Jeffery Deaver - The Broken Window

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Lincoln Rhyme and partner/paramour Amelia Sachs return to face a criminal whose masterful staging of crimes is enabled by a terrifying access to information…
When Lincoln's cousin is arrested on murder charges the case against Arthur Rhyme is perfect – too perfect. Forensic evidence from Arthur's home is found all over the scene of the crime, and it looks like the fate of Lincoln's estranged cousin is sealed.
At the behest of Arthur's wife Judy, Lincoln begrudgingly agrees to investigate the case. Soon Lincoln and Amelia uncover a string of similar murders and rapes with perpetrators claiming innocence and ignorance – despite ironclad evidence at the scenes of the crime. Rhyme's team realizes this "perfect" evidence may actually be the result of masterful identity theft AND manipulation. An information service company-Strategic Systems Datacorp-seems to have all of the answers but is reluctant to share its information. Still, Rhyme and Sachs and their assembled team begin putting together a chilling pattern and consistent trace evidence, and their investigation points to one master criminal, whom they dub "522."
And when "522" learns the identities of the crime fighting team, the hunters become the hunted. Full of Deaver's trademark plot twists, The Broken Window will put the partnership of Lincoln Rhyme and Amelia Sachs to the ultimate test.

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But I’m exhausted. I sit down in front of the Harvey Prescott painting, gaze up at it. The family looking back. As with most portraits their eyes follow you wherever you are.

Comforting. Eerie too.

Maybe one of the reasons I love his work so much is that these people were created fresh. They have no memories to plague them, to make them edgy, to keep them up all night and to drive them out into the streets, collecting treasures, and trophies.

Ah, memories:

June, five years old. Father sits me down, tucks his unlit cigarette away and explains to me I’m not theirs. “We brought you into the family because we wanted you wanted you badly and we love you even if you aren’t our natural son you understand don’t you…” Not exactly, I don’t. I stare at him blankly. Kleenex twisting in Mother’s damp hands. She blurts that she loves me like a natural-born son. No, loves me more, though I don’t understand why she would. It sounds like a lie.

Father leaves for his second job. Mother goes to take care of the other children, leaving me to consider this. My feeling is that something’s been taken away from me. But I don’t know what. I look out my window. It’s beautiful here. Mountains and green and cool air. But I prefer my room and that’s where I go.

August, seven years old. Father and Mother have been fighting. The oldest of us, Lydia, is crying. Don’t leave don’t leave don’t leave…I myself plan for the worst, stocking up. Food and pennies-people never miss pennies. Nothing can stop me from collecting them, $134 worth of shiny or dull copper. Hide them in boxes in my closet…

November, seven years old. Father returns from where he’s been for a month, “scratching for the elusive dollar,” which he says a lot. (Lydia and I smile when he does.) He asks where the other children are. She tells him she couldn’t handle all of them. “Do the math. The fuck you thinking of? Get on the phone and call the city.”

“You weren’t here,” she cries.

This mystifies Lydia and me but we know it’s not good.

In my closet are $252 in pennies, thirty-three cans of tomatoes, eighteen of other vegetables, twelve of SpaghettiOs, which I don’t even like but I have them. That’s all that’s important.

October, nine years old. More emergency foster placements. At the moment there are nine of us. We help, Lydia and me. She’s fourteen and knows how to take care of the younger ones. Lydia asks Father to buy the girls dolls-because she never had one and it’s important-and he said how can they make money from the city if they spend it on crap?

May, ten years old. I come back from school. It took all I could do to take some of the pennies and buy a doll for Lydia. I can’t wait for her reaction. But then I see I made a mistake and left the closet door open. Father is inside, ripping open the boxes. The pennies are lying like dead soldiers on a battlefield. He fills his pockets and takes the boxes. “You steal it you lose it.” I’m crying and telling him I found the pennies. “Good,” Father says triumphantly . “I found ’em too and that must mean they’re mine… Right, young man? How can you argue with that? You can’t. And, Jesus, almost five hundred bucks there.” And pulls the cigarette out from behind his ear.

