Jeffery Deaver - Roadside Crosses

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Roadside Crosses: краткое содержание, описание и аннотация

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The Monterey Peninsula is rocked when a killer begins to leave roadside crosses beside local highways-not in memoriam, but as announcements of his intention to kill. And to kill in particularly horrific and efficient ways: using the personal details about the victims that they've carelessly posted in blogs and on social networking websites. The case lands on the desk of Kathryn Dance, the California Bureau of Investigation's foremost kinesics-body language-expert. She and Deputy Michael O'Neil follow the leads to Travis Brigham, a troubled teenager whose role in a fatal car accident has inspired vicious attacks against him on a popular blog, The Chilton Report. As the investigation progresses, Travis vanishes. Using techniques he learned as a brilliant participant in MMORPGs, Massively Multiplayer Online Role-Playing Games, he easily eludes his pursuers and continues to track his victims, some of whom Kathryn is able to save, some not. Among the obstacles Kathryn must hurdle are politicians from Sacramento, paranoid parents and the blogger himself, James Chilton, whose belief in the importance of blogging and the new media threatens to derail the case and potentially Dance's career. It is this threat that causes Dance to take desperate and risky measures… In signature Jeffery Deaver style, Roadside Crosses is filled with dozens of plot twists, cliff-hangers and heartrending personal subplots. It is also a searing look at the accountability of blogging and life in the online world. Roadside Crosses is the third in Deaver's bestselling High-Tech Thriller Trilogy, along with The Blue Nowhere and The Broken Window.

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"No, you don't let me," he said without any added meaning or resentment. "I play at Martine's."

"With the twins?" Dance was shocked. The children of Martine Christensen and Steven Cahill were younger than Wes and Maggie.

Wes laughed. "Mom!" Exasperated. "No, with Steve. He's got all the patches and codes."

That made sense; Steve, who described himself as a green geek, ran the technical side of American Tunes.

"Is it violent?" Dance asked Boling, not Wes.

The professor and the boy shared a conspiratorial look.

"Well?" she persisted.

"Not really," Wes said.

"What does that mean exactly?" asked the law enforcement agent.

"Okay, you can sort of blow up spaceships and planets," Boling said.

Wes added, "But not like violent-violent, you know."

"Right," the professor assured her. "Nothing like Resident Evil or Manhunt. "

"Or Gears of War, " Wes added. "I mean, there you can chainsaw people."

"What?" Dance was appalled. "Have you ever played it?"

"No!" he protested, right on the edge of credibility. "Billy Sojack at school has it. He told us about it."

"Make sure you don't."

"All right. I won't. Anyway," the boy added, with another glance at Boling, "you don't have to use a chain saw."

"I never want you to play that game. Or the others that Mr. Boling mentioned." She said this in her best mother voice.

"Okay. Geez, Mom."

"Promise?"

"Yeah." The look at Boling said, She just gets this way sometimes.

The two males then launched into a discussion of other games and technical issues whose meaning Dance couldn't even guess at. But she was happy to see this. Boling, of course, was no romantic interest, but it was such a relief that she didn't have to worry about conflicts, especially tonight-the evening would be stressful enough. Boling didn't talk down to the boy, nor did he try to impress him. They seemed like peers of different ages, having fun talking.

Feeling neglected, Maggie barged in with, "Mr. Boling, do you have kids?"

"Mags," Dance interjected, "don't ask personal questions when you've just met somebody."

"That's all right. No, I don't, Maggie."

She nodded, taking in the information. The issue, Dance understood, wasn't about possible playmates. She was really inquiring about his marital status. The girl was ready to marry off her mother faster than Maryellen Kresbach from the office (provided Maggie was "best woman"-no retro "maid of honor" for Dance's independent daughter).

It was then that voices sounded from the kitchen. Edie and Stuart had arrived. They walked inside and joined Dance and the children.

"Grams!" Maggie called and charged toward her. "How are you?"

Edie's face blossomed into a genuine smile-or nearly so, Dance assessed. Wes, his face glowing with relief too, ran to her as well. Though stingy with hugs for Mom lately, the boy wrapped his arms around his grandmother and squeezed tight. Of the two children, he'd taken the arrest incident at the hospital closer to heart.

