Jeffery Deaver - The Broken Window

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Lincoln Rhyme and partner/paramour Amelia Sachs return to face a criminal whose masterful staging of crimes is enabled by a terrifying access to information…
When Lincoln's cousin is arrested on murder charges the case against Arthur Rhyme is perfect – too perfect. Forensic evidence from Arthur's home is found all over the scene of the crime, and it looks like the fate of Lincoln's estranged cousin is sealed.
At the behest of Arthur's wife Judy, Lincoln begrudgingly agrees to investigate the case. Soon Lincoln and Amelia uncover a string of similar murders and rapes with perpetrators claiming innocence and ignorance – despite ironclad evidence at the scenes of the crime. Rhyme's team realizes this "perfect" evidence may actually be the result of masterful identity theft AND manipulation. An information service company-Strategic Systems Datacorp-seems to have all of the answers but is reluctant to share its information. Still, Rhyme and Sachs and their assembled team begin putting together a chilling pattern and consistent trace evidence, and their investigation points to one master criminal, whom they dub "522."
And when "522" learns the identities of the crime fighting team, the hunters become the hunted. Full of Deaver's trademark plot twists, The Broken Window will put the partnership of Lincoln Rhyme and Amelia Sachs to the ultimate test.

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“You recognize him from SSD? He one of the suspects on our list?” Sellitto asked Pulaski, sitting beside him, staring at the monitor. Four plainclothes officers were a block or so from Bell; two wore hidden video cameras.

On the crowded streets, though, it was hard to get a clear view of the killer’s face. “Could be one of the service techs. Or, weird, it almost looks like Andrew Sterling himself. Or, no, maybe it’s that he kind of walks like him. I’m not sure. Sorry.”

Sweating heavily in the hot van, Sellitto wiped his face, then leaned forward and said into the mike, “Okay, Professor, Five Twenty-Two’s moving up. Maybe forty feet behind you. He’s in a dark suit, dark tie. He’s carrying a briefcase. His gait profile suggests that he’s armed.” Most cops who’ve worked the street for a few years can recognize the difference in posture and walking patterns when a suspect is carrying a weapon.

“Gotcha,” commented the laconic officer, who carried two pistols himself and was ambidextrously talented with them.

“Man,” Sellitto muttered, “I hope this works. Okay, Roland, go ahead with the right turn.”

“Uhm.”

Rhyme and Sellitto didn’t believe that 522 would shoot the professor on the street. What would killing him accomplish? Rhyme speculated that the killer’s intent was to abduct Soames, to learn what the police knew, then murder him later or perhaps threaten him and his family to have Soames sabotage the investigation. So the script called for Roland Bell to take a detour out of public view, where 522 would make his move and they’d nail him. Sellitto had found a construction site that would work well. It featured a long sidewalk, cordoned off to the public, that was a shortcut to One Police Plaza. Bell would ignore the Closed sign and head down the sidewalk, where he’d be lost to sight after thirty or forty feet. A team was hiding at the far end to move in when 522 approached.

The detective made the turn, stepping around the barrier tape and heading up the dusty sidewalk, while the rattle and slam of jackhammers and pile drivers filled the interior of the van from Bell’s sensitive mike.

“We’ve got you on visual, Roland,” Sellitto said as one of the officers beside him hit a switch and another camera took up surveillance. “You watching, Linc?”

“No, Lon, Dancing with the Celebrities is on. Jane Fonda and Mickey Rooney are up next.”

“It’s Dancing with the Stars, Linc.”

Rhyme’s voice clattered into the van. “Is Five Twenty-Two going to make the turn? Or is he going to balk?…Come on, come on…”

Sellitto moved the mouse and double-clicked. Another image, on a split screen, popped up, from a Search and Surveillance team’s video camera. It depicted a different angle: Bell’s back moving down the sidewalk, away from the camera. The detective was glancing with curiosity at the construction site, as any normal passerby would. A moment later, 522 appeared behind him, keeping his distance, looking around too, though obviously with no interest in the workers; he was scanning for witnesses or the police.