Want to understand somebody taking your things away, your soldiers, your dolls, your pennies? Just close your mouth and pinch your nose. That’s what’s it like and you can’t do it very long before something terrible happens.

October, eleven years old. Lydia’s gone. No note. She doesn’t take the doll. Fourteen-year-old Jason comes to live with us from Juvenile. He pushes into my room one night. He wants my bed (mine’s dry and his isn’t). I sleep in his wet one. Every night for a month. I complain to Father. He tells me to shut up. They need the money and they get a bonus for ED kids like Jason and…He stops talking. Does he mean me too? I don’t know what ED means. Not then.

January, twelve years old. Flashing red lights. Mother sobbing, the other foster children sobbing. The burn on Father’s arm was painful but fortunately, the fireman says, the lighter fluid on the mattress didn’t ignite fast. If it was gasoline he’d be dead. As they take Jason away, dark eyes under dark brows, he screams he didn’t know how the lighter fluid and matches got into his book bag. He didn’t do it, he didn’t! And he didn’t pin up those pictures of people burned alive in his classroom at school.

Father screams at mother, Look at what you did!

You wanted the bonus! she screams back.

The ED bonus.

Emotionally disturbed, I found out.

Memories, memories…Ah, some collections I would gladly give away, leave in a Dumpster if I could.

I smile up at my silent family, the Prescotts. Then I turn back to the problem at hand-Them.

I’m calmer now, the edginess dulled. And I’m confident that like my lying father, like panicked Jason Stringfellow led off by the police, like the sixteens screaming at the climax of a transaction, those pursuing me-They-will soon be dead and dust. And I’ll be living out my days happily with my two-dimensional family and my treasures here in the Closet.

My soldiers, the data, are about to march into battle. I’m like Hitler in his Berlin bunker, ordering his Waffen-SS troops to meet the invaders. Data are invincible.

I see now that it’s nearly 11:00 P.M. Time for the news. I need to see what They know about the death at the cemetery and what They don’t. On goes the TV.

The station has “gone live” to City Hall. Now the deputy mayor, Ron Scott, a distinguished-looking man, is explaining that the police have put together a task force to investigate a recent murder and rape, and a murder this evening in a Queens cemetery, which seems related to the earlier crime.

Scott introduces an NYPD inspector, Joseph Malloy, who “will discuss the case more specifically.”

Though he doesn’t, not really. He shows a composite of the perpetrator that resembles me only in the way it resembles about 200,000 other men in the city.

White or light-skinned? Oh, please.

He tells people to be cautious. “We think the perpetrator has used techniques of identity theft to get close to his victims. Lower their defenses.”

Be wary, he goes on to say, of anyone you don’t know but who has knowledge of your purchases, bank accounts, vacation plans, traffic violations. “Even little things you wouldn’t normally pay attention to.”

In fact, the city has just flown in an expert in information management and security from Carnegie Mellon University. Dr. Carlton Soames will spend the next few days assisting the investigators and advising them on the issue of identity theft, which they believe is the best way to find the perpetrator.

Soames looks like a typical ruffled-haired small-town Midwest boy gone smart. An awkward grin. Suit a little off center, glasses a bit smudged, the asymmetrical glare tells me. And how much wear would that wedding ring show? Plenty, I’ll bet. He looks like the sort who married early.

He doesn’t say anything but gazes out like a nervous animal at the press and the camera. Captain Malloy continues, “In an age when identity theft is increasing, and the consequences are increasingly grave-”

The pun, obviously unintentional, is unfortunate.

“-we take seriously our responsibility to protect the citizens of this city.”

The reporters jump into the fray, pelting the deputy mayor, captain and unsettled professor with questions a third-grader could have come up with. Malloy generally demurs. The word “ongoing” is his shield.

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