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Jeffery Deaver: Garden Of Beasts

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Jeffery Deaver Garden Of Beasts

Garden Of Beasts: краткое содержание, описание и аннотация

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In the most ingenious and provocative thriller yet from the acclaimed New York Times bestselling author Jeffery Deaver, a conscience-plagued mobster turned government hitman struggles to find his moral compass amid rampant treachery and betrayal in 1936 Berlin. Paul Schumann, a German American living in New York City in 1936, is a mobster hitman known as much for his brilliant tactics as for taking only “righteous” assignments. But then Paul gets caught. And the arresting officer offers him a stark choice: prison or covert government service. Paul is asked to pose as a journalist covering the summer Olympics taking place in Berlin. He’s to hunt down and kill Reinhard Ernst – the ruthless architect of Hitler’s clandestine rearmament. If successful, Paul will be pardoned and given the financial means to go legit; if he refuses the job, his fate will be Sing Sing and the electric chair. Paul travels to Germany, takes a room in a boardinghouse near the Tiergarten – the huge park in central Berlin but also, literally, the “ Garden of Beasts ” – and begins his hunt. In classic Deaver fashion, the next forty-eight hours are a feverish cat-and-mouse chase, as Paul stalks Ernst through Berlin while a dogged Berlin police officer and the entire Third Reich apparatus search frantically for the American. Garden of Beasts is packed with fascinating period detail and features a cast of perfectly realized locals, Olympic athletes and senior Nazi officials – some real, some fictional. With hairpin plot twists, the reigning “master of ticking-bomb suspense” (People) plumbs the nerve-jangling paranoia of prewar Berlin and steers the story to a breathtaking and wholly unpredictable ending.

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“You’ll shoot me,” he said.

“You’re living on borrowed time anyway, Paul. But if you do what I say you might stay alive a little longer.”

The caller hung up.

He dropped the hand piece into the cradle. He sat motionless for a moment, recalling a very pleasant night a few weeks ago. Marion and he had gone to Coney Island for miniature golf and hot dogs and beer, to beat the heat. Laughing, she’d dragged him to a fortune teller at the amusement park. The fake gypsy had read his cards and told him a lot of things. The woman had missed this particular event, though, which you’d think should’ve showed up somewhere in the reading if she was worth her salt.

Marion… He’d never told her what he did for a living. Only that he owned a gym and he did business occasionally with some guys who had questionable pasts. But he’d never told her more. He realized suddenly that he’d been looking forward to some kind of future with her. She was a dime-a-dance girl at a club on the West Side, studying fashion design during the day. She’d be working now; she usually went till 1 or 2 A.M. How would she find out what happened to him?

If it was Dewey he’d probably be able to call her.

If it was the boys from Williamsburg, no call. Nothing.

The phone began ringing again.

Paul ignored it. He slipped the clip from his big gun and unchambered the round that was in the receiver, then he emptied the cartridges out of the revolver. He walked to the window and tossed the pistols out one at a time. He didn’t hear them land.

Finishing the soda pop, he took his jacket off, dropped it on the floor. He started for the door but paused. He went back to the Kelvinator and got another Royal Crown. He drank it down. Then he wiped his face again, opened the front door, stepped back and lifted his arms.

The phone stopped ringing.

“This’s called The Room,” said the gray-haired man in a pressed white uniform, taking a seat on a small couch.

“You were never here,” he added with a cheerful confidence that meant there was no debate. He added, “And you never heard about it.”

It was 11 P.M. They’d brought Paul here directly from Malone’s. It was a private town house on the Upper East Side, though most of the rooms on the ground floor contained desks and telephones and Teletype machines, like in an office. Only in the parlor were there divans and armchairs. On the walls here were pictures of new and old navy ships. A globe sat in the corner. FDR looked down at him from a spot above a marble mantel. The room was wonderfully cold. A private house that had air-conditioning. Imagine.

Still handcuffed, Paul had been deposited in a comfortable leather armchair. The two younger men who’d escorted him out of Malone’s apartment, also in white uniforms, sat beside him and slightly behind. The one who’d spoken to him on the phone was named Andrew Avery, a man with rosy cheeks and deliberate, sharp eyes. Eyes of a boxer, though Paul knew he’d never been in a fistfight in his life. The other was Vincent Manielli, dark, with a voice that told Paul they’d probably grown up in the same section of Brooklyn. Manielli and Avery didn’t look much older than the stickball kids in front of Paul’s building, but they were, of all things, lieutenants in the navy. When Paul had been in France the lieutenants he’d served under had been grown men.

