Jeffery Deaver - The Broken Window

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Lincoln Rhyme and partner/paramour Amelia Sachs return to face a criminal whose masterful staging of crimes is enabled by a terrifying access to information…
When Lincoln's cousin is arrested on murder charges the case against Arthur Rhyme is perfect – too perfect. Forensic evidence from Arthur's home is found all over the scene of the crime, and it looks like the fate of Lincoln's estranged cousin is sealed.
At the behest of Arthur's wife Judy, Lincoln begrudgingly agrees to investigate the case. Soon Lincoln and Amelia uncover a string of similar murders and rapes with perpetrators claiming innocence and ignorance – despite ironclad evidence at the scenes of the crime. Rhyme's team realizes this "perfect" evidence may actually be the result of masterful identity theft AND manipulation. An information service company-Strategic Systems Datacorp-seems to have all of the answers but is reluctant to share its information. Still, Rhyme and Sachs and their assembled team begin putting together a chilling pattern and consistent trace evidence, and their investigation points to one master criminal, whom they dub "522."
And when "522" learns the identities of the crime fighting team, the hunters become the hunted. Full of Deaver's trademark plot twists, The Broken Window will put the partnership of Lincoln Rhyme and Amelia Sachs to the ultimate test.

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But if they’ve found out about me they could find out about the others. Randall 6794 and Rita 2907 and Arthur 3480…

Cap down a little more over the eyes-the sunglasses pushed high on my nose-I change course completely, circling well around the house, moving through alleys and gardens and backyards. Keeping the three-block perimeter, which they helpfully established as my safety zone by parking the Crown Vic beacons there.

This takes me in a semicircle to a grassy embankment leading up to the highway. Climbing up it, I’m able to see the tiny backyards and porches of the houses on DeLeon 6832’s block. I begin to count dwellings to find his.

But I don’t need to. I see clearly a police officer on the roof of a two-story house behind the alley from his place. He has a rifle. A sniper! There’s another, with a pair of binoculars too. And several more, in suits or street clothes, crouching in bushes right next to the structure.

Then two cops are pointing in my direction. I see that yet another officer was on the top of the house across the street. He’s pointing my way too. And since I’m not six feet three, 230 pounds, with skin dark as ebony, they aren’t waiting for DeLeon 6832. They’ve been waiting for me .

My hands are beginning to shake. Imagine if I’d blundered right into the middle of that, with the evidence in my backpack.

A dozen other officers are running to their cars or jogging fast in my direction. Running like wolves. I turn and scrabble up the embankment, breathing hard, panicked. I’m not even to the top when I hear the first of the sirens.

No, no!

My treasures, my Closet…

The highway, four lanes total, is crowded, which is good because the sixteens have to drive slowly. I can dodge pretty well, even with my head down; I’m sure nobody gets a good look at my face. Then I vault the barrier and stumble down the other embankment. My collecting, and other activities, keep me in good shape and soon I’m sprinting fast toward the closest subway station. I pause only once, to pull on cotton gloves and rip from my backpack the plastic bag containing the evidence I was going to plant, then shove it into a trash can. I can’t be caught with it. I can’t . A half block closer to the subway, I dodge into an alley behind a restaurant. I turn my reversible jacket inside out, swap hats and emerge again, my backpack now stuffed into a shopping bag.

Finally, I’m at the subway station, and-thank you-I can feel the musty tunnel breath preceding a train as it approaches. Then the thunder of the bulky car, the squeal of metal on metal.

But before I get to the turnstile I pause. The shock is now gone, but it’s been replaced by the edgy. I understand I can’t leave just yet.

The significance of the problem crashes down on me. They might not know my identity but they’ve figured out what I was doing.

Which means they want to take something away from me. My treasures, my Closet…everything.

And that, of course, is unacceptable.

Making sure I stay clear of the CCTV camera, I casually walk back up the stairs, digging in my bag, as I leave the subway station.

“Where?” Rhyme’s voice filled Amelia Sachs’s earphone. “Where the hell is he?”

