Gregory Funaro - The Sculptor

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"Relentless suspense. A genuine page-turner!" – Kevin O'Brien
***
In life, they were flawed. In death, they are perfect works of art – killed, preserved, and carefully moulded into replicas of Michelangelo's most celebrated creations. Only The Sculptor can bring forth their true beauty and teach the world to appreciate his gift. FBI Special Agent Sam Markham has a reputation for tracking serial killers, but this artful adversary is meticulous, disciplined, and more ruthless than any he's encountered. The only clue is a note dedicating the latest 'statue' to Cathy Hildebrant, an art historian who shares Sam's fear that the killing has just begun. In a quiet Rhode Island town, The Sculptor shapes his latest macabre creation, waiting for Cathy to draw nearer so that his message can be understood at last. And the only way to save her is for Sam to unlock a psychopath's twisted mind before his final, terrifying masterpiece is revealed.

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“Look at the addresses on that list, Cathy-probably a ‘who’s who’ of Rhode Island high society. You saw how cold, how suspicious, and tight-lipped Manzera’s ex and that other guy were-just like Manzera’s own mother. Yes, like our friends down at Watch Hill, the one thing these people fear even more than The Michelangelo Killer is a good scandal.”

Although the general manager of the East Greenwich Country Club explained to Sam Markham that he had in fact heard of Damon Manzera, he also explained to them that-having been in his position for only a year-he felt uncomfortable speaking about rumors regarding his club’s members.

“The Manzeras are one of East Greenwich ’s most respected families,” he said. “In addition to his aging mother, Damon Manzera leaves behind three sisters-all of whom have been members of our club since they were little girls. Thus, you will understand, Agent Markham, if out of respect for the family I decline to comment on what is to me nothing more than gossip and hearsay.”

“Yes, I understand,” said Markham, sliding the list of names across the general manager’s desk. “And I hope you understand, sir, that I could make things very difficult for you and your little club if I thought even for a second that you were hindering this investigation. Meaning, I wouldn’t think twice about getting a subpoena for your records and having it delivered to your office under full police escort-complete with lights and sirens, of course, and perhaps some television cameras, too.”

The general manager was silent.

“Now why don’t you take a look at that list of names and see if you’ve changed your mind about helping me.”

“Other than the two names you’ve already crossed off,” said the GM after a quick scan, “the only other name that I can connect for sure to the period of time in which Manzera was employed here is the Bach family. From what I gather, they were members up until about fifteen years ago-some kind of personal tragedy if my memory serves me, although I’m not sure I ever knew the details. But at least they’d have been members when Manzera was employed. You might want to try them. Other than that, I do recollect hearing rumors about Manzera’s flings with married women, but as for names, I can’t tell you if anybody on this list is a match. And that’s the truth, Agent Markham. You have my word on that, for as I’ve already explained to you, I’ve only been in my current position for about a year now. However, if you’d like, I can try to telephone my predecessor for you. I’m sure he’d be happy to cooperate, to report on his own firsthand knowledge of the goings on at the club around the time of Manzera’s death.”

“That’d be fine. Thank you.”

While Markham and Cathy waited, the general manager tried repeatedly to contact his predecessor. However, when the latter proved unreachable by phone, the general manager gave Markham the man’s Florida address and telephone number and asked to be excused. And for the time being, the FBI agent let him off the hook, added the information to his list, and left the general manager’s office in a huff.

“Who’s next?” Cathy asked once they were back inside the Trailblazer.

“Just so happens it’s the Bach family,” said Sam Markham, scanning his list. “The one the general manager mentioned. Specifically, Edward and Christian Bach.”

“Any notes on them?”

“Nothing really. Like the others, names have an X next to them-just lists them with the same ‘persons of interest’ blurb that the cops wrote down for Manzera’s ex and that other guy. Looks like they dismissed them as suspects early on in their investigation. Does say, however, that Edward is the father, and Christian the son. Mother listed as deceased. GPS shows their last known address isn’t too far from here. Best hit them next and then grab some lunch. What do you say?”

“Sounds good. It’s almost two o’clock. I’m starving.”

