Jeffery Deaver - Bloody River Blues

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Hollywood location scout John Pellam thought the scenic backwater town of Maddox, Missouri, would be the perfect site for an upcoming gangster film. Until real bullets leave two people dead and one cop paralysed. Pellam had unwittingly wandered onto the crime scene just moments before the brutal hits. Now the feds and local police want him to talk. Mob enforcers want him silenced. And a mysterious blonde just wants him. Trapped in a town full of sinister secrets and deadly deceptions, Pellam fears that deal will imitate art, as the film shoot – and his life – race toward a breathtakingly bloody climax.

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Pellam had no idea what to say, not to anyone. Stile had died because of him. The Yamaha had been the property of the Missouri River Blues Partnership and when Pellam had turned over the location forms and files to Stile, according to Sloans orders, Pellam had added, 'Take the Yamaha, too, if you want it. Tony's gonna make me give it back sooner or later." Stile thanked him, left the rental car at the campground for Pellam's use, and burned rubber away to the interstate. He had a date in St. Louis with Hank the lawyer about location releases for the infamous final shoot-out scene in Missouri River Blues.

What could Pellam say?

He put his arm around the shoulders of one of the young actresses and let her cry. Pellam smelled bitter hair spray and cigarette smoke. She wasn't hysterical. She trembled. Pellam didn't cry. He went to a pew and sat next to several other crew members, older men, gaffers. A rabbi-or maybe just the funeral director- walked to the front of the room. He began talking. Pellam did not pay attention to the words; they were not, for him at least, important. The purpose of the ritual had nothing to do with Stile, not now. It was not the sermon but the interval it occupied-this hour in a woody, mute room with a respectful velvet hat on your head-that was the point: a block of time reserved solely for death.

Pellam heard the drone of the speakers words, a soft baritone.

He wished he knew how to pray.

He decided he would suggest that Sloan dedicate Missouri River Blues to Stile, a film that had turned out to be not the product of artistic vision at all but simply one hell of a stuntman s movie.

No, not suggest. Whatever else there was between Sloan and him, Pellam would insist on the dedication. It was something he could do.

But it wasn't enough.

***

What Stevie Flom was going to say: First, you didn't describe the guy very well. Second, the guy walked out of the camper and got on the cycle. Third, you should've done it yourself…

He got as far as "First-" before Ralph Bales grabbed his Members Only black jacket by the lapels and slammed the terrified Stevie into the wall of Harry's Bar.

"Gentlemen." The bartender wagged a finger but in a lethargic way. This was a dingy, Lysol-scented place overlooking one of the less picturesque refineries in Wood River, Illinois. It was that sort of bar, where the management would let two men-two white men, not too drunk or strung-out-go at it. Up to a point.

Ralph Bales looked from the frightened eyes of Stevie Flom to the cool eyes of the bartender and let go. He had been right on the borderline but now decided not to break his partners nose. Stevie slumped and ran his fingers through his razor-cut hair. "Aw, Ralph, come on."

Ralph Bales turned and walked through the bar into the restaurant behind. He slid into one of the booths. Stevie followed him like a butt-swatted puppy and sat opposite.

Ralph Bales said, "You're an asshole."

"First, what it was, he walked out of the camper and got on the Yamaha. How was I supposed to know there'd be somebody else inside? You said he'd be riding a bike. And like, anyway, you didn't describe him."

"Shut up and listen to me. Lombro is really pissed now."

"It wasn't my fault."

"Excuse me, I mean, excuse me? When're you gonna learn that guys like this don't think about fault. What're you going to say? 'Gee, Mr. Lombro, first I shot a cop and now I killed the wrong man but I've got an excuse'?"

"Did you tell him I did it?" Stevie whispered.

To Ralph Bales's glee the kid was seriously nervous now. He let Stevie hang-in the wind for some very lengthy seconds.

"I didn't tell him your name."

"Thanks, Ralph. That was all right of you."

"I just told him a guy we hired made a mistake."

" "We hired.' Like you and me, we hired somebody else. So he won't think it was me." Stevie nodded. "That was good."

"He was pissed but he's not going to do anything about it. He's not going the whole nine yards with the bonus, because of the screwup but he'll give us something. If you do it right this time."

"Maybe what you could do is describe him better to me.

"Maybe what I could do is hold your hand and take you up and introduce you…"

"Aw, Ralph, come on…"

"Look, this thing is running away from us."

"Maybe we should just vanish."

"Without a penny? I wish you'd done the cop right."

"You could've, too." Stevie said cautiously.

Ralph Bales opened his mouth to protest then remembered his gun muzzle nestling in the cop's hair. "I could have, too. Yeah."

The waitress came by and they ordered boilermakers and hamburgers. When she left, Ralph Bales said, "Okay, well, do the witness this time and do it right."

Stevie said, "All right, sure. You still want it to be an accident? I mean, if that's what you want…"

Ralph Bales considered this. "Do it however you want I don't care."

This relieved Stevie immensely and he said, "I just want to say one thing. First, you didn't describe him very well-"

Ralph Bales turned on him.

Stevie lifted two palms and grinned. "Joke, Ralphy. Joke. You got to keep a sense of humor about these things."

***

"He killed my friend," Pellam said, "and I'm going to get him."

Donnie BufFett was not interested in what Pellam was going to do. Penny had called and chanted over the phone to him for five minutes while he stared at the receiver, first in disbelief, then in disgust. He had finally hung up and left the phone off the hook. Then he had been taken downstairs and poked and probed all morning. He had been told to contract his sphincter. He had said peevishly, "My what?" And the young intern had said, "Your rectum, contract it." And Buffett had said loudly, so that patients up and down the hall could hear, "Oh, you mean my asshole?"

The rest of the exam had gone like that.

Now here was Pellam, sweating and wild-eyed and talking about getting people.

"Look, you steal my gun, you give me a lecture about things you don't know from, then you come in and you start rambling about some killing or another. What," Buffett said evenly, "do you want from me?"

Pellam leaned close. Buffett blinked at the nearness of his face, the pores he could see clearly, the way the dark hairs on the top of the man's forehead disappeared smoothly into the skin.

The look in Pellam s eyes reminded him of young cops after their first firefight. Eager and energized but also quiet-ironically calmed by death. And because of that, scary. Extremely scary.

Pellam said, "The man in the Lincoln killed my friend."

Buffett did not respond and Pellam told him about Stiles death. 'They got us mixed up. They saw him leave the camper on the bike and they killed him. They thought it was me."

"Look, Pellam, it's crazy to drive a cycle in the city. Accidents happen. I could tell you the statistics."

"Hell with statistics. I want you to tell me how to do it."

"Do what?"

"Arrest him. Can I shoot him if I have to?" The chanting and the poking and probing faded from the cop's mind. Pellam and his calm, scary eyes had Buffett's full attention. "Let me make a call." He was on the phone for ten minutes as Pellam stared out the window. Pellams lips moved silently from time to time. Into the phone, the cop asked, "Any chance it's related to the Pellam thing?… Uh-huh. Yeah, well, I know how you guys feel but I'm starting to think he's okay… Yeah, Pellam, I mean. I'm not so sure he did see the guy in the Lincoln."

Pellam's head turned.

Buffett said, "Well, do what you gotta, I understand. But take it easy on him. It was his buddy got killed."

When he hung up the cop said, "They're calling it an accident. Hit-and-run. The truck driver said the car clipped the cycle.

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