about Jesus being a magician and using his tricks to make the Romans and heathens disappear.

• • •

Sweating.

Chills from the cold perspiration trickling down Amelia Sachs's sides and back.

Chills from fear too.

Search well…

She turned down another dim corridor of the Criminal Courts building, hand near her weapon.

… but watch your back.

Ah, you bet, Rhyme. Love to. But watch out for who? A lean-faced fifty-something who might be wearing a beard or might not? An elderly woman in a cafeteria worker's uniform? A workman, a DOC guard, a janitor cop medic cook fireman nurse? Any one of the dozens of people who were legitimately here on a Sunday.

Who, who, who?

Her radio clattered. It was Sellitto. "I'm on the third floor, Amelia. Nothing."

"I'm in the basement. I've seen a dozen people. All their IDs match but, hell, who knows if he's been planning this for weeks and planted a fake badge here."

"I'm going up to four."

They ended the transmission and she resumed the search. Down more corridors. Dozens of doors. All locked.

But of course simple locks like these meant nothing to him. He could open one in seconds and hide inside a dark storage room. He could get into a judge's chambers, hide until Monday. He could slip through one of the padlocked grates that led down to the utility tunnels, which in turn would give him access to half the buildings in downtown Manhattan, as well as the subway.

She turned a corner and plunged down another dark corridor. Testing knobs as she went, she found one door unlocked.

If he was inside the closet he would've heard her – the click of the knob, if not her footsteps – so there was nothing to do but go in fast. Shoving the door inward, flashlight up, ready to jump to her left if she saw a weapon turn her way (recalling that there's a tendency for a right-handed shooter to pull the gun to the left when panic firing, which sends the slug to the target's right).

Arthritic knees screaming at the partial crouch, she swung the halogen beam throughout the room. A few boxes and file cabinets. Nothing else. Though as she turned to leave she recalled that he'd hidden in shadows by using a simple black cloth. She looked around the room again more slowly, probing with the flashlight.

As she did she felt a touch on her neck.

A gasp and she spun around, bringing the gun up – aiming at the center of the dust-coated cobweb that had caressed her skin.

Back into the corridor.

More locked doors. More dead ends.

Footsteps approached. A man walked past her now, bald, in his sixties, dressed in a guard's uniform and wearing an appropriate ID badge. He nodded as he walked past. He was taller than Weir so she let him pass with no more than a glance.

But then she thought there might be a way for a quick-change artist to change his height.

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