Jeffery Deaver - Garden Of Beasts

The inspector candidate opened a door and began his examination of the contents.

Kohl himself chose the less demanding search and eased into a creaking chair to look through the documents on Morgan’s desk. The American had been, it seemed, a middleman of sorts, providing services for a number of U.S. companies in Germany. For a commission he would match an American buyer with a German seller and vice versa. When American businessmen came to town Morgan would be hired to entertain them and arrange meetings with German representatives from Borsig, Bata Shoes, Siemens, I.G. Farben, Opel, dozens of others.

There were several pictures of Morgan and documents confirming his identity. But it was curious, Kohl thought, that there were no truly personal effects. No family photographs, no mementos.

…perhaps he was somebody’s brother. And maybe somebody’s husband or lover. And, if he was lucky, he was a father of sons and daughters. I would hope too that there are past lovers who think of him occasionally…

Kohl considered the implications of this absence of personal information. Did it mean he was a loner? Or was there another reason for keeping his personal life secret?

Janssen dug through the closet. “And is there anything in particular I ought to be looking for, sir?”

Embezzled money, a married mistress’s handkerchief, a letter of extortion, a note from a pregnant teenager… any of the indicia of motive that might explain why poor Mr. Morgan had died brutally on the immaculate cobblestones of Dresden Alley.

“Look for anything that enlightens us, in any way, regarding the case. I can describe it no better than that. It is the hardest part of being a detective. Use your instinct, use your imagination.”

“Yes, sir.”

Kohl continued his own examination of the desk.

A moment later Janssen called, “Look at this, sir. Mr. Morgan has some pictures of naked women. They were in a box here.”

“Are they commercially made? Or did he take them himself?”

“No, they are postcards, sir. He bought them somewhere.”

“Yes, yes, then they do not interest us, Janssen. You must discern between the times that a man’s vices are relevant and when they are not. And, I promise you, voluptuous postcards are not presently important. Please, continue your search.”

Some men grow calm in direct proportion to their desperation. Such men are rare, and they are particularly dangerous, because, while their ruthlessness is not diminished, they are never careless.

Robert Taggert was one such man. He was livid that some goddamn button man from Brooklyn had out-thought him, had jeopardized his future, but he was not going to let emotion cloud his judgment.

He knew how Schumann had figured things out. There was a piece of wire on the floor of the shed and bits of lead next to it. Of course, he’d checked the bore of the gun and found it plugged. Taggert thought angrily, Why the hell didn’t I empty the powder out of his shells and recrimp the bullets back into the brass casing? There’d have been no danger to Ernst that way and Schumann never would have figured out the betrayal until it was too late and the SS troops were around the shed.

But, he reflected, the matter wasn’t hopeless.

After a second brief meeting in the Olympic pressroom with Himmler and Heydrich, during which he told them he knew little more of the plot than what he’d already explained, he left the stadium, telling the Germans that he would contact Washington at once and see if they had more details. Taggert left them both, muttering about Jewish and Russian conspiracies. He was surprised he’d been allowed out of the stadium without being detained – his arrest would not have been logical but was certainly a risk in a country top-heavy with suspicion and paranoia.

Taggert now considered his quarry. Paul Schumann was not stupid, of course. He’d been set up to be a Russian and he’d know that was whom the Germans would be looking for. He’d have ditched his fake identity by now and be an American again. But Taggert preferred not to tell the Germans that; it would be better to produce the dead “Russian,” along with his confederates, a gang-ring criminal and a woman dissident – Käthe Richter undoubtedly had some Kosi-sympathizing friends, adding to the credibility of the Russian assassin scenario.

Desperate, yes.

But, as he steered the white van south over the Stormtrooper-brown canal then east, he remained calm as stone. He parked on a busy street and climbed out. There was no doubt that Schumann would return to the boardinghouse for Käthe Richter. He’d adamantly insisted on taking the woman with him back to America. Which meant that, even now, he wasn’t going to leave her behind. Taggert also knew that he’d come in person, not call her; Schumann knew the dangers of tapped phones in Germany.

Continuing quickly through the streets, feeling the comforting bump of the pistol against his hip, he turned the corner and proceeded into Magdeburger Alley. He paused and examined the short street carefully. It seemed deserted, dusty in the afternoon heat. He casually walked past Käthe Richter’s boardinghouse and then, sensing no threat, returned quickly and descended to the basement entrance. He shouldered open the door then slipped into the dank cellar.

Taggert climbed the wooden stairs, keeping to the sides of the steps to minimize the creaks. He came to the top, eased the doorway open and, pulling the pistol from his pocket, stepped out into the ground-floor hallway. Empty. No sounds, no movement other than the frantic buzzing of a huge fly trapped between two panes of glass.

He walked the length of the corridor, listening at each door, hearing nothing. Finally he returned to the door on which hung a crudely painted sign that read, Landlady.

He knocked. “Miss Richter?” He wondered what she looked like. It had been the real Reginald Morgan who’d arranged for these rooms for Schumann, and apparently they’d never met; she and Morgan had spoken on the phone and exchanged a letter of agreement and cash through the pneumatic delivery system that crisscrossed Berlin.

Another rap on the door. “I’ve come about a room. The front door was open.”

No response.

He tried the door. It was not locked. He slipped inside and noted a suitcase resting open on the bed, clothes and books around it. This reassured him; it meant Schumann hadn’t returned yet. Where was she, though? Perhaps she wanted to collect money she was owed or, more likely, borrow what she could from friends and family. Emigrating from Germany through proper channels meant leaving with nothing more than clothes and pocket money; thinking she’d be leaving illegally with Schumann, she’d get as much cash as she could. The radio was on, the lights. She’d be back soon.

Taggert noticed next to the door a rack containing keys for all the rooms. He found the set to Schumann’s and stepped into the corridor again. He walked quietly up the hall. In a swift motion he unlocked the door, pushed inside and lifted his pistol.

The living room was empty. He locked the door then stepped silently into the bedroom. Schumann was not here, though his suitcase was. Taggert stood in the middle of the room, debating. Schumann was sentimental perhaps in his concern for the woman but he was a thorough professional. Before he entered he would look through the windows in the front and back to see if anybody was here.

Taggert decided to lie in wait. He settled on the only realistic option: the closet. He’d leave the door open an inch or two so he could hear Schumann enter. When the button man was in the midst of packing his bag, Taggert would slip out of the closet and kill him. If he was lucky Käthe Richter would be with him and he could murder her as well. If not, he’d wait in her room. She might arrive first, of course, in which case he could kill her then or wait until Schumann returned. He’d have to consider which was best. He’d then scour the rooms to make certain that there was no trace of Schumann’s real identity and call the SS and Gestapo to let them know that the Russian had been stopped.