Jeffery Deaver - The Broken Window

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Lincoln Rhyme and partner/paramour Amelia Sachs return to face a criminal whose masterful staging of crimes is enabled by a terrifying access to information…
When Lincoln's cousin is arrested on murder charges the case against Arthur Rhyme is perfect – too perfect. Forensic evidence from Arthur's home is found all over the scene of the crime, and it looks like the fate of Lincoln's estranged cousin is sealed.
At the behest of Arthur's wife Judy, Lincoln begrudgingly agrees to investigate the case. Soon Lincoln and Amelia uncover a string of similar murders and rapes with perpetrators claiming innocence and ignorance – despite ironclad evidence at the scenes of the crime. Rhyme's team realizes this "perfect" evidence may actually be the result of masterful identity theft AND manipulation. An information service company-Strategic Systems Datacorp-seems to have all of the answers but is reluctant to share its information. Still, Rhyme and Sachs and their assembled team begin putting together a chilling pattern and consistent trace evidence, and their investigation points to one master criminal, whom they dub "522."
And when "522" learns the identities of the crime fighting team, the hunters become the hunted. Full of Deaver's trademark plot twists, The Broken Window will put the partnership of Lincoln Rhyme and Amelia Sachs to the ultimate test.

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“Be reasonable” was the guideline here, Sachs told herself. But it was about as effective as “Don’t panic” at the moment. “Well, Pam-”

“I know what you’re going to say. But it’s not about that.

Sachs wasn’t so sure. Men and women together…To some extent it’s always about that. But she couldn’t consider the sexual aspect of the problem. It would only fuel the panic and destroy the reasonable.

“He’s different. We have this connection… I mean, the guys in school, it’s sports or video games. So boring.”

“Pam, there are plenty of boys who read poetry and go to plays. Weren’t there any boys in Poetry Club?”

“It’s not the same… I don’t tell anybody what I went through, you know, with my mother and everything. But I told Stuart and he understood. He’s had a tough time too. His father was killed when he was my age. He had to put himself through school, working two jobs or three.”

“It’s just not a good idea, honey. There’re problems you can’t even imagine now.”

“He’s nice to me. I love being with him. Isn’t that the most important thing?”

“That’s part of it but it’s not everything.”

Pam’s arms folded defiantly.

“And even if he’s not your teacher now he could get into really bad trouble too.” Somehow, saying this made Sachs feel that she’d already lost the argument.

“He said I’m worth the risk.”

You didn’t need to be Freud to figure it out: A girl whose father had been killed when she was young and whose mother and stepfather were domestic terrorists…she was primed to fall for an attentive, older man.

“Come on, Amelia, I’m not getting married. We’re just dating.”

“Then why not take a break? A month. Go out with a couple other guys. See what happens.” Pathetic, Sachs told herself. Her arguments smacked of a losing rear-guard action.

An exaggerated frown. “Like, why would I want to do that? I’m not out there trying to hook a boy, just to have somebody, like every other girl in my class.”

“Honey, I know you feel something for him. But just give it some time. I don’t want you hurt. There are a lot of wonderful guys out there. They’ll be better for you and you’ll be happier in the long run.”

“I’m not breaking up with him. I love him. And he loves me.” She gathered up her books and said coolly, “I better go. I have homework.” The girl started toward the door but then stopped and turned back. She whispered, “When you started going out with Mr. Rhyme, didn’t somebody say it was a stupid idea? That you could find somebody who wasn’t in a wheelchair? That there were lots of ‘wonderful guys’ out there? I bet they did.”

Pam held her eye briefly, then turned and left, closing the door behind her.

Sachs reflected that, yes, indeed, somebody had said just that to her, practically those very words.

And who else but Amelia Sachs’s own mother?

Miguel Abrera 5465-9842-4591-0243, the “maintenance specialist,” as the corporately correct say, left work at his usual time, around 5:00 P.M. He now gets out of the subway car near his home in Queens and I’m right behind him as he strolls home.

