Mary Clark - A Cry In The Night

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“For sheer storytelling power-and breathtaking pace- Clark is without peer.” – People
“ Clark is a flawless storyteller…” – Washington Post Book World
“Mary Higgins Clark has become the grande dame of American thriller writing…” – Los Angeles Times Book Review
“No one knows better than Mary Higgins Clark how to turn fear into great entertainment. To mystery fans, she is a true national treasure.” – Associated Press
“There’s no denying Mary Higgins Clark’s formidable storytelling powers…” – The New York Times Book Review
“Mary Higgins Clark, like Alfred Hitchcock before her, stakes out a claim to a kind of fear that is absolutely terrifying because it bubbles under the surface of ordinary lives.” – Cosmopolitan
***
Talented Erich Krueger seemed like the answer to Jenny's prayers, but after their marriage, she began to notice his obsession with his dead mother, and his possessiveness. Stumbling across old family secrets about a string of deaths, Jenny fears for herself and her children.

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Mary Higgins Clark A Cry In The Night 1982 In happy memory of my parents - фото 1

Mary Higgins Clark

A Cry In The Night

© 1982

In happy memory of my parents and brothers,Luke, Nora, Joseph and John Higgins,who did, indeed, give joy to my youth

Acknowledgment

My very special thanks to Dr. John T. Kelly, M.D., M.P.H., Professor of Psychiatry and Professor and Associate Head of the Department of Family Practice and Community Health, University of Minnesota Medical School, for his generous and expert assistance in helping me design and interpret the psychopathic personalities found in this book and in The Cradle Will Fall.

Prologue

Jenny began looking for the cabin at dawn. All night she had lain motionless in the massive four-poster bed, unable to sleep, the stillness of the house oppressive and clutching.

Even after weeks of knowing it would not come, her ears were still tuned for the baby’s hungry cry. Her breasts still filled, ready to welcome the tiny, eager lips.

Finally she switched on the lamp at the bedside table. The room brightened and the leaded crystal bowl on the dresser top caught and reflected the light. The small cakes of pine soap that filled the bowl cast an eerie green tint on the antique silver mirror and brushes.

She got out of bed and began to dress, choosing the long underwear and nylon Windbreaker that she wore under her ski suit. She had turned on the radio at four o’clock. The weather report was unchanged for the area of Granite Place, Minnesota; the temperature was twelve degrees Fahrenheit. The winds were blow ing at an average of twenty-five miles per hour. The windchill factor was twenty-four below zero.

It didn’t matter. Nothing mattered. If she froze to death in the search she would try to find the cabin. Somewhere in that forest of maples and oaks and evergreens and Norwegian pines and overgrown brush it was there. In those sleepless hours she had devised a plan. Erich could walk three paces to her one. His naturally long stride had always made him unconsciously walk too fast for her. They used to joke about it. “Hey, wait up for a city girl,” she’d protest.

Once he had forgotten his key when he went to the cabin and immediately returned to the house for it. He’d been gone forty minutes. That meant that for him the cabin was usually about a twenty-minute walk from the edge of the woods.

He had never taken her there. “Please understand, Jenny,” he’d begged. “Every artist needs a place to be totally alone.”

She had never tried to find it before. The help on the farm was absolutely forbidden to go into the woods. Even Clyde, who’d been the farm manager for thirty years, claimed he didn’t know where the cabin was.

The heavy, crusted snow would have erased any path, but the snow also made it possible for her to try the search on cross-country skis. She’d have to be careful not to get lost. With the dense underbrush and her own miserable sense of direction, she could easily go around in circles.

Jenny had thought about that, and decided to take a compass, a hammer, tacks and pieces of cloth. She could nail the cloth to trees to help her find her way back.

Her ski suit was downstairs in the closet off the kitchen. While water boiled for coffee, she zipped it on. The coffee helped to bring her mind into focus. During the night she had considered going to Sheriff Gunderson. But he would surely refuse help and would simply stare at her with that familiar look of speculative disdain.

She would carry a thermos of coffee with her. She didn’t have a key to the cabin, but she could break a window with the hammer.

Even though Elsa had not been in for over two weeks, the huge old house still glistened and shone with visible proof of her rigid standards of cleanliness. Her habit as she left was to tear off the current day from the daily calendar over the wall phone. Jenny had joked about that to Erich. “She not only cleans what was never dirty, she eliminates every weekday evening.”

Now Jenny tore off Friday, February 14, crumpled the page in her hand and stared at the blank sheet under the bold lettering, Saturday, February 15. She shivered. It was nearly fourteen months since that day in the gallery when she’d met Erich. No that couldn’t be. It was a lifetime ago. She rubbed her hand across her forehead.

Her chestnut-brown hair had darkened to near-black during the pregnancy. It felt drab and lifeless as she stuffed it under the woolen ski cap. The shell-edged mirror to the left of the kitchen door was an incongruous touch in the massive, oak-beamed kitchen. She stared into it now. Her eyes were heavily shadowed. Normally a shade somewhere between aqua and blue, they reflected back at her wide-pupiled and expressionless. Her cheeks were drawn. The weight loss since the birth had left her too thin. The pulse in her neck throbbed as she zipped the ski suit to the top. Twenty-seven years old. It seemed to her that she looked at least ten years older, and felt a century older. If only the numbness would go away. If only the house weren’t so quiet, so fearfully, frighteningly quiet.

She looked at the cast-iron stove at the east wall of the kitchen. The cradle, filled with wood, was beside it again, its usefulness restored.

Deliberately she studied the cradle, made herself absorb the constant shock of its presence in the kitchen, then turned her back on it and reached for the thermos bottle. She poured coffee into it, then collected the compass, hammer and tacks and strips of cloth. Thrusting them into a canvas knapsack she pulled a scarf over her face, put on her cross-country ski shoes, yanked thick, fur-lined mittens on her hands and opened the door.

The sharp, biting wind made a mockery of the face scarf. The muffled lowing of the cows in the dairy barn reminded her of the exhausted sobs of deep mourning. The sun was coming up, dazzling against the snow, harsh in its golden-red beauty, a far-off god that could not affect the bitter cold.

By now Clyde would be inspecting the dairy barn. Other hands would be pitching hay in the polebarns to feed the scores of black Angus cattle, which were unable to graze beneath the hard-packed snow and would habitually head there for food and shelter. A half-dozen men working on this enormous farm, yet there was no one near the house-all of them were small figures, seen like silhouettes, against the horizon…

Her cross-country skis were outside the kitchen door. Jenny carried them down the six steps from the porch, tossed them on the ground, stepped into them and snapped them on. Thank God she’d learned to ski well last year.

It was a little after seven o’clock when she began looking for the cabin. She limited herself to skiing no more than thirty minutes in any direction. She started at the point where Erich always disappeared into the woods. The overhead branches were so entangled that the sun barely penetrated through them. After she’d skied in as straight a line as possible, she turned right, covered about one hundred feet more, turned right again and started back to the edge of the forest. The wind covered her tracks almost as soon as she passed any spot but at every turning point she hammered a piece of cloth into the tree.

At eleven o’clock she returned to the house, heated soup, changed into dry socks, forced herself to ignore the tingling pain in her forehead and hands, and set out again.

At five o’clock, half frozen, the slanting rays of the sun almost vanishing, she was about to give up for the day when she decided to go over one more hilly mound. It was then she came upon it, the small, bark-roofed log cabin that had been built by Erich’s great-grandfather in 1869. She stared at it, biting her lips as savage disappointment sliced her with the physical impact of a stiletto.

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