Gregory David Roberts - Shantaram

The modest enterprise provided living wages for the tailors and their families, and a measure of profit, which was divided equally among the three wives. Qasim took no part in the running of the business, and he paid all the household expenses, so the money made by his wives was their own to spend or save as they wished. In time, the tailors bought slum huts around Qasim's own, and their wives and children lived side by side with Qasim's, making up a huge, extended family of thirty-four persons who looked upon the head man as father and friend. It was a relaxed and contented household. There was no bickering or bad temper.

The children played happily and did their chores willingly. And several times a week, he opened his large main room to the public as a majlis, or forum, where the slum-dwellers could air their grievances or make requests.

Not all the disputes or problems in the slum were brought to Qasim Ali's house for a timely resolution, of course, and sometimes Qasim was forced to take on the roles of policeman and magistrate in that unofficial and self-regulating system. I was drinking tea in the foreground of his house one morning, some weeks after Abdullah took me to the lepers, when Jeetendra rushed up to us with the news that a man was beating his wife, and it was feared that he might kill her. Qasim Ali, Jeetendra, Anand, Prabaker, and I walked quickly through the narrow lanes to a strip of huts that formed the perimeter of the slum at the line of mangrove swamp. A large crowd had gathered outside one of the huts and, as we neared it, we could hear a pitiable screaming and the smack of blows from within.

Qasim Ali saw Johnny Cigar standing close to the hut, and pushed his way through the silent crowd to join him.

"What's happening?" he demanded.

"Joseph is drunk," Johnny replied sourly, spitting noisily in the direction of the hut. "The bahinchudh has been bashing his wife all morning."

"All morning? How long has this been going on?"

"Three hours, maybe longer. I just got here myself. The others told me about it. That's why I sent for you, Qasimbhai."

Qasim Ali drew his brows together in a fierce frown, and stared angrily into Johnny's eyes.

"This is not the first time that Joseph has beaten his wife. Why didn't you stop it?"

"I..." Johnny began, but he couldn't hold the stare, and he looked down at the stony ground at their feet. There was a kind of rage in him, and he looked close to tears. "I'm not afraid of him! I'm not afraid of any man here! You know that! But, they are ... they are... she is his wife..."

The slum-dwellers lived in a dense, crowded proximity. The most intimate sounds and movements of their lives entwined, constantly, each with every other. And like people everywhere, they were reluctant to interfere in what we usually call domestic disputes, even when those so-called disputes became violent.

Qasim Ali reached out and put a compassionate hand on Johnny's shoulder to calm him, and commanded that he stop Joseph's violence at once. Just then a new burst of shouting and blows came from the house, followed by a harrowing scream.

Several of us stepped forward, determined to put a stop to the beating. Suddenly, the flimsy door of the hut crashed open, and Joseph's wife fell through the doorway and fainted at our feet.

She was naked. Her long hair was wildly knotted and matted with blood. She'd been cruelly beaten with some kind of stick, and blue-red welts crossed and slashed her back, buttocks, and legs.

The crowd flinched and recoiled in horror. They were as affected by her nakedness, I knew, as they were by the terrible wounds on her body. I was affected by it myself. In those years, nakedness was like a secret religion in India. No-one but the insane or the sacred was ever publicly naked. Friends in the slum told me with unaffected honesty that they'd been married for years and had never seen their own wives naked. We were all stricken with pity for Joseph's wife, and shame passed among us, burning our eyes.

A shout came from the hut then, and Joseph stumbled through the doorway. His cotton pants were stained with urine, and his T-shirt was torn and filthy. Wild, stupid drunkenness twisted his features. His hair was dishevelled, and blood stained his face.

The bamboo stick he'd used to beat his wife was still in his hands. He squinted in the sunlight, and then his blurred gaze fell on his wife's body, lying face down between himself and the crowd. He cursed her, and took a step forward, raising the stick to strike her again.

The shock that had paralysed us escaped in a collective gasp, and we rushed forward to stop him. Surprisingly, little Prabaker was the first to reach Joseph, and he grappled with the much bigger man, pushing him backwards. The stick was wrenched from Joseph's hand, and he was held down on the ground. He thrashed and screamed, a string of violent curses spilling with the drool from his lips. A few women came forward, wailing as if in mourning.

They covered Joseph's wife with a yellow silk sari, lifted her, and carried her away.

The crowd might've become a lynch mob, then, but Qasim Ali took charge of the scene immediately. He ordered the people to disperse, or stand back, and he told the men who were holding Joseph to keep him pinned on the ground. His next command astonished me. I thought he might call for the police, or have Joseph taken away. Instead, he asked what alcohol Joseph had been drinking, and demanded that two bottles of it be brought to him.

He also called for charras and a chillum, and told Johnny Cigar to prepare a smoke. When the rough, home-brewed alcohol, known as daru, was produced, he instructed Prabaker and Jeetendra to force Joseph to drink.

They sat Joseph in a circle of strong, young men, and offered him one of the bottles. He glared at them suspiciously for a few moments, but then snatched the bottle and took a long, greedy swig. The young men around him patted him on the back, encouraging him to drink more. He gulped down more of the extremely powerful daru and then tried to push it away, saying that he'd had enough. The young men became forceful in their coaxing. They laughed and joked with him, holding the bottle to his lips and driving it between his teeth. Johnny Cigar lit the chillum, and passed it to Joseph. He smoked and drank and smoked again. Then, some twenty minutes after he'd first stumbled from the hut with the bloody stick in his hand, Joseph dipped his head and passed out cold on the rubble-strewn path.

The crowd watched him snore for a while, and then they gradually drifted away to their huts and their jobs. Qasim told the group of young men to stay in their circle around Joseph's body, and watch him closely. He left for about half an hour to perform the mid-morning prayer. When he returned, he ordered tea and water.

Johnny Cigar, Anand, Rafiq, Prabaker, and Jeetendra were in the watchful circle. A strong, young fisherman named Veejay was also in the group, and a lean, fit cart-pusher known as Andhkaara, or Darkness, because of his luminously dark skin. They talked quietly while the sun rose to its zenith, and the sweltering humidity of the day clamped a moist grip on us all.

I would've left then, but Qasim Ali asked me to stay, so I sat down under the shade of a canvas veranda. Veejay's four-year-old daughter, Sunita, brought me a glass of water, without my asking for it. I sipped the lukewarm liquid gratefully.

"Tsangli mulgi, tsangli mulgi," I thanked her, in Marathi. Good girl, good girl.

Sunita was delighted that she'd pleased me, and stared back at me with a furious little smiling-frown. She wore a scarlet dress with the words MY CHEEKY FACES printed in English across the front. I noticed that the dress was torn, and too tight for her, and I made a mental note to buy some clothes for her and a few of the other kids in the cheap clothing bazaar, known as Fashion Street. It was the same mental note I made every day, every time I talked to the clever, happy kids in the slum. She took the empty glass and skipped away, the metal bells of her ankle bracelets jingling their small music, and her tiny, bare feet tough against the stones.