Jeffery Deaver - Bloody River Blues

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Hollywood location scout John Pellam thought the scenic backwater town of Maddox, Missouri, would be the perfect site for an upcoming gangster film. Until real bullets leave two people dead and one cop paralysed. Pellam had unwittingly wandered onto the crime scene just moments before the brutal hits. Now the feds and local police want him to talk. Mob enforcers want him silenced. And a mysterious blonde just wants him. Trapped in a town full of sinister secrets and deadly deceptions, Pellam fears that deal will imitate art, as the film shoot – and his life – race toward a breathtakingly bloody climax.

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Hagedorn went into the John and got a glass.

He handed it to Buffett, who hesitated then said, "I might puke."

Gianno said, "I seen worse than cops barfing."

Buffett didn't puke, though, and he handed the empty glass back to Hagedorn with triumph. "Best thing I ever had in my mouth."

The men laughed; there was no need to say aloud any of the three punch lines that materialized simultaneously in three different minds.

Gianno asked, 'The guy in the Lincoln. Was he getaway?"

"No, he drove off by himself. Maybe it was somebody who had to ID the hit."

"Naw," Gianno said, "everybody knows what Gaudia looks like. He's a cover boy. Well, looked like."

Buffett said, 'Well, maybe it was the guy who hired baldy."

"Some big fish? I wonder. Donnie, you got any idea who was inside?"

"No, but I saw a guy who did."

"There's a witness?"

Buffett told them about the beer incident. 'This guy was talking to the driver, saying something."

"Fantastic." Hagedorn smiled.

Gianno turned to a blank page in his notebook. "What's he look like?"

Buffett was about to give them a description, and that's what did it. The Word came back to him. The magic Word.

Buffett beamed. He whispered, "Pellam."

'Tell him?" Gianno asked and looked at Hagedorn with a frown.

"His name's Pellam." The smile on Buffett's face glistened and grew.

"You got his name?" Gianno nodded enthusiastically. "He live around there?"

"Dunno." Buffett shrugged, which sent a stab of pain through his neck. He remained very still for a moment, frozen as the pain slowly receded.

"We'll find him," Gianno said reverently.

The smile slipped off Buffett s face as he tried to shift his leg and found he was unable to. The sheet, he guessed, was rucked in too tightly. He absently pulled at the bedclothes and smacked his thigh. "Gotta get the circulation going. I've been on my butt too long."

"We're gonna go find this guy, Donnie." Gianno slapped his notebook shut.

"One thing," Buffett said, "you know witnesses. When it's a hit like this? He's gonna get amnesia. Bet you any money."

Gianno snorted. "Oh, he'll talk, Donnie. Don't you worry about that."

***

Apparently some trouble with the chili.

The beer and whiskey were gone completely, but the whole pot of chili was pretty much untouched.

Danny and Stile remained behind in the camper after the other poker players had left and they helped Pellam clean up. Danny, with his thick nose, twenty-nine-year-olds smooth complexion, and shoulder-length black hair, resembled a Navajo warrior.

"What'd you do to the chili?" Danny said to Pellam, crinkling his nose, then emptied some ashtrays into a trash bag. Although he often said blunt things to people they rarely took offense.

The chili?

Stile slipped Labatt's bottles into another bag and twirled his bushy mustache. Although Pellam was descended-so the family story went-from a real gun-slinger, Pellam thought Stile was a dead ringer for the ancestor in question, Wild Bill Hickok. Stile was lanky and had a droopy Vietnam vet mustache the shade of his dark blond hair. He reflected, "I remember this western I worked on one time… I forget whose. I was falling off a cliff. I think it was an eighty-foot cliff… and the compressor broke, so they couldn't inflate the air bag as much as the unit director wanted to."

"Hm," Pellam muttered, and stepped into the kitchenette to look at the chili. He'd eaten two bowls, piled with onions and slices of American cheese. Seemed okay to him.

"No," Stile reflected. "It was a hundred-and-thirty-foot cliff."

Bored again, Danny said, "Got the point." An Oscar-nominated scriptwriter, Danny sat in deluxe hotel suites in front of an NEC laptop computer and wrote scenes that sent people like Stile off hundred-and-thirty-foot cliffs; he was not impressed.

Stile: "Man, there we were in the middle of this desert, in a very Native American frame of mind, you know what I'm saying?"

What's wrong with the chili?

Pellam tried another spoonful. Yup, burned. It reminded him of Scotch, the smokiness. But there wasn't anything wrong with it. It could have been intended, as if he had tried a new recipe. If it tasted like mesquite, for instance, nobody would have said anything, except maybe "Damn good chili, Pellam."

He piled dishes in the tiny sink, rinsed some of them in the dribble of the water from the faucet.

"Anyway, when I landed I went down so far, my belt loops made an impression in the mud beneath the bag."

"Uh. That happens sometimes," Danny said lethargically.

To air out the camper Pellam opened the front door. Chili smoke was only part of it. The lawyer from St. Louis had been lighting one cigarette after another. Pellam had noticed that midwesterners did not seem to know this habit was bad for you.

Danny and Stile argued about who had the riskier job-Stile falling off high cliffs or Danny having to pitch his stories to producers and development people. Stile said that was an old joke, and tried to convince Danny to go base-jumping with him sometime.

"To Live and Die in L.A.," Stile whispered reverently. "Awesome scene. The jump from the bridge."

Pellam, still at the front door, squinted. He saw a large, boxy shadow in the grass not far from where the camper was parked. What was it? He squinted, which didn't help. He remembered seeing that area in the daylight-it was a field full of crabgrass and weeds. What would be sitting in the middle of a lousy field this time of night? Funny, the shadow looked just like… The shadow began to murmur.

… a car.

It accelerated fast, spraying dirt and stones, nosing quickly out of the grass, grinding the undercarriage as it went over the sharp drop to the highway.

Probably lovers, Pellam thought. Necking. He could not remember the last time he necked. Did people still do it? Probably in the Midwest they did. Pellam lived in Los Angeles and nobody he'd ever dated there necked.

It was only when he turned back to the camper that he realized that the car had not turned on its lights until it was far down River Road; because of this, the license plate was not illuminated until it was too far away to be read. Odd…

"Wish I'd seen it," Danny said emphatically.

"Was just a car," Pellam muttered, glancing toward the disappearing taillights.

The other two stared at him.

"I meant," Danny said, "the base jump off that bridge."

"Oh."

Danny thanked Pellam for the game and the company but not the chili. After he left, Stile stepped into the kitchenette and began doing the dishes.

"You don't have to."

"Not a problem."

He washed everything but the chili pot.

"Man, black-bottom chili. You're on your own there, buddy."

"I got diverted on my way back from the store."

Stile asked, "How long you in this hellhole of a town for?"

"Till shootings done. Tony's reshooting every other scene."

"He does that, yup. Well, if we're here next week, come over to the Quality Inn for a game. I've got a hotplate there and I'll whip up Philly cheese steaks. With onions. By the by, I'm getting the Hertz tomorrow. You can have your bike back then."

Stile had been in town three weeks and had already burned out the transmission of his rental car. Rental companies should ask for occupation and not rent their vehicles to stuntmen.

Pellam walked him to the door. "When you got here, d'you see a car parked over there?"

"Where? There? That's just a mess of weeds, Pellam. Why'd anybody park there?"

Stile stepped outside, inhaled the air. He whistled a Stevie Wonder tune through his gunslinger mustache as he walked in long strides to the battered Yamaha with the rack dangling precariously from the back fender.

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