T Parker - L. A. Outlaws

The shotgun reminds me that one night in a rainstorm a band of Cahuilla Indian raiders stole a string of ten horses from a meadow near Joaquin’s camp. They would have taken beautiful Jorge and the other outlaws’ mounts, too, but these lucky animals had spent the night under tarps in camp, which is where Joaquin always kept his most valued personal possessions. The stolen horses were all good strong quarter horses, well bred and healthy. Joaquin had worked hard to steal them and he was furious. In the morning he and Jack and two more of their gang easily tracked the hoofprints across the wet meadow and down a Butterfield stage road, then for miles along a game trail that led him into the rocky hills at the base of Thomas Mountain. It took them almost half a day to get there.

Looking through the thick madrone and manzanita, Joaquin could see Indians and horses in a corral. There were twenty in all, and half were his. But instead of a small band of raiders, Joaquin saw an entire village. There were women grinding acorns on the high stones and sewing skins and washing clothes in a spring. Children played in the dirt and the men made arrows and spears. He counted thirty able-bodied men. He watched for a while, then motioned for his gang to follow him away.

When they were out of earshot of the tribe, Joaquin told his three men that it would be a sin to kill thirty Indians over ten horses but a greater sin to surrender such fine animals to savages. He looked at his men. Writing in his journal, he said that Jack looked crazy, Jesús was drunk already, and Juan was “a fearful worm” (my translation). Joaquin wrote that he removed his finest wool jacket from one of the mule packs, brushed it out and slipped it on. He set his best rifle behind the pommel-not the “friendly” little Plains rifle from the saddle scabbard but a full-length Hawken Mountain rifle he’d won from a deputy marshal in a card game way up near Clovis the summer before. He took a single deep swallow of Jesús’s whiskey.

Then he spurred big black Jorge off toward the Indian Village.

Joaquin wrote that he cantered straight into the village with the rifle across his lap, his head high and a scowl on his face. I know from pictures that he was a handsome man and that he wore his hair long, and I can almost picture the look-the arrogance and menace and hint of the prankster and the very fine riding coat that would make you respect him and want to agree with him. You’d want to see things his way.

When they’d surrounded him, Joaquin spoke to them in a simple version of their own language, which he’d picked up from a Cahuilla cowboy he’d worked with near what is now Palm Springs. He told them that he had come for his horses. If he did not return with them, his army would come back to the village by morning and shoot every man they could find. And, of course, claim his horses. He had come to get his animals, and to save the village.

He watched as six of the senior braves huddled and discussed. He urged his horse into a tightening circle around them, looking down impatiently, the long barrel of the Hawken gleaming in the afternoon sun, and as I picture the scene I see the buttons of his coat catching the sunlight, too, and I hear the heavy clomp of the horse on the ground and I can see the warriors glancing back at him up on that big black animal, thinking, Maybe we should give this fucker his horses back.

One of the braves turned and smiled and led him to the corral. Joaquin watched as two of the men entered and began cutting away the horses in question. Looking down on the warriors in the corral, Joaquin saw that they were having trouble separating the animals, then he saw that the other four men had drifted toward the big boulders where their weapons lay.

The men in the corral looked to the other braves, clearly waiting for them to act.

Joaquin watched more of the male Indians easing toward the rocks for their weapons. It was going to be thirty on one.

He spurred his mount into the corral, which sent the horses scattering and the two braves jumping out of the way. He raised his rifle in one hand.

“No! All of the horses! All of the horses or my army will slaughter you by morning!”

He raised his Hawken and fired into the air, which sent the quarter horses running and the Cahuilla horses fleeing in fear and the tribe scurrying for cover.

An arrow pierced his saddle as Jorge pressed the horses down the trail. Of course, that was the arrow in the box that Great-uncle Jack led me to in the storage area. The arrowhead isn’t very sharp because the Cahuilla didn’t have the best rock to work with, but it did penetrate a very tough saddle. I keep it hidden with Joaquin’s head down in Valley Center.

The trail leading through the thick madrone was narrow and the horses had no real choice but to follow it all the way down the mountain slope to the old stage road, and from there, tired but settling, they followed Joaquin and Jorge back to the camp beside the meadow.

The Cahuilla braves never came to claim their rightful horses. Joaquin broke camp late that night and followed the moonlight north toward the dusty town of Riverside.

Just after midnight a car comes up the road and turns into the Superior parking lot. It’s a big old black Lincoln Continental Town Car, the same year and model as the one that chased me out of the Residence Inn parking lot. The parking lot lights are good and strong, but all I get from the windshield is reflection. Then the driver bears right and begins to circle. When he comes at me, the lot lights blast the window straight on and I see the trim, dark face of Lupercio, up close to the steering wheel, peering over the top, scanning slowly left to right.

He looks toward the office lights and the Lincoln rolls forward and right, following his line of sight.

I glance at the shotgun.

I look at the push buttons and levers on the cab console before me and I remember Phillip’s voice: Use enough muscle… These things aren’t delicate, they do what you tell them just like a car or a horse… Remember to undershoot the hoist when you go to place it… it always looks on target because it’s so much smaller than the target… In daylight I use the end of the boom to line up the magnet and the car, but at night you can’t see the damned thing… Don’t push the servo with a load in the air or you’ll lose it… The guys here do that for fun sometimes, drop a Suburban or a Hummer from full up, like an earthquake when it hits…

I’ve bet that Lupercio will park in the darker third of the lot, which is underneath me, where Phillip has left the yard lights off. It’s a nice little pocket of darkness, an easy walk to the inviting lights of the office and away from the brightly lit part of the yard where the cars are stacked high and the cranes idle like snoring dinosaurs.

The Lincoln eases into the dark patch of the parking lot but goes right through it. The car hesitates as if Lupercio is going to park, then he slowly continues to the exit and turns onto the access road. I watch his taillights grow smaller and closer together. They vanish.

Ten minutes later he’s back. This time he cruises the parking lot in the opposite direction, brushing up close to my crane as he enters the dark patch. I look almost straight down on the roof of the Lincoln and I feel like a god up here in the dark sky, a patient and cunning god. But again he passes through. He stops in front of the office, and although I can’t see him through the glare of the lights on the Lincoln’s windows, I can imagine him squinting hard at the invitation before him, at the partially opened door and the play of light coming from the rear.

Suddenly the Lincoln reverses. I’m confused for just a second; then I understand: Lupercio doesn’t want to take his eyes off of the office. My lucky day. He backs into the darkness below me and swings parallel to the fence.