Charlie Huston - Sleepless

The SWAT snapped his visor down and waved to the side of the road.

“Pull on in here, I’ll move the wire.”

Hounds rolled slowly forward as the SWAT carefully pulled aside one of the corkscrews of wire, giving the cop a nod as they accelerated toward the checkpoint.

“That fucking guy and this duty he’s on, I got one thing to say about that guy.”

He nodded to himself.

“Better him than me, man. Better him than me.”

Park was looking out the right side window, down at the I-5.

Some stretches were still entirely open. This one, directly under a checkpoint, was sealed by barricades of abandoned cars a quarter mile to the north and the south. From what Park heard, the middle sections of the barricades would be rigged with charges to blow the cars out of the way if a military or law enforcement column needed to pass. Through most of the length of the 5, from the Mexican to the Canadian borders, a lane was supposed to be kept open for military traffic, but there were long unpoliced stretches of the interstate where road gangs set tariffs, using the lane to cruise north and south, pulling motorists over and siphoning their gas. Down here that kind of thing wasn’t much of a worry. There was the more basic worry regarding the many choke points where abandoned cars had accumulated like plaque in an artery.

Like the plaques left behind on a sleepless brain, blocking its normal function, leading it to Baroque variations on its usual course of business.

Park thought about all these accretions of debris, within the body and without, driving it to more bizarre extremes. The Crown Vic rolled to a stop at the checkpoint, and he looked up at the hanged man twisting slightly to and fro in a hot shaft of air rising from the generators.

The cops in the front seat showed ID and badges to the cops manning the checkpoint, showed the ID they’d taken off Park, and were waved along with specific instructions about how to approach Silverlake Station.

Coming off the overpass, the bed of the Los Angeles River behind them, they passed the Los Feliz Golf Course, only slightly more brown now than it had been before severe water rationing became mandatory.

The boulevard here was all but empty. The bars and restaurants that had been outposts of East Side gentrification were gated, boarded up, or burned out. A few sleepless walking aimlessly, scratching their heads, rubbing their eyes, talking to themselves. Some Griffith Park refugees had managed to cross the I-5 and the river below the checkpoint and were scavenging in the abandoned storefronts. Not that there was much left. But once the boulevard dipped under the railroad just past Seneca, the blocks started to repopulate.

Heavily armed vatos, favoring AR15s and Tec 9s, were on every street corner. Sandbags lined the edges of rooftops, gun barrels peeking out from behind. Taco trucks and tamale carts were at the curbs, vendors sporting holstered sidearms. Kids played in the street, running in and out of the night traffic, young mothers calling to them in Chicano Spanish. Older men sat at tables on the sidewalks, playing cards or dominoes.

Hounds pulled his Glock from its holster and tucked it between his thighs.

“I find out who fingered us for this fucking detail, I’m gonna get his home address, come back here, and pay one of these vatos twenty bucks to go burn his house down with him and his family inside. I mean, look at this shit. Like another fucking country. What the fuck.”

Kleiner stuck one of Park’s Demerols between his lips.

“Be like this in the Fairfax pretty soon. The Jews, they’re starting to put up sawhorses at the ends of their blocks. Yarmulkes and Uzis. Gonna change the name to Little Israel any day now.”

They drove past a dropped 1980 Chevy Stepside, a man perched on the fender, leather holsters crossed over his chest Pancho Villa style, mad dogging them.

Hounds gritted his teeth.

“Give me the eye. Find your ass west of the Five, break your ass down you look at me like that. Fucking savages over here. Goddamn jungle. Show me now, show me the guy who thinks building a border fence would have been a bad idea, and let me make that asshole run naked through this shit.”

Down San Fernando, just before Treadwell, they came to the concrete anti-car bomb barriers that closed the street around Silverlake Station. Freshly spray-painted across one of the barriers, over the tangle of tags, a new graffito:

The retrofitted minigun on a Stryker infantry fighting vehicle turned and trained its cluster of barrels on the Crown Vic, an amplified voice blaring.

“Welcome to Silverlake Station. Get out of the fucking car with your hands in view and get your fucking face on the pavement.”

Hounds killed the engine.

“Fucking jungle.”

DRIVING DOWN SKID Row had always been a prospect not unlike visiting the set of a George Romero movie. But with the advent of the sleepless prion, that effect had started to envelop the entire city. The sidewalks, malls, movie theaters, tourist attractions, beaches, and restaurants becoming populated with stiff-necked, shuffling sleepless.

Zombie jokes were common. Gallows humor being about all the situation made room for.

Movies themselves had not stopped shooting. Certainly production had been scaled back, and more than one studio had gone under or, more accurately, been consumed whole by somewhat heartier competitors, but even as energy costs spiked, even as all cities, most suburbs, and many rural areas, experienced outbreaks of organized violence, even as the standing army was deployed with obvious permanence to the oil fields in Alaska, Iraq, Iran, Venezuela, and Brazil, even as the draft was reinstated and the gears of the economy audibly snapped their teeth and ground to a squealing halt, even as the drought extended and crops withered, even as the ice caps melted and coastal waters rose, people still liked a good picture.

The fact of millions of sleepless wandering about trying to fill the dark hours meant an expansion of one market, even as it contracted in other areas.

Sleepless provided other new opportunities as well.

I’d been told by a client about an independent horror movie he was helping to finance. A zombie picture. The zombies played almost exclusively by sleepless extras.

A new standard in zombie verisimilitude.

Or so he said.

I said nothing, sometimes finding that even I can be rendered speechless. A not unpleasant sensation, except for those times when it is engendered by the rising of my gorge.

In any case, the traffic jam I found myself caught in was not caused by the shooting of this breakthrough in cinema, but it was indeed the result of a film crew somewhere in the waning afternoon light, ahead of me on Santa Monica.

SOP in traffic jams, and therefore SOP whenever one got in one’s car, was to roll down the windows and turn off the engine. It was no longer a simple matter of common sense, it was also now enforceable by law. Sitting in deadlocked traffic with your engine running, powering your stereo, AC, seatback TV, game console, and recharging your various portable devices, was both unpatriotic and illegal.

Not being a patriot, giving not a damn about getting a ticket, and having more than enough wealth to fill the tank of my resolutely gas-guzzling STS-V, I blasted the air conditioner, listened to a bootleg MP3 of an original recording of Giuseppe di Stefano performing Faust at the Met in 1949, and ran my Toughbook off the AC outlet. I did, out of courtesy, keep the windows up, not wanting the people sweltering around me to grow resentful, but I suspect the low grumble of the V-8 gave me away. Certainly I registered a few nasty looks shot at me through the tinted glass, but those would have concerned me only if the glass, indeed the whole car, were not bulletproof. Had I been so inclined, I could have rammed my way straight through the mass of traffic and come out the other end with little more to worry about than scratched paint and a few dents, but I was surfing the Net, reading up on di Stefano’s biography, so I endured.