Within ten minutes the Trailblazer’s GPS system led them down a winding wooded road, through a pillared fieldstone wall, and up a long driveway to a large, three-story house. On the other side of the driveway, behind a waterless fountain, Cathy could make out a black Porsche 911 and a blue Toyota Camry.

“You must hate these slum assignments,” she said, and Markham smiled. Had he noticed the overgrown second driveway, had he been able to see through the trees and the thick underbrush to the carriage house at the rear of the property, Supervisory Special Agent Sam Markham might not have been smiling.

Markham and Cathy exited the Trailblazer and climbed a set of four wide flagstone steps. They followed the path along the side of the house and then climbed up another four steps to the side door-a door that stood curiously propped open as if the owner of the house had been expecting them. Markham looked inside. He could see into what looked like a mud room, and into the kitchen beyond.

“Hello?” he called, knocking on the open storm door.

Turning, Markham was about to speak when, out of the corner of his eye, he saw movement-then the flash of a bright red dot reflected off the glass.

“Get down!” he shouted, pushing Cathy away from the red dot and inside the house. But the silenced bullet found him anyway-grazed the back of his head and took off a chunk of his right ear as he tackled Cathy onto the mud room floor, the warmth of his blood spattering her face.

The sound of a loud pop on the door frame-then another bullet tore into Markham ’s thigh. The FBI agent shrieked in pain.

“Move, Cathy, move!” he shouted, rolling off of her and fumbling for his gun. Cathy, her ears buzzing, her muscles tense with fear, scrambled to her feet just in time to see a shadowy figure in the doorway-the sunlight streaming in behind him; tall, bald, and naked as a marble Hercules.

Yes. They had found The Sculptor.

A flash of red light passed across Cathy’s eyes. She froze-did not see Markham rise to his feet and grab The Sculptor’s arm-only heard the bullet whizzing past her ear. Her vision spotted from The Sculptor’s laser sight, Cathy backed away into the kitchen, watching in red blotchy horror as Markham tried to wrestle The Sculptor’s gun away from him. Their grunting figures crashed against the walls of the mud room as The Sculptor fired off two silenced bullets into the floor.

Then, with a roar, The Sculptor seemed to explode-his arms flailing outward in a burst of power. Sam Markham went sailing across the room-his back slamming into the darkened door frame behind him.

Only then did Cathy notice the open cellar door.

“Sam!” she cried-but it was too late. As Markham recovered, as he finally drew his gun from his shoulder holster, the red dot again flashed across Cathy’s eyes.

Thhhwhip! Thhhwhip!

And then Sam Markham disappeared into a black abyss-the muffled sound of his body thumping down the cellar stairs sucking Cathy’s breath from her lungs.

Firing again down into the darkness, The Sculptor moved to the cellar door in a blur. Then he flicked on the light at the top of the stairs. Cathy had not seen where The Sculptor’s bullets had hit Markham, but in the light cast from the cellar stairwell, she could see on The Sculptor’s face that he was satisfied with his shots. Cathy tried to scream, but her fear held her breath tight in her throat.

The Sculptor whirled his eyes on her-eyes that, in the shadow cast from the cellar, looked to Cathy to be carved from ice.

“It’s nice to finally meet you, Dr. Hildy,” said The Sculptor, raising his gun. “I wish the circumstances could have been different.”

Suddenly Cathy’s breath returned, and she became aware that her legs were moving, dragging her forward against the fear that so desperately wanted her to stay put. Another thhhwhip of a bullet by her left ear, and then the kitchen, the adjoining dining room flying past her in a rush. Cathy found herself at the front door, her fingers like numb hotdogs against the dead bolt-slippery and useless as the sound of footsteps thundered behind her. Cathy turned to find The Sculptor approaching from the dining room. She made a dash to her left-could see the sunlight down the hall at the back of the house; she was aware somehow that if she followed alongside the grand staircase it would lead her back to the mud room door. But the naked, hairless man who looked like a bald Arnold Schwarzenegger intercepted her. Cathy fell backward onto the stairs, The Sculptor standing over her and leveling the red dot of his gun between her eyes.

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