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Jeffery Deaver: The Vanished Man

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Jeffery Deaver The Vanished Man

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The New York Times bestselling author of The Stone Monkey is back with a brilliant thriller that pits forensic criminologist Lincoln Rhyme and his partner, Amelia Sachs, against an unstoppable killer with one final, horrific trick up his sleeve. The Los Angeles Times calls his novels "thrill rides between covers." The New York Times hails them as "dazzling," and The Times of London crowns him "the best psychological thriller writer around." Now Jeffery Deaver, America 's "master of ticking-bomb suspense" (People) delivers his most electrifying novel yet. It begins at a prestigious music school in New York City. A killer flees the scene of a homicide and locks himself in a classroom. Within minutes, the police have him surrounded. When a scream rings out, followed by a gunshot, they break down the door. The room is empty. Lincoln Rhyme and Amelia Sachs are brought in to help with the high-profile investigation. For the ambitious Sachs, solving the case could earn her a promotion. For the quadriplegic Rhyme, it means relying on his protégée to ferret out a master illusionist they've dubbed "the conjurer," who baits them with gruesome murders that become more diabolical with each fresh crime. As the fatalities rise and the minutes tick down, Rhyme and Sachs must move beyond the smoke and mirrors to prevent a terrifying act of vengeance that could become the greatest vanishing act of all.

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"Okay. You got a shot?"

"Probably through the door."

"No, don't shoot blind. Go for position. But only if you've got cover all the way."

"Roger."

She saw the men move to a flanking position. A moment later one of the officers said, "I've got a shot to kill. Should I take it?"

"Stand by." Then she shouted, "You in the car. With the rifle. You have ten seconds or we'll open fire. Drop your weapon. You understand?" She repeated this in Spanish.

"Fuck you."

Which she took to be affirmative.

"Ten seconds," she shouted. "We're counting."

To the two officers she radioed, "Give him twenty. Then you're green-lighted."

At close to the ten-second mark, the man dropped the rifle and stood up, hands in the air. "No shoot, no shoot!"

"Keep those hands straight up in the air. Walk toward the corner of the building here. If you lower your hands you will be shot."

When he got to the corner Wilkins cuffed and searched him. Sachs remained crouched down. She said to the suspect, "The guy inside. Your buddy. Who is he?"

"I don't gotta tell you -"

"Yeah, you do gotta. Because if we take him out, which we are going to do, you'll go down for felony murder. Now, is that man in there worth forty-five years in Ossining?"

The man sighed.

"Come on," she snapped. "Name, address, family, what he likes for dinner, what's his mother's first name, he have relatives in the system – you can think of all kinds of real helpful stuff about him, I'll bet."

He sighed and started to talk; Sachs scribbled down the details. Her Motorola crackled. The hostage negotiator and the ESU team had just showed up in front of the building. She handed her notes to Wilkins. "Get those to the negotiator."

She read the rifleman his rights, thinking, Had she handled the situation the best way she could? Had she endangered lives unnecessarily? Should she have checked on the wounded officer herself?

Five minutes later, the supervising captain walked around the corner of the building. He smiled. "The H-T released the woman. No injuries. We've got three collared. The wounded officer'll be okay. Just a scratch."

A policewoman with short blond hair poking out from under her regulation hat joined them. "Hey, check it out. We got a bonus." She held up a large Baggie full of white powder and another containing pipes and other drug paraphernalia.

As the captain looked it over, nodding with approval, Sachs asked, "That was in their car?"

"Naw. I found it in a Ford across the street. I was interviewing the owner as a witness and he started sweating and looking all nervous so I searched his car."

"Where was it parked?" Sachs asked.

"In his garage."

"Did you call in a warrant?"

"No. Like I say, he was acting nervous and I could see a corner of the bag from the sidewalk. That's probable cause."

"Nope." Sachs was shaking her head. "It's an illegal search."

"Illegal? We pulled this guy over last week for speeding and saw a kilo of pot in the back. We busted him okay."

"It's different on the street. There's a lesser expectation of privacy in a mobile vehicle on public roads. All you need for an arrest then is probable cause. When a car's on private property, even if you see drugs, you need a warrant."