“He spotted us, took off.”

“You’re sure it was him?”

“Pretty sure. Surveillance saw somebody a few blocks away. Looks like he spotted some of the detectives’ cars and changed his route. We saw him watching us, and he ran. We’ve got teams after him.”

She was in DeLeon Williams’s front yard with Pulaski, Bo Haumann and a half dozen other ESU officers. Some Crime Scene Unit techs and uniformed patrolmen were searching the escape route for evidence and canvassing for witnesses.

“Any sign he has a car?”

“Don’t know. He was on foot when we saw him.”

“Christ. Well, let me know when you find something.”

“I’ll-”

Click.

She grimaced at Pulaski, who was holding his Handi Talkie up to his ear, listening to the pursuit. Haumann was monitoring it too. The progress, from what she could hear, didn’t seem fruitful. Nobody on the highway had seen him or was willing to admit it, if they had. Sachs turned to the house and saw a very concerned, and very confused, DeLeon Williams looking out through a curtained window.

Saving the man from being yet another fall guy of 522 had involved both happenstance and good police work.

And they had Ron Pulaski to thank for it. The young officer in the brash Hawaiian shirt had done what Rhyme had requested: immediately gone to One Police Plaza and started looking for other cases that matched 522’s modus operandi. He found none but as he was talking to a Homicide detective the unit got a report from Central about an anonymous phone call. A man had heard screams from a loft near SoHo and seen a black man fleeing in an old beige Dodge. A patrolman had responded and found that a young woman, Myra Weinburg, had been raped and murdered.

Pulaski was struck by the anonymous call, echoing the earlier cases, and immediately called Rhyme. The criminalist figured that if 522 was in fact behind the crime he was probably sticking to his plan: he would plant evidence blaming a fall guy and they needed to find which of the more than 1,300 older beige Dodges was the one 522 might pick. Sure, maybe the man wasn’t 522 but even if not, they had the chance to collar a rapist and killer.

At Rhyme’s instruction, Mel Cooper cross-matched Department of Motor Vehicle records with criminal records and came up with seven African-American men who had convictions for crimes more serious than traffic violations. One, though, was the most likely: an assault charge against a woman. DeLeon Williams was a perfect choice as a fall guy.

Happenstance and police work.

To authorize a tactical takedown, a lieutenant or higher was required. Captain Joe Malloy still had no clue about the clandestine 522 operation, so Rhyme called Sellitto, who grumbled but agreed to call Bo Haumann and authorize an ESU op.

Amelia Sachs had joined Pulaski and the team at Williams’s house, where they’d learned from Search and Surveillance that only Williams was inside, not 522. There, they deployed to take the killer when he arrived to plant the evidence. The plan was tricky, improvised on the fly-and obviously hadn’t worked, though they’d saved an innocent man from being arrested for rape and murder and perhaps had discovered some good evidence to lead to the perp.

“Anything?” she asked Haumann, who’d been conferring with some of his officers.

“Nope.”

Then his radio clattered again and Sachs heard the loud transmission. “Unit One, we’re on the other side of the highway. Looks like he’s rabbited clean. He must’ve made it to the subway.”

“Shit,” she muttered.

Haumann grimaced but said nothing.

The officer continued, “But we’ve followed the route he probably took. It’s possible he ditched some evidence in a trash can on the way.”

“That’s something,” she said. “Where?” She jotted the address the officer recited. “Tell them to secure the area. I’ll be there in ten.” Sachs then walked up the steps and knocked on the door. DeLeon Williams answered, and she said, “Sorry I haven’t had a chance to explain. A man we were trying to catch was headed to your house.”

“Mine?”

“We think so. But he got away.” She explained about Myra Weinburg.

“Oh, no-she’s dead?”

“I’m afraid so.”

“I’m sorry, real sorry.”

“Did you know her?”

“No, never heard of her.”

“We think the perp might’ve been trying to blame you for the crime.”

“Me? Why?”

“We have no idea. After we investigate a little more we may want to interview you.”

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