I’m trying to stay calm. But it’s not easy.

They-the police-are close, close to me ! Which has never happened before. In years and years of collecting, many dead sixteens, many ruined lives, many people in jail on my account, nobody has ever come close like this. Since I learned about the police suspicions, I’ve kept up a good facade, I’m sure. Still, I’ve been analyzing the situation frantically, picking through the data, looking for the lump of gold that tells me what They know and what They don’t. How much at risk I really am. But I can’t find the answer.

There’s too much noise in the data!

Contamination…

I’m running through how I’ve behaved lately. I’ve been careful. Data certainly can work against you; they can pin you to the grid like a blue Morpho menelaus butterfly, smelling of cyanide’s almond perfume, on a velvet board. But those of us in the know, we can use data for protection too. Data can be erased, can be massaged, can be skewed. We can add noise on purpose. We can place Data Set A right next to Data Set X to make A and X seem much more similar than they are. Or more different.

We can cheat in the simplest of ways. RFIDs, for instance. Slip a smart pass transponder into someone’s suitcase and it will show your car’s been in a dozen places over the weekend, while in fact it’s actually been sitting in your garage the whole time. Or think about how easy it is to put your employee ID into an envelope and have it delivered to the office, where it sits for four hours until you ask somebody to collect the package and bring it to you in a restaurant downtown. Sorry, forgot to pick it up. Thanks. Lunch is on me… And what do the data show? Why, that you were slaving away at work, while in reality you were wiping your razor clean as you stood over someone’s cooling body during those hours in question. That nobody actually saw you at your desk is irrelevant. Here are my time sheets, Officer… We trust data, we don’t trust the human eye. There are a dozen more tricks I’ve perfected.

And now I have to rely on one of the more extreme measures.

Ahead of me now Miguel 5465 pauses and glances into a bar. I know for a fact that he drinks rarely and if he goes in for a cerveza it will throw off the timing a bit but that won’t ruin my plans for this evening. He forgoes the drink, though, and continues along the street, head cocked to the side. I actually feel sorry that he didn’t give in and indulge, considering he has less than an hour to live.

Chapter Twenty-nine

Finally somebody from the detention center called Lon Sellitto.

He nodded as he listened. “Thanks.” He disconnected. “Arthur’s going to be okay. He’s hurt but not bad.”

“Thank God,” Sachs whispered.

“What happened?” Rhyme asked.

“Nobody can figure it out. The perp’s Antwon Johnson, doing fed time for kidnapping and state lines. They moved him to the Tombs for trial on related state charges. He just kind of snapped, looks like, tried to make it look like Arthur hanged himself. Johnson denied it at first, then claimed Arthur wanted to die, asked him to help.”

“The guards found him in time?”

“No. Weird. Another prisoner went after Johnson. Mick Gallenta, two-timer in for meth and smack. He was half Johnson’s size, took him on, knocked him out and got Arthur down from the wall. Nearly started a riot.”

The phone rang and Rhyme noticed a 201 area code.

Judy Rhyme.

He took the call.

“Did you hear, Lincoln?” Her voice was unsteady.

“I did. Yes.”

“Why would somebody do that? Why?”

“Jail’s jail. It’s a different world.”

“But it’s just a holding cell, Lincoln. It’s detention. I could understand if he were in prison with convicted murderers. But most of those people are awaiting trial, aren’t they?”

“That’s right.”

“Why would somebody risk his own case by trying to kill another prisoner there?”

“I don’t know, Judy. It doesn’t make sense. Have you talked to him?”

“They let him make a call. He can’t speak very well. His throat was damaged. But it’s not too bad. They’re keeping him in for a day or two.”

“Good,” Rhyme said. “Listen, Judy, I wanted more information before I called but…I’m pretty sure we’ll be able to show that Arthur’s innocent. It looks like there’s someone else behind it. He killed another victim yesterday and I think we can tie him to the murder of the Sanderson woman.”

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