Mary Clark - A Cry In The Night

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“For sheer storytelling power-and breathtaking pace- Clark is without peer.” – People
“ Clark is a flawless storyteller…” – Washington Post Book World
“Mary Higgins Clark has become the grande dame of American thriller writing…” – Los Angeles Times Book Review
“No one knows better than Mary Higgins Clark how to turn fear into great entertainment. To mystery fans, she is a true national treasure.” – Associated Press
“There’s no denying Mary Higgins Clark’s formidable storytelling powers…” – The New York Times Book Review
“Mary Higgins Clark, like Alfred Hitchcock before her, stakes out a claim to a kind of fear that is absolutely terrifying because it bubbles under the surface of ordinary lives.” – Cosmopolitan
***
Talented Erich Krueger seemed like the answer to Jenny's prayers, but after their marriage, she began to notice his obsession with his dead mother, and his possessiveness. Stumbling across old family secrets about a string of deaths, Jenny fears for herself and her children.

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They ordered club sandwiches, then he leaned across the table. “Tell me about yourself, Jenny MacPartland.”

She tried not to laugh. “Did you ever take the Dale Carnegie course?”

“No, I didn’t. Why?”

“That’s the kind of question they teach you to ask on a first meeting. Be interested in the other fellow. I want to know about you.”

“But it happens that I do want to know about you.”

The drinks came and they sipped as she told him: “I am the head of what the modern world calls ‘the single parent family.’ I have two little girls. Beth is three and Tina just turned two. We live in an apartment in a brownstone on East Thirty-seventh Street. A grand piano, if I had one, would just about take up the whole place. I’ve worked for Mr. Hartley for four years.”

“How could you work for him four years with such young children?”

“I took a couple of weeks off when they were born.”

“Why was it necessary to go bck to work so quickly?”

Jenny shrugged. “I met Kevin MacPartland the summer after I finished college. I’d been a fine arts major at Fordham University in Lincoln Center. Kev had a small part in an off-Broadway show. Nana told me I was making a mistake but naturally I didn’t listen.”

“Nana?”

“My grandmother. She raised me since I was a year old. Anyhow Nana was right. Kev’s a nice enough guy but he’s a-lightweight. Two children in two years of marriage wasn’t on his schedule. Right after Tina was born he moved out. We’re divorced now.”

“Does he support the children?”

“The average income for an actor is three thousand dollars a year. Actually Kev is quite good and with a break or two might make it. But at the moment the answer to the question is no.”

“Surely you haven’t had those children in a day-care center from the time they were born?”

Jenny felt the lump start to form in her throat. In a minute her eyes would be filling with tears. She said hurriedly, “My grandmother took care of them while I worked. She died three months ago. I really don’t want to talk about her now.”

She felt his hand close over hers. “Jenny, I’m sorry. Forgive me. I’m not usually so dense.”

She managed a smile. “My turn. Do tell me all about you.”

She nibbled on the sandwich while he talked. “You probably read the bio on the brochure-I’m an only child. My mother died in an accident on the farm when I was ten… on my tenth birthday to be exact. My father died two years ago. The farm manager really runs the place. I spend most of my time in my studio.”

“It would be a waste if you didn’t,” Jenny said. “You’ve been painting since you were fifteen years old, haven’t you? Didn’t you realize how good you were?”

Erich twirled the wine in his glass, hesitated, then shrugged. “I could give the usual answer, that I painted strictly as an avocation, but it wouldn’t be the whole truth. My mother was an artist. I’m afraid she wasn’t very good but her father was reasonably well known. His name was Everett Bonardi.”

“Of course I know of him,” Jenny exclaimed. “But why didn’t you include that in your bio?”

“If my work is good, it will speak for itself. I hope I’ve inherited something of his talent. Mother simply sketched and enjoyed doing it, but my father was terribly jealous of her art. I suppose he’d felt like a bull in a china shop when he met her family in San Francisco. I gather they treated him like a Midwest hunky with hayseed in his shoes. He reciprocated by telling mother to use her skill to do useful things like making quilts. Even so he idolized her. But I always knew he would have hated to find me ‘wasting my time painting,’ so I kept it from him.”

The noonday sun had broken through the overcast sky and a few stray beams, colored by the stained-glass window, danced on their table. Jenny blinked and turned her head.

Erich was studying her. “Jenny,” he said suddenly, “you must have wondered about my reaction when we met. Frankly I thought I was seeing a ghost. Your resemblance to Caroline is quite startling. She was about your height. Her hair was darker than yours and her eyes were a brilliant green. Yours are blue with just a suggestion of green. But there are other things about you. Your smile. The way you tilt your head when you listen. You’re so slim, just as she was. My father was always fretting over her thinness. He’d keep trying to make her eat more. And I find myself wanting to say, ‘Jenny, finish that sandwich. You’ve barely touched it.’”

“I’m fine,” Jenny said. “But would you mind ordering a quick coffee? Mr. Hartley will be having a heart attack as it is that you arrived when he was out. And I have to sneak away from the reception early which won’t endear me to him.”

Erich’s smile vanished. “You have plans for tonight?”

“Big ones. If I’m late picking up the girls at Mrs. Curtis’ Progressive Day Care Center, I’m in trouble.”

Jenny raised her eyebrows, pursed her lips, imitated Mrs. Curtis. “‘My usual time for closing is five P.M. but I make an exception for working mothers, Mrs. MacPartland. But five-thirty is the finish. I don’t want to hear anything about missed buses or last-minute phone calls. You be here by five-thirty, or you keep your kids home the next morning. Understan?’”

Erich laughed. “I understan. Now tell me about your girls.”

“Oh, that’s easy,” she said. “Obviously they’re brilliant and beautiful and lovable and…”

“And walked at six months and talked at nine months. You sound like my mother. People tell me that’s the way she used to talk about me.”

Jenny felt an odd catch at her heart at the wistful expression that suddenly came over his face. “I’m sure it was true,” she said.

He laughed. “And I’m sure it wasn’t. Jenny, New York staggers me. What was it like growing up here?”

Over coffee they talked. She about city life: “There isn’t a building in Manhattan I don’t love.” He, drily, “I can’t imagine that. But then you’ve never really experienced the other way of life.” They talked about her marriage. “How did you feel when it was over?”

“Surprisingly, only the same degree of regret that I imagine I’d have for the typical first love. The difference is I have my children. For that I’ll always be grateful to Kev.”

When they got back to the gallery, Mr. Hartley was waiting. Nervously Jenny watched the angry red points on his cheekbones, then admired the way Erich placated him. “As I’m sure you’ll agree, airline food is not fit to eat. Since Mrs. MacPartland was just leaving for lunch, I prevailed on her to allow me to join her. I merely nibbled and now look forward to lunching with you. And may I compliment you on the placement of my work.”

The red points receded. Thinking of the thick sandwich Erich had consumed, Jenny said demurely, “Mr. Hartley, I recommended the chicken Kiev to Mr. Krueger. Please make him order it.”

Erich quirked one eyebrow and as he passed her he murmured, “Thanks a lot.”

Afterward she regretted her impulsive teasing. She hardly knew the man. Then why this sense of rapport? He was so sympathetic and yet gave an impression of latent strength. Well, if you’re used to money all your life and have good looks and talent thrown in, why wouldn’t you feel secure?

The gallery was busy all afternoon. Jenny watched for the important collectors. They’d all been invited to the reception but she knew many of them would come in early to have a chance to study the exhibit. The prices were steep, very steep, for a new artist. But Erich Krueger seemed to be quite indifferent whether or not they sold.

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