Dan Simmons - Drood

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Drood: краткое содержание, описание и аннотация

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On June 9, 1865, while traveling by train to London with his secret mistress, 53-year-old Charles Dickens — at the height of his powers and popularity, the most famous and successful novelist in the world and perhaps in the history of the world — hurtled into a disaster that changed his life forever.
Did Dickens begin living a dark double life after the accident? Were his nightly forays into the worst slums of London and his deepening obsession with corpses, crypts, murder, opium dens, the use of lime pits to dissolve bodies, and a hidden subterranean London mere research… or something more terrifying?
Just as he did in
, Dan Simmons draws impeccably from history to create a gloriously engaging and terrifying narrative. Based on the historical details of Charles Dickens's life and narrated by Wilkie Collins (Dickens's friend, frequent collaborator, and Salieri-style secret rival),
explores the still-unsolved mysteries of the famous author's last years and may provide the key to Dickens's final, unfinished work:
. Chilling, haunting, and utterly original,
is Dan Simmons at his powerful best.

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“As was Rosanna Spearman,” I said.

“Indeed. But it’s simply unthinkable that Lady Verinder or anyone of her obvious calibre would hire Rosanna if the lady knew that she had been a… a woman of the streets.”

“Hmmm,” I said. Having Rosanna being a reformed woman of the streets had been, precisely, my goal. It explained both her doomed infatuation with Mr Franklin Blake and the erotic subtext to that infatuation. But it was difficult to argue that anyone so refined as my fictional—and equally as doomed as Rosanna Spearman—Lady Verinder would have hired a prostitute, however reformed. I made a note on my page.

“A thief,” Dickens said with that ring of certainty that was so common to him. “You can make the poor Rosanna a former thief—then Sergeant Cuff shall still be able to recognise her, but as someone who came through his jail rather than a woman on the street.”

“Is thievery so much less evil than being a woman of the street?” I asked.

“It is, Wilkie, it is indeed. Make her a woman of the streets, no matter how well reformed, and Lady Verinder’s home has been contaminated. Make her a former thief, and the reader shall see the magnanimity of Lady Verinder’s spirit in her attempt to help her through honest employment.”

“A point,” I said. “A palpable point. I shall make a note to review Rosanna’s background.”

“And then there is the problem of Reverend Godfrey Ablewhite,” went on Dickens.

“I wasn’t aware that there was a problem with Reverend Ablewhite, Charles. During the reading you laughed and interjected that you loved the exposure of such a hypocrite.”

“And so I do, Wilkie! So I do! And so shall your readers. The problem is not with the character—whom you have admirably drawn as the hypocrite, social climber, and would-be pilferer of a lady’s fortune—but with his title.”

“Reverend?”

“Precisely. I am pleased that you see the problem, my dear Wilkie.”

“I am not sure that I do, Charles. Certainly the accusations of hypocrite and liar are all the more meaningful if it’s a man of the cloth who…”

“Of course you are right!” said Dickens. “We have all known such sanctimonious men of the clergy—men who wish all to see them as doing good, even while they are secretly striving mightily to be doing well —but the charge is no less effective if we soften the indictment to a Mr Godfrey Ablewhite.”

I started jotting the note but then stopped and rubbed my head. “It seems so… lessened, diluted, pared down. How is it that Reverend Godfrey is the chairman of so many Ladies Charities if he is not clergy? And what would such a change do to the wonderful line I had already set in my outline—‘He was a clergyman by profession; a ladies’ man by temperament; and a good Samaritan by choice.’ You yourself laughed aloud when I recited that to you not an hour ago.”

“So I did, Wilkie. But it shall work just as well if you substitute… say… ‘barrister’ for clergyman. And we shall have saved the sensibilities of many, perhaps many thousands, of our readers from offence when none need be given in service of your admirable plot.”

“I am not sure…” I began.

