Jeffery Deaver - Roadside Crosses

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The Monterey Peninsula is rocked when a killer begins to leave roadside crosses beside local highways-not in memoriam, but as announcements of his intention to kill. And to kill in particularly horrific and efficient ways: using the personal details about the victims that they've carelessly posted in blogs and on social networking websites. The case lands on the desk of Kathryn Dance, the California Bureau of Investigation's foremost kinesics-body language-expert. She and Deputy Michael O'Neil follow the leads to Travis Brigham, a troubled teenager whose role in a fatal car accident has inspired vicious attacks against him on a popular blog, The Chilton Report. As the investigation progresses, Travis vanishes. Using techniques he learned as a brilliant participant in MMORPGs, Massively Multiplayer Online Role-Playing Games, he easily eludes his pursuers and continues to track his victims, some of whom Kathryn is able to save, some not. Among the obstacles Kathryn must hurdle are politicians from Sacramento, paranoid parents and the blogger himself, James Chilton, whose belief in the importance of blogging and the new media threatens to derail the case and potentially Dance's career. It is this threat that causes Dance to take desperate and risky measures… In signature Jeffery Deaver style, Roadside Crosses is filled with dozens of plot twists, cliff-hangers and heartrending personal subplots. It is also a searing look at the accountability of blogging and life in the online world. Roadside Crosses is the third in Deaver's bestselling High-Tech Thriller Trilogy, along with The Blue Nowhere and The Broken Window.

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"What happened?" she asked the senior deputy.

"Left a little diorama to scare him," a glance up the trail, "and then chased him down here. And shot him." It seemed to Dance that O'Neil was going to give more details but pulled back, probably because of Boling's presence.

"Where?"

The deputy pointed. The body wasn't visible from here.

"I'll show you the initial scene." He led them along the jogging path. About two hundred yards up a shallow hill, they found a short trail that led to a clearing. They ducked under yellow tape and saw rose petals on the ground and a cross carved in the sandy dirt. There were bits of flesh scattered around and bloodstains too. A bone. Claw marks in the dirt, from vultures and crows, it seemed.

O'Neil said, "It's animal, the Crime Scene people say. Probably beef, store-bought. My guess is the vic was jogging up the trail back there, saw the fuss and then took a look. He got spooked and ran. Travis got him halfway down the hill."

"What's his name?"

"Lyndon Strickland. He's a lawyer. Lives nearby."

Dance squinted. "Wait. Strickland? I think he posted something on the blog."

Boling opened his backpack and pulled out a dozen sheets of paper, copies of the blog pages. "Yep. But not in 'Roadside Crosses.' He posted a reply about the desalination plant. He's supporting Chilton."

He handed her the printout:

Reply to Chilton, posted by Lyndon Strickland.

I have to say you've opened my eyes on this issue. Had no idea that somebody's ramrodding this through. I reviewed the filed proposal at the County Planning Office and must say that, though I am an attorney familiar with environmental issues, it was one of the most obfuscatory documents I've ever tried to wade through. I think we need considerably more transparency in order to have meaningful debate on this matter.

Dance asked, "How did Travis know he'd be here? It's so deserted."

Boling said, "These are jogging trails. I'll bet Strickland posted to a bulletin board or blog that he likes running here."

We give away too much information about ourselves online. Way too much.

O'Neil asked, "Why would the boy kill him ?"

Boling seemed to be considering something.

"What, Jon?" Dance asked.

"It's just a thought but remember that Travis is into those computer games?"

Dance explained to O'Neil about the massively multiplayer online role-playing games that Travis played.

The professor continued, "One aspect of the game is growth. Your character develops and grows, your conquests expand. You have to do that, otherwise you won't succeed. Following that classic pattern, I think Travis might be expanding his pool of targets. First, it was people who directly attacked him. Now he's included somebody who supports Chilton, even if he has nothing to do with the 'Roadside Crosses' thread."

Boling cocked his head, looking at the bits of meat and the claw marks in the sandy ground. "That's an exponential increase in the number of possible victims. It'll mean dozens more are at risk now. I'll start checking out the Internet addresses of anyone who's posted anything even faintly supportive of Chilton."