Then he hesitated, looked around once more. And started to close the distance.

“Okay, everybody, heads up,” Sellitto called. “He’s moving up on you, Roland. We’re going to lose you on visual in about five seconds so keep an eye out. You copy?”

“Yep,” said the easy-going officer. As if answering a bartender who’d asked if he wanted a glass with his bottle of Budweiser.

Chapter Thirty-five

Roland Bell wasn’t quite as calm as he sounded.

The widower father of two children, a nice house in the burbs and a sweetheart down in the Tarheel State he was getting pretty close to proposing to…All those domestic things tended to add up on the negative side when you were asked to be a sitting duck on an undercover set.

Still, Bell couldn’t help but do his duty-particularly when it came to a perp like this 522, a rapist and killer, a species of criminal that Bell had a particular dislike for. And, truth be told, he didn’t mind the rush from ops like this one.

“We all find our levels,” his daddy had often said, and once the boy realized that the man wasn’t talking about misplaced tools he embraced that philosophy as a cornerstone of his life.

His jacket was unbuttoned and his hand poised to draw, aim and let fly with his favorite pistol, an example of Italy’s finest firepower. He was glad Lon Sellitto had stopped his banter. He needed to hear this fellow’s approach, and the slam slam slam of the pile driver was plenty loud. Still, concentrating hard, he heard a scrape of shoes on the sidewalk behind him.

Make it thirty feet.

Bell knew the takedown team was in front of him, though he couldn’t see them, or they him, because of a sharp curve in the sidewalk. The plan was for them to take 522 as soon as the backdrop was safe and no bystanders were in danger. This portion of the sidewalk was still partly visible from a nearby street and the construction site and they’d been gambling that the killer wouldn’t attack until Bell was closer to the tactical officers. But he seemed to be moving in more quickly than they’d planned on.

Bell hoped, though, that the man would hold off for a few minutes; a firefight here could endanger a number of passersby and construction workers.

But the logistics of the takedown vanished from his mind as he heard two things simultaneously: the sound of 522’s footsteps breaking into a run toward him and, much more alarming, the cheerful Spanish chatter of two women, one pushing a baby carriage, as they emerged from the back of the building right next to Bell. The tac officers had sealed off the sidewalk but apparently nobody’d thought to notify the superintendents of the buildings whose rear doors faced it.

Bell glanced back and saw the women walk right in between him and 522, who was staring at the detective and running forward. In his hand was a gun.

“We’ve got trouble! Civvies between us. Suspect’s armed! Repeat, he’s got a weapon. Move in!”

Bell started for his Beretta but one of the women, seeing 522, screamed and jumped back, slamming into Bell, knocking him to his knees. His gun dropped to the sidewalk. The killer blinked in shock and froze, undoubtedly wondering why a college professor was armed, but he recovered fast and aimed at Bell, who was going for his second gun.

“No!” the killer shouted. “Don’t try it!”

The officer could do nothing but lift his hands. He heard Sellitto say, “First team’ll be there in thirty seconds, Roland.”

The killer said nothing, just snarled for the women to flee, which they did, and then he stepped forward, gun on Bell’s chest.

Thirty seconds, the detective thought, breathing hard.

It might as well have been a lifetime.

Walking from the parking garage to One Police Plaza, Captain Joseph Malloy was irritated that he hadn’t heard anything about the set involving Detective Roland Bell. He knew Sellitto and Rhyme were desperate to find this perp and he’d reluctantly agreed to the phony press conference but it really was over the line, and he wondered what the fallout would be if it didn’t work.

Hell, there’d be fallout if it did work. One of the top rules in city government: Don’t fuck with the press. Especially in New York.

He was just reaching into his pocket for his cell phone when he felt something touch his back. Insistent and purposeful. A pistol.

No, no…

His heart galloped.

Then came the voice, calm. “Do not turn around, Captain. If you turn around, you’ll see my face and that means you’ll die. You understand?” He sounded educated, surprising Malloy for some reason.

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