"That's crazy," the policewoman said defensively. "He's got ten ounces of pure coke here. He's a balls-forward dealer. Narcotics spends months trying to collar somebody like this."

The captain said to Sachs, "You sure about this, Officer?"

"Positive."

"Recommendation?"

Sachs said, "Confiscate the stuff, put the fear of God into the perp and give his tag number and stats to Narcotics." Then she glanced at the policewoman. "And you better take a refresher course in search and seizure."

The woman officer started to argue but Sachs wasn't paying attention.

She was surveying the vacant lot, where the perps' car rested against the Dumpster. She squinted at the vehicle.

"Officer -" the captain began.

She ignored him and said to Wilkins, "You said three perps?"

"That's right."

"How do you know?"

"That was the report from the jewelry store they hit."

She stepped into the rubble-filled lot, pulling out her Glock. "Look at the getaway car," she snapped.

"Jesus," Wilkins said.

All the doors were open. Four men had bailed.

Dropping into a crouch, she scanned the lot and aimed her gun toward the only possible hiding place nearby: a short cul-de-sac behind the Dumpster.

"Weapon!" she cried, almost before she saw the motion.

Everyone around her turned as the large, T-shirted man with a shotgun jogged out of the lot, making a run for the street.

Sachs's Glock was centered on his chest as he broke cover. "Drop the weapon!" she ordered.

He hesitated a moment then grinned and began to swing it toward the officers.

She pushed her Glock forward.

And in a cheerful voice, she said, "Bang, bang… You're dead."

The shotgunner stopped and laughed. He shook his head in admiration. "Damn good. I thought I was home free." The stubby gun over his shoulder, he strolled to the cluster of fellow cops beside the tenement. The other "suspect," the man who'd been in the car, turned his back so that the cuffs could be removed. Wilkins released him.

The "hostage," played by a very unpregnant Latina officer Sachs had known for years, joined them too. She clapped Sachs on the back. "Nice work, Amelia, saving my ass."

Sachs kept a solemn face, though she was pleased. She felt like a student who'd just aced an important exam.

Which was, in effect, exactly what had happened.

Amelia Sachs was pursuing a new goal. Her father, Herman, had been a portable, a beat cop in the Patrol Services Division, all his life. Sachs now had the same rank and might've been content to remain there for another few years before moving up in the department but after the September 11 attacks she'd decided she wanted to do more for her city. So she'd submitted the paperwork to be promoted to detective sergeant.

No group of law enforcers has fought crime like NYPD detectives. Their tradition went back to tough, brilliant Inspector Thomas Byrnes, named to head up the fledgling Detective Bureau in the 1880s. Byrnes's arsenal included threats, head-knocking and subtle deductions – he once broke a major theft ring by tracing a tiny fiber found at a crime scene. Under Byrnes's flamboyant guidance the detectives in the bureau became known as the Immortals and they dramatically reduced the level of crime in a city as freewheeling back then as the Wild West.

Officer Herman Sachs was a collector of police department memorabilia, and not long before he died he gave his daughter one of his favorite artifacts: a battered notebook actually used by Byrnes to jot notes about investigations.

When Sachs was young – and her mother wasn't around – her father would read aloud the more legible passages and the two of them would make up stories around them.

October 12, 1883. The other leg has been found! Slaggardy's coal bin, Five Pts, Expect Cotton Williams's confession forthwith.

Given its prestigious status (and lucrative pay for law enforcement), it was ironic that women found more opportunities in the Detective Bureau than in any other division of the NYPD. If Thomas Byrnes was the male detective icon, Mary Shanley was the female – and one of Sachs's personal heroines. Busting crime throughout the 1930s, Shanley was a boisterous, uncompromising cop, who once said, "You have the gun to use, and you may as well use it." Which she did with some frequency. After years of combating crime in Midtown she retired as a detective first-grade.

Sachs, however, wanted to be more than a detective, which is just a job specialty; she wanted rank too. In the NYPD, as in most police forces, one becomes a detective on the basis of merit and experience. To become a sergeant, though, the applicant goes through an arduous triathlon of exams: written, oral and – what Sachs had just endured – an assessment exercise, a simulation to test practical skills at personnel management, community sensitivities and judgment under fire.

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