More discouraging news.

"We're going to examine the body now, Jon," Dance said. "You should head back to the car."

"Sure." Boling looked relieved that he didn't have to participate in this part of the job.

Dance and O'Neil hiked through the dunes to where the body had been found. "How's the terrorist thing going? The Container Case?"

The senior deputy gave a wan laugh. "Moving along. You get Homeland Security involved, FBI, Customs, it's a quagmire. What's that line, you rise to the level of your own unhappiness? Sometimes I'd like to be back in a Police Interceptor handing out tickets."

"It's 'level of incompetence.' And, no, you'd hate being back in Patrol."

"True." He paused. "How's your mother holding up?"

That question again. Dance was about to put on a sunny face, but then remembered to whom she was speaking. She lowered her voice. "Michael, she hasn't called me. When they found Pfister and the second cross, I just left the courthouse. I didn't even say anything to her. She's hurt. I know she is."

"You found her a lawyer-one of the best on the Peninsula. And he got her released, right?"

"Yes."

"You've done everything you can. Don't worry about it. She's probably distancing herself from you. For the sake of this case."

"Maybe."

Eyeing her, he laughed again. "But you don't believe that. You're convinced she's mad at you. That she thinks you've let her down."

Dance was remembering times in her childhood when, at some affront, real or imagined, the staunch woman would turn cold and distant. It was only in partial humor that Dance's father occasionally referred to his wife as "the staff sergeant."

"Mothers and daughters," O'Neil mused out loud, as if he knew exactly what she'd been thinking.

When they reached the body, Dance nodded at the men from the coroner's office, who were setting a green body bag beside the corpse. The photographer had just finished up. Strickland lay on his belly, in jogging attire, now bloody. He'd been shot from behind. Once in the back, once in the head.

"And then there's this." One of the medics tugged the sweatshirt up, revealing an image carved into the man's back: a crude approximation of a face, which might've been the mask. Qetzal, the demon from DimensionQuest. This is probably what O'Neil was reluctant to mention in front of Boling.

Dance shook her head. "Postmortem?"

"Right."

"Any witnesses?"

"None," an MCSO deputy said. "There's that highway construction site about a half mile from here. They heard the shots and called it in. But nobody saw anything."

One of the Crime Scene officers called, "Didn't find any significant physical evidence, sir."

O'Neil nodded and together he and Dance returned to their cars.

Dance noticed Boling was standing beside his Audi, hands clasped in front of him and his shoulders seemed raised slightly. Sure signs of tension. Murder scenes will do that to you.

She said, "Thanks for coming out here, Jon. This was above and beyond the call of duty. But it was helpful to get your thoughts."

"Sure." He sounded as if he was tyring to be stoic. She wondered if he'd ever been to a crime scene.

Her phone rang. She noticed Charles Overby's name and number on Caller ID. She'd called earlier and told him about this killing. Now she'd have to tell him that the victim hadn't been guilty of cyberbullying, but was a true innocent bystander. This would throw the area into even more panic.

"Charles."

"Kathryn, you're at the latest scene?"

"Right. It looks like-"

"Did you catch the boy?"

"No. But-"

"Well, you can give me the details later. Something's come up. Get here as soon as you can."

Chapter 20

So this is the Kathryn Dance." A big ruddy hand encircled hers, holding it until the bucket of propriety had been filled and then releasing.

Odd, she noted. He hadn't put as much emphasis on the article as you'd expect. Not the Kathryn Dance. More like: So this is the agent.

Or, this is the chair.

But she ignored the curious descriptive since kinesic analysis wasn't a priority at the moment; the man wasn't a suspect, but was, as it turned out, connected to the CBI's boss of bosses. Resembling a college line-backer gone into politics or business, fiftyish Hamilton Royce worked in the attorney general's office in Sacramento. He returned to his chair-they were in Charles Overby's office-and Dance too sat. Royce explained that he was an ombudsman.

Dance glanced at Overby. Itchily squinting toward Royce out of deference or curiosity or probably both, he didn't offer anything else to flesh out the visitor's job description-or mission.

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