"Katie," Stuart said, "chasing down crazed felons and you still had time to cook."

"Well, somebody had time to cook," she replied with a smile and a glance at the Safeway shopping bags, hiding near the trash can.

Ecstatic to see her mother, Dance embraced her. "How are you?"

"Fine, dear."

Dear… Not a good sign. But she was here, at least. That's what counted.

Edie turned back to the children and was enthusiastically telling them about a TV show she'd just seen on extreme home makeovers. Dance's mother was brilliant at dispensing comfort and rather than talk directly about what happened at the hospital-which would only trouble them more-she reassured the kids by saying nothing about the incident and chatting away about inconsequential things.

Dance introduced her parents to Jon Boling.

"I'm a hired gun," he said. "Kathryn made the mistake of asking my advice, and she's stuck with me now."

They talked about where in Santa Cruz he lived, how long he'd been in the area and the colleges he'd taught at. Boling was interested to learn that Stuart still worked part-time at the famous Monterey Bay aquarium; the professor went often and had just taken his niece and nephew there.

"I did some teaching too," Stuart Dance offered, when he learned Boling's career. "I was pretty comfortable in academia; I'd done a lot of research into sharks."

Boling laughed hard.

Wine was dispensed-Boling's Conundrum white blend first.

But then Boling must've sensed a wind shift and he excused himself to head back to the computer. "I don't get to eat unless I finish my homework. I'll see you in a bit."

"Why don't you go out back," Dance told him, pointing to the deck. "I'll join you in a minute."

After he'd collected the computer and wandered outside, Edie said, "Nice young man."

"Very helpful. Thanks to him we saved one of the victims." Dance stepped to the refrigerator to put the wine away. As she did, emotion took the reins and she blurted softly to her mother, "I'm sorry I had to leave the courtroom so fast, Mom. They found another roadside cross. There was a witness I had to interview."

Her mother's voice revealed no trace of sarcasm when she said, "That's all right, Katie. I'm sure it was important. And that poor man today. Lyndon Strickland, the lawyer. He was well known."

"Yes, he was." Dance noted the shift of subject.

"Sued the state, I think. Consumer advocate."

"Mom, what've you heard from Sheedy?"

Edie Dance blinked. "Not tonight, Katie. We won't talk about it tonight."

"Sure." Dance felt like a chastised child. "Whatever you want."

"Will Michael be here?"

"He's going to try. Anne's in San Francisco, so he's juggling kids. And working on another big case."

"Oh. Well, hope he can make it. And how is Anne?" Edie asked coolly. She believed that O'Neil's wife's mothering skills left a lot to be desired. And any failures there were a class-A misdemeanor to Edie Dance, bordering on felony.

"Fine, I imagine. Haven't seen her for a while."

Dance wondered again if in fact Michael would show up.

"You talked to Betsey?" she asked her mother.

"Yes, she's coming up this weekend."

"She can stay with me."

"If it's not inconvenient," Edie offered.

"Why would it be inconvenient?"

Her mother replied, "You might be busy. With this case of yours. That's your priority. Now, Katie, you go visit with your friend. Maggie and I'll get things started. Mags, come on and help me in the kitchen."

"Yea, Grandma!"

"And Stu brought a DVD he thinks Wes would like. Sports bloopers. You boys go put that on."

Her husband took the cue and wandered to the flat-screen TV, calling Wes over.

Dance stood helplessly for a moment, hands at her sides, watching her mother retreat as she chatted happily with her granddaughter. Then Dance stepped outside.

She found Boling at an unsteady table on the deck, near the back door, under an amber light. He was looking around. "This is pretty nice."

"I call it the Deck," she laughed. "Capital D. "

It was here that Kathryn Dance spent much of her time-by herself and with the children, dogs and those connected to her through blood or through friendship.

The gray, pressure-treated structure, twenty by thirty feet, and eight feet above the backyard, extended along the back of the house. It was filled with unsteady lawn chairs, loungers and tables. Illumination came from tiny Christmas lights, wall lamps, some amber globes. A sink, tables and a large refrigerator sat on the uneven planks. Anemic plants in chipped pots, bird feeders and weathered metal and ceramic hangings from the garden departments of chain stores made up the eclectic decorations.

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