Jeffery Deaver - Garden Of Beasts

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In the most ingenious and provocative thriller yet from the acclaimed New York Times bestselling author Jeffery Deaver, a conscience-plagued mobster turned government hitman struggles to find his moral compass amid rampant treachery and betrayal in 1936 Berlin.
Paul Schumann, a German American living in New York City in 1936, is a mobster hitman known as much for his brilliant tactics as for taking only “righteous” assignments. But then Paul gets caught. And the arresting officer offers him a stark choice: prison or covert government service. Paul is asked to pose as a journalist covering the summer Olympics taking place in Berlin. He’s to hunt down and kill Reinhard Ernst – the ruthless architect of Hitler’s clandestine rearmament. If successful, Paul will be pardoned and given the financial means to go legit; if he refuses the job, his fate will be Sing Sing and the electric chair.
Paul travels to Germany, takes a room in a boardinghouse near the Tiergarten – the huge park in central Berlin but also, literally, the “ Garden of Beasts ” – and begins his hunt.
In classic Deaver fashion, the next forty-eight hours are a feverish cat-and-mouse chase, as Paul stalks Ernst through Berlin while a dogged Berlin police officer and the entire Third Reich apparatus search frantically for the American. Garden of Beasts is packed with fascinating period detail and features a cast of perfectly realized locals, Olympic athletes and senior Nazi officials – some real, some fictional. With hairpin plot twists, the reigning “master of ticking-bomb suspense” (People) plumbs the nerve-jangling paranoia of prewar Berlin and steers the story to a breathtaking and wholly unpredictable ending.

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Since he’d given his car to Janssen and would have to take a tram home, Kohl continued down two flights to a back door of headquarters, a shortcut to the stop.

At the bottom of the stairs signs pointed the way to the Kripo’s holding cells, to the left, and to the old-case archives straight ahead. It was in this latter direction that he headed, recalling spending time there in his days as a detective-inspector assistant, reading the files not only to learn what he could from the great Prussian detectives of the past but simply because he enjoyed seeing the history of Berlin as told through its law enforcers.

His daughter’s fiancé, Heinrich, was a civil servant but his passion was police work. Kohl decided he would bring the young man here sometime and they could browse through the files together. The inspector might even show him some of the cases Kohl himself had worked on years ago.

But, as he pushed through the doorway, he stopped fast; the archives were gone. Kohl was startled to find himself in a brilliantly lit corridor in which stood six armed men. They were not, however, in the green uniforms of the Schupo; they wore SS black. Almost as one, they turned toward him.

“Good evening, sir,” one said, the closest to him. A lean man with an astonishingly long face. He eyed Kohl carefully. “You are…?”

“Detective Inspector Kohl. And who are you?”

“If you’re looking for the archives they are now on the second floor.”

“No. I’m simply using the rear exit door.” Kohl started forward. The SS trooper took a subtle step toward him. “I’m sorry to report that it is no longer in use.”

“I didn’t hear about that.”

“No? Well, it has been the case for the past several days. You will have to go back upstairs.”

Kohl heard a curious sound. What was it? A mechanical clap, clap…

A burst of sunlight filled the hallway as two SS men opened the far door and wheeled in dollies holding cartons. They turned into one of the rooms at the end of the corridor.

He said to the guard, “That door is the one I’m speaking of. It appears to be in use.”

“Not in general use.”

The sounds…

Clap, clap, clap and, beneath it, the rumbling of a motor or engine…

He glanced to his right, through a partially open doorway, where he glimpsed several large mechanical devices. A woman in a white coat was feeding stacks of paper into one of them. This must be part of the Kripo’s printing department. But then he observed that, no, they weren’t sheets of paper but cards with holes punched in them and they were being sorted by the device.

Ah, Kohl understood. An old mystery had been answered. Some time ago he’d heard that the government was leasing large calculating and sorting machines, called DeHoMags, after the firm that made them, the German subsidiary of the American company International Business Machines. These devices used punched cards to analyze and cross-reference information. Kohl had been delighted when he’d learned of the leases. The machines could be invaluable in criminal investigations; they might narrow down fingerprint categories or ballistics information a hundred times faster than a technician could by hand. They could also cross-reference modus operandi to link criminal and crime and could keep track of parolees or recidivist offenders.

The inspector’s enthusiasm soon soured, though, when he learned that the devices were not available for use by the Kripo. He’d wondered who’d gotten them and where they were. But now, to his shock, it seemed that at least two or three were less than a hundred meters from his office and guarded by the SS.

What was their purpose?

He asked the guard.

“I couldn’t tell you, sir,” the man replied in a brittle voice. “I have not been informed.”

From inside the room the woman in white looked out. Her hands paused and she spoke to someone. Kohl couldn’t hear what was said, nor see the person she was speaking to. The door slowly swung shut as if by magic.

The guard with the vertical face stepped past Kohl and opened the door that led back up the stairs. “Again, Inspector, as I said, there is no exit here. You will find another door up one flight and-”

“I’m familiar with the building,” Kohl said testily and returned to the stairs.

“I brought you something,” he said.

Standing in Paul’s living room in the Magdeburger Alley boardinghouse, Käthe Richter took the small package with a curious look: cautious awe, as if it had been years since anyone had given her a present. She rubbed her thumbs on the brown paper covering what Otto Webber had located for him.

“Oh.” She uttered a faint exhalation as she looked at the leather-bound book on whose jacket was stamped Collected Poems of Johann Wolfgang von Goethe.

“My friend said it’s not illegal but it’s not legal either. That means it will soon be illegal.”

“Limbo,” she said, nodding. “It was the same with American jazz here for a time, which is now forbidden.” Continuing to smile, Käthe turned the volume over and over in her hands.

He said, “I didn’t know his names run in my family.”

She glanced up with a quizzical look on her face.

“My grandfather was Wolfgang. My father was Johann.”

Käthe smiled at the coincidence and flipped through the book.

“I was wondering,” he said. “If you’re not busy, perhaps some dinner.”

Her face went still. “As I told you, I am able to serve only breakfast, not-”

He laughed. “No, no. I want to take you out to dinner. Perhaps see some sights in Berlin.”

“You want to…”

“I would like to take you out.”

“I… No, no, I couldn’t.”

“Oh, you have a friend, a husband…” He’d glanced at her hand and seen no rings but he wasn’t sure how one declared commitment in Germany. “Please, ask him to come too.”

Käthe was at a loss for words. Finally she said, “No, no, there is no one. But-”

Paul said firmly, “No ‘but’s. I’m not in Berlin for very long. I could use somebody to show me around town.” He gave her a smile. In English: “I’ll tell you, miss, I ain’t taking no for an answer.”

“I don’t understand ‘ain’t,’” she said. “But I have not been to a restaurant for a long time. Perhaps such an evening could be enjoyable.”

Paul frowned. “You’ve got the English wrong.”

“Oh, what should it be?” she asked.

“The proper word is ‘ will ’ be enjoyable, not ‘could.’”

She gave a faint laugh and agreed to meet him in a half hour. She returned to her room, while Paul showered and changed.

Thirty minutes later, a knock on the door. When he opened it he blinked. She was an entirely different person.

Käthe was wearing a black dress that would have satisfied even fashion goddess Marion in Manhattan. Close fitting, made from a shimmery material, a daring slit up the side and tiny sleeves that barely covered her shoulders. The garment smelled faintly of mothballs. She seemed slightly ill at ease, embarrassed almost to be wearing such a stylish gown, as if all she’d worn recently were housedresses. But her eyes shone and he had the same thought as earlier: how a subdued beauty and passion radiated from within her, wholly negating the matte skin and the bony knuckles and pale complexion, the furrowed brow.

As for Paul, his hair was still dark with lotion but was now combed differently. (And when they went out, it would be hidden by a hat very different from his brown Stetson: a dark, broad-brimmed trilby he’d purchased that afternoon after leaving Morgan.) He was wearing a navy blue linen double-breasted suit and a silver tie over his white Arrow shirt. At the department store where he’d bought the hat he’d also picked up more makeup to cover the bruise and cut. He’d discarded the sticking plaster.

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