Their pistols were in holsters but the leather flaps were undone and they kept their hands near their weapons.

The older officer, sitting across from him on the couch, was pretty high up – a naval commander, if the gingerbread on his uniform was the same as it’d been twenty years ago.

The door opened and an attractive woman in a white navy uniform entered. The name on her blouse was Ruth Willets. She handed him a file. “Everything’s in there.”

“Thank you, Yeoman.”

As she left, without glancing at Paul, the officer opened the file, extracted two pieces of thin paper, read them carefully. When he finished, he looked up. “I’m James Gordon. Office of Naval Intelligence. They call me Bull.”

“This is your headquarters?” Paul asked. “‘The Room’?”

The commander ignored him and glanced at the other two. “You introduced yourselves yet?”

“Yes, sir.”

“There was no trouble?”

“None, sir.” Avery was doing the talking.

“Take his cuffs off.”

Avery did so while Manielli stood with his hand near his gun, edgily eyeing Paul’s gnarled knuckles. Manielli had fighter’s hands too. Avery’s were pink as a dry-goods clerk’s.

The door swung open again and another man walked inside. He was in his sixties but as lean and tall as that young actor Marion and Paul had seen in a couple of films, Jimmy Stewart. Paul frowned. He knew the face from articles in the Times and the Herald Tribune. “Senator?”

The man responded, but to Gordon: “You said he was smart. I didn’t know he was well-informed.” As if he wasn’t happy about being recognized. The Senator looked Paul up and down, sat and lit a stubby cigar.

A moment later yet another man entered, about the same age as the Senator, wearing a white linen suit that was savagely wrinkled. The body it encased was large and soft. He carried a walking stick. He glanced once at Paul then, without a word to anyone, he retreated to the corner. He too looked familiar but Paul couldn’t place him.

“Now,” Gordon continued. “Here’s the situation, Paul. We know you’ve worked for Luciano, we know you’ve worked for Lansky, a couple of the others. And we know what you do for them.”

“Yeah, what’s that?”

“You’re a button man, Paul,” Manielli said brightly, as if he’d been looking forward to saying it.

Gordon said, “Last March Jimmy Coughlin saw you…” He frowned. “What do you people say? You don’t say ‘kill.’”

Paul, thinking: Some of us people say “chill off.” Paul himself used “touch off.” It was the phrase that Sergeant Alvin York used to describe killing enemy soldiers during the War. It made Paul feel less like a punk to use the term that a war hero did. But, of course, Paul Schumann didn’t share any of this at the moment.

Gordon continued. “Jimmy saw you kill Arch Dimici on March thirteenth in a warehouse on the Hudson.”

Paul had staked out the place for four hours before Dimici showed up. He’d been positive the man was alone. Jimmy must’ve been sleeping one off behind some crates when Paul arrived.

“Now, from what they tell me, Jimmy isn’t the most reliable witness. But we’ve got some hard evidence. A few revenue boys picked him up for sell ing hooch and he made a deal to rat on you. Seems he’d picked up a shell casing at the scene and was keeping it for insurance. No prints’re on it – you’re too smart for that. But Hoover ’s people ran a test on your Colt. The scratches from the extractor’re the same.”

Hoover? The FBI was involved? And they’d already tested the gun. He’d pitched it out of Malone’s window less than an hour ago.

Paul rocked his upper and lower teeth against each other. He was furious with himself. He’d searched for a half hour to find that damn casing at the Dimici job and had finally concluded it’d fallen through the cracks in the floor into the Hudson.

“So we made inquiries and heard you were being paid five hundred dollars to…” Gordon hesitated.

Touch off.

“… eliminate Malone tonight.”

“Like hell I was,” Paul said, laughing. “You got yourself some bum wire. I just went to visit him. Where is he, by the way?”

Gordon paused. “Mr. Malone will no longer be a threat to the constabulary or the citizens of New York City.”

“Sounds like somebody owes you five C-notes.”

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