“Make a note, Wilkie. And merely promise me that you will consider this change during the composition. It is, of course, the kind of thing that any diligent editor of any general magazine such as ours would be remiss not to bring up with the author. Indeed, if you were editing another’s manuscript, I am sure you would have raised the issue of demoting Reverend Godfrey Ablewhite to Mr Godfrey Ablewhite.…”

“I am not sure…” I began again.

“And finally, my dear Wilkie, there is the matter of the title.…” continued Dickens.

“Ahh,” I said, with some eagerness this time. “Which do you prefer, Charles? The Eye of the Serpent or The Serpent’s Eye ?”

“Neither, actually,” said Dickens. “I have been giving the titles some thought, my dear friend, and I confess that I find both a bit diabolical and perhaps a trifle wanting from the commercial point of view.”

“Diabolical?”

“Well, the eye of the serpent . It does have Biblical connotations, Wilkie.”

“It has heathen Hindoo connotations as well, my dear Dickens. I have done a tremendous amount of research into various cults in India.…”

“And do any of them worship a serpent?”

“Not that I have discovered to date, but Hindoos worship… everything . They have monkey gods, rat gods, cow gods.…”

“And undoubtedly serpent gods as well, I agree,” Dickens said soothingly. “But the title still hints of the Garden and the serpent therein… that is to say, the Devil. And the obvious connection with the Koh-i-noor diamond makes any such connection absolutely unacceptable.”

I was totally at a loss. I had no idea what Dickens was talking about. Rather than splutter, however, I carefully poured myself more water, sipped it, and eventually said, “Unacceptable in what way, my dear Dickens?”

“Your gem, diamond, whatever you end up calling it, is so very obviously connected with the Koh-i-noor.…”

“Yes?” I said. “Perhaps. So?”

“You remember certainly, my dear Wilkie, or I am certain that your research has reminded you, that the original Koh-i-noor came from the region of India called, I believe, the Mountains of Light, and there was a persistent rumour, even before the diamond arrived on these shores, that the Mountains of Light had bad luck attached to every artefact from that area.”

“Yes?” I said again. “Such a deeply buried mental association will be perfect for The Eye of the Serpent … or perhaps The Serpent’s Eye .”

Dickens stopped pacing and slowly shook his head. “Not if our readers associate such bad luck with the Royal Family,” he said softly.

“Ahhh,” I said. I had meant the syllable to be mildly and noncommittally ruminative, but it sounded, even to me, as if there were a chicken bone stuck in my throat.

“And I am sure you remember, Wilkie, what happened two days after that stone arrived in England and six days before it was to be presented to Her Majesty.”

“Not precisely.”

“Well, you were young at the time,” said Dickens. “A fellow named Robert Pate, a retired lieutenant in the hussars, physically attacked the Queen.”

“Good heavens.”

“Precisely. Her Majesty was not harmed, but the public immediately connected the near-tragedy to the gift of the stone to the Royal Family. The Governer General of India himself felt he had to write an open letter to the Times explaining that such superstitions were absurd.”

“Yes,” I said, still jotting notes, “I have been researching Lord Dalhousie quite a bit in the Athenaeum library.”

“I am sure you have,” said Dickens in what I might have interpreted as an especially dry tone if I had been more critical. “And then there was the other terrible event associated with the Koh-i-noor… the death of Prince Albert.”

I quit writing notes. “What? That was just six years ago, more than eleven years after the stone arrived in England and was displayed at the Great Exhibition. The Koh-i-noor had been broken up into smaller stones in Amsterdam long before Albert died. What possible connection could there be between the two events?”

“You forget, my dear Wilkie, that the consort had been the designer and chief sponsor of the Great Exhibition. It was he who suggested putting the Koh-i-noor in the odd place of honour it held in the Great Hall. Her Majesty, of course, is still in mourning black, and some close to her say that at times, in the depths of her mourning, she blames the Indian stone for her beloved’s death. So you see, we must be careful in any names we give the book and any subtle references that might connect the Koh-i-noor and its effect on the beloved Royal Family with our fictional tale.”

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