James Twining - The Geneva Deception

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Mafia, a secret society and the world's greatest treasures all converge in James Twining's all new jaw-dropping thriller featuring reformed art thief Tom Kirk. It begins with a young man hanging from the Ponte Sant' Angelo Rome, his pockets weighed down with lead whilst the current of the river below slowly tightens the noose around his neck. Meanwhile, in Las Vegas, retired art thief Tom Kirk is asked by an old friend to investigate a case involving the theft of a long lost Caravaggio painting. When tragedy strikes Tom is left holding a blood-soaked body. Back in Rome police Lieutenant Allegra Damico has been called to the Parthenon where a second body has been found, but this time the body is surrounded by mannequins. When a third body is found crucified upside down in the middle of the ancient forum Allegra realises there is a sinister link between the murders. Someone is staging famous Caravaggio paintings. Suspecting the detective leading the case is corrupt Allegra begins her own investigation. Spurred on by grief and the desire to avenge the murder of his friend, Tom follows a trail to Rome where he finds Allegra piecing together a similar mystery. Before long they both find themselves submerged in a vast criminal conspiracy involving the police, politicians, the church and a secret society born of a pact between