Jeffery Deaver - The Broken Window

Looking at the evidence chart of the earlier rape, Rhyme noted that the condoms used by 522 in that crime were Durex. The killer had used those because Joseph Knightly bought that brand.

On the speakerphone he asked Williams, “Is one of your shoes missing?”

“No.”

Sellitto said, “So he bought a pair. Same type, same size as you’ve got. How’d he know that? Have you seen anybody on your property recently, maybe in your garage, going through your car or trash? Or have you had a break-in recently?”

“No, we sure haven’t. I’m out of work and here most days taking care of the house. I’d know. And it’s not the best neighborhood in the world; we’ve got an alarm. We always put it on.”

Rhyme thanked him and they disconnected.

He stretched his head back and gazed at the chart, as he dictated to Thom what to write.

MYRA WEINBURG CRIME SCENE

· COD: Strangulation. Awaiting final M.E. report

· No mutilation or arranging of body but ring fingernail, left hand, was cut short. Possible trophy. Premortem most likely

· Condom lubricant, from Trojan-Enz

· Unopened condoms (2), Trojan-Enz

· No used condoms, or body fluids

· Traces of Miller beer on floor (source other than crime scene)

· Fishing line, 40-pound monofilament, generic brand

· Four-foot length of brown hemp rope (MW)

· Duct tape on mouth

· Tobacco flake, old, from unidentified brand

· Footprint, Sure-Track man’s running shoe, size 13

· No fingerprints

Rhyme asked, “Our boy called nine-one-one, right? To report the Dodge?”

“Yeah,” Sellitto confirmed.

“Find out about the call. What he said, what his voice sounded like.”

The detective added, “The earlier cases too-your cousin’s and the coin theft and earlier rape.”

“Good, sure. I didn’t think about that.”

Sellitto got in touch with central dispatch. Nine-one-one calls are recorded and kept for varying periods of time. He requested the information. Ten minutes later he received a callback. The 911 reports from Arthur’s case and today’s murder were still in the system, the dispatch supervisor reported, and had been sent to Cooper’s e-mail address as.wav files. The earlier cases had been sent to archives on CD. It could take days to find them but an assistant had sent in a request for them.

When the audio files arrived, Cooper opened and played them. They were of a male voice telling the police to hurry to an address where he’d heard screaming. He described the get-away vehicles. The voices sounded identical.

“Voice print?” Cooper asked. “If we get a suspect, we can compare it.”

Voice prints were more highly regarded in the forensic world than lie detectors, and were admissible in some courts, depending on the judge. But Rhyme shook his head. “Listen to it. He’s talking through a box. Can’t you tell?”

A “box” is a device that disguises a caller’s voice. It doesn’t produce a weird, Darth Vader sound; the timbre is normal, if a little hollow. Many directory assistance and customer service operations use them to make employees’ voices uniform.

It was then that the door opened and Amelia Sachs strode into the parlor, carrying a large object under her arm. Rhyme couldn’t tell what it was. She nodded, then gazed at the evidence chart, saying to Pulaski, “Looks like a good job.”

“Thanks.”

Rhyme noted that what she held was a book. It seemed half disassembled. “What the hell is that?”

“A present from our doctor friend, Robert Jorgensen.”

“What is it? Evidence?”

“Hard to say. It was really an odd experience, talking to him.”

“Whatta you mean by odd, Amelia?” Sellitto asked.

“Think Batboy, Elvis and aliens behind the Kennedy assassination. That sort of odd.”

Pulaski exhaled a fast laugh, drawing a withering look from Lincoln Rhyme.

She told a story of a troubled man whose identity had been stolen and his life ruined. A man who described his nemesis as God, and himself as Job.

Clearly he was unhinged; “odd” didn’t go far enough. Yet if even partly true, his story was moving and hard to listen to. A life completely in tatters, and the crime pointless.

But then Sachs caught Rhyme’s complete attention when she said, “Jorgensen claims the man behind it’s been keeping track of him ever since he bought this book two years ago. He seems to know everything he’s doing.”

“Knows everything,” Rhyme repeated, looking at the evidence charts. “Just what we were talking about a few minutes ago. Getting all the information he needs on the victims and the fall guys.” He filled her in on what they’d learned.

She handed the book to Mel Cooper and told him Jorgensen believed it held a tracking device.

“Tracking device?” Rhyme scoffed. “He’s been watching too many Oliver Stone movies… All right, search it if you want. But let’s not neglect the real leads.”

Sachs’s calls to the police in the various jurisdictions where Jorgensen had been victimized weren’t productive. Yes, there’d been identity theft, no question. “But,” one cop in Florida asked, “you know how much of this goes on? We find a fake residence and raid it but by the time we get there it’s empty. They’ve taken all the merch they’d charged to the vic’s account and headed off to Texas or Montana.”

Most of them had heard of Jorgensen (“He sure writes a lot of letters”) and were sympathetic. But none had any specific leads to an individual or gang who might have been behind the crimes and they couldn’t devote nearly enough time to the cases as they would have liked. “We could have another hundred people on staff and still not be able to make any headway.”

After she’d hung up, Sachs explained that since 522 knew Jorgensen’s address, she’d told the residence hotel clerk to let her know immediately if anyone called or came around asking about him. If the clerk agreed, Sachs would neglect to bring up the residence hotel with the city’s building inspection office.

“Nicely done,” Rhyme said. “You knew there were violations?”

“Not until he agreed at, oh, about the speed of light.” Sachs walked to the evidence that Pulaski had gotten from the loft near SoHo, looking it over.

“Any thoughts, Amelia?” Sellitto asked.

She stood, staring at the boards, one fingernail taking on another as she tried to make sense out of the disparate collection of clues.

“Where’d he get this?” She picked up the bag containing the printout of Myra Weinburg’s face-looking sweet and amused, her eyes on the camera that had snapped her picture. “We should find out.”

Good point. Rhyme hadn’t considered the source of the picture, merely that 522 had downloaded it from a Web site somewhere. He’d been more interested in the paper as a source of clues.

In the photo Myra Weinburg was standing beside a flowering tree, gazing back at the camera, a smile on her face. She was holding a pink drink in a martini glass.

Rhyme noticed Pulaski gazing at the picture too, his eyes troubled again.

The thing is…she looked a little like Jenny.

Rhyme noted distinctive borders and what appeared to be the strokes of some letters to the right, disappearing out of frame. “He’d’ve got it online. To make it look like DeLeon Williams was checking her out.”

Sellitto said, “Maybe we could trace him through the site he downloaded it from. How can we tell where he got it?”

“Google her name,” Rhyme suggested.

Cooper tried this and found a dozen hits, several referring to a different Myra Weinburg. The ones that related to the victim were all professional organizations. But none of the photos of her was similar to the one that 522 had printed out.