Jeffery Deaver - Bloody River Blues

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Hollywood location scout John Pellam thought the scenic backwater town of Maddox, Missouri, would be the perfect site for an upcoming gangster film. Until real bullets leave two people dead and one cop paralysed. Pellam had unwittingly wandered onto the crime scene just moments before the brutal hits. Now the feds and local police want him to talk. Mob enforcers want him silenced. And a mysterious blonde just wants him. Trapped in a town full of sinister secrets and deadly deceptions, Pellam fears that deal will imitate art, as the film shoot – and his life – race toward a breathtakingly bloody climax.

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"Would you like some coffee?" Ruth asked,

"Oh, sure, coffee?" From Penny.

"No, thanks."

Ruth said, "No trouble."

"No, really. I can't stay long. If you could just show me Donnie's office."

Penny pointed the way.

The office was really a bedroom slowly becoming a den. It was small. On the walls were sheets of thin paneling of light- stained wormwood-with tiny black holes like miniature cigarette burns. Donnie had probably done the work himself. Half of the sheets still showed the nailheads. A six-foot piece of unstained crown molding had been mounted where the panel joined the ceiling. A half dozen other pieces of molding sat in the corner. It was going to be a long time before the work got finished, Pellam thought with sadness.

He opened the bottom drawer of Buffett's desk. He moved aside the box Donnie had told him about and found what he was looking for. He slipped the thick envelope into his pocket.

As he stood he heard a woman's voice eerily droning: "Ommmm…"

Pellam returned to the living room, where sat three people whose only bond seemed to be this tragedy. Penny was in front of the candle, her voice solid and strong like a car in low gear. Nothing was going to stop it. Tears were in her eyes. She sat Japanese style, on her haunches. She hummed faster and faster.

"Ommmm…"

Ruth was sitting back on the couch, tracing the yellow herringbone pattern of the upholstery with a short, unpolished nail.

Stan said to her bluntly, "Get me some coffee. And a sandwich. Watch the mayonnaise. You gave me too much last time."

Penny's eyes were closed and from her lips came the melancholy drone of her prayer.

Pellam said good-bye to no one. He opened the door and let himself out.

He was going to wait until he got to the Yamaha to take the envelope out of his pocket. But he stopped on the walk and lifted it out. He saw what was irritating his leg. The hammer of the Smith & Wesson pistol had worn through the paper.

Pellam covered it with Maddox Police Department Aided Report forms and walked to the motorcycle.

***

A fleck of dust pedaled through the air of Gennaros Bakery. Philip Lombros eyes followed it for a long moment then turned back.to Ralph Bales.

"You're not eating your cannoli."

"It's good. I like it," Ralph Bales said. For a stocky man, a man who loved steak and pasta and hamburgers, he had a curious dislike for desserts. He wondered why it was he was always ended up sitting in restaurants eating sweets and drinking coffee and tea on deals like this. "I'm a slow eater. My wife-"

"You're married?" Lombro asked, surprised.

"Was married. She'd be finished with her veal and I'd still have most of it left. It's healthier to eat slower. You should chew your food, each bite, I mean, fifty times. I don't do that, but you're supposed to."

The bakery was not very authentic, Ralph Bales noted. Not like the ones he grew up near. It was, for one thing, very clean, and the girls wore yellow and brown waitress uniforms, and the miniature pastries in the spotless glass cases were like the rings and necklaces in the Famous Barr jewelry department. He didn't like it. A bakery should be dark and full of wood and the pastries should be behind dirty, cracked glass. The room should be filled with the smell of yeast and they shouldn't charge three seventy-five for a damn piece of cannoli.

Lombro was nodding with little interest. "My brothers wife makes these. They're better than this one. I think they fill these ahead of time here. You're not supposed to do that. You were telling me you found the man who was the witness."

"Yes."

"What's his name?'

Ralph Bales had anticipated this question. "Peter James." There were twenty-seven people named Peter, Pete, or P. James in the St. Louis phone book. Also, it was a name that someone might mix up. Was that James Peters? Jim Peters?

Lombro examined his napkin and replaced it on his lap. "And you've talked to him?"

"Okay. We had a long talk," Ralph Bales said in a low voice. He recited his next line. "He was pretty damn scared when he saw me coming. But he's agreed to play ball with us."

"Play ball."

'That means-"

"That means he wants some money and he won't identify me."

'That's what it means, yeah."

Lombro sipped his coffee, sitting back, ankle on knee, looking like a Mafia don. "Do you trust him?"

"Well-"

Lombro said, "I mean, if he takes the money will he keep his word?'

Ralph Bales thought for a minute and said, "You're never sure about these things-" He had not rehearsed this but he liked the lines. "-but I got good vibes from him. He's not a pro. He's scared and I think he'll keep his word."

"What does he do?'

This was a question that Ralph Bales had not anticipated. He spent a long time shrugging and sipping coffee. "Works some kind of job in St. Louis. I don't know. Computers or something."

"And what exactly has he got to sell?'

"He described you. To the letter. He said he looked through the window and got a complete description."

Lombro touched the silvery hair at his temple as if this news gave him a headache. "Why didn't he tell the police?'

Another foreseen question. "He was scared like I said."

"Did you threaten him?'

Ralph Bales poked at his pastry.

"Did you?' Lombro repeated sternly.

"Okay. I made it clear that we weren't happy. I told him we were willing to go to extremes if we had to. I was trying to, you know, negotiate it down. But I told you-I didn't hurt him."

"Did it work?'

"What's that?"

"Negotiating."

"Not much, no."

"How much does he want?'

Ralph Bales stopped poking and took a bite of pastry. "Fifty thousand."

"Uhm."

Ralph Bales counted to twelve, as his script called for. Then he said earnestly, "I know you don't want my opinion but there's a way I'd rather handle it." This was to make the fifty thousand more appealing.

"No more killing. I forbid it."

Forbid it. Ralph Bales tried to remember the last time he had heard someone use that word. Not his father. Maybe a priest at school. Forbid. It was a word that belonged in an old-time movie.

"I'm just telling you your options."

'That's not an option."

With one square of paper napkin, Philip Lombro wiped the flecks of pastry from his lips and when he was through doing so he took another square and wiped the heel of his shoe. Then he asked another question, one that Ralph Bales had not anticipated, though it was one of those questions that did not really need an answer. "I suppose he wants us to pay him in small bills, doesn't he?"

***

"Hey."

Donnie Buffett opened his eyes.

John Pellam stood looking at him.

Buffett inhaled slowly. "Hi, chief."

"You okay?" Pellam's eyes flickered with concern.

"Yeah. I was… There's this exercise. It's supposed to calm you down. It doesn't work too good."

"Well, some beer'll calm you down. You want another beer?"

"Yeah, I want another beer."

In addition to a damp paper bag Pellam was holding a thick white envelope. Buffett looked at it first and the bag second.

Pellam closed the door. Buffett said, 'They got a rule against that."

"Yeah? What're you, a cop?" He opened two pint Fosters.

Buffet looked at the blue and red logo. "Oh, yes! That stuff really gives me a buzz. Is that a kangaroo on there?"

"It's not going to hurt you, is it? I mean, like with medicine you're taking?"

Buffett drank down three good swallows. "Oooo," he said slowly. "Jubilation."

Pellam sat down in the chair. He held the envelope in one hand. Buffett stared at it.

"Donnie… Uh, your wife?"

"She say anything about that?" He nodded toward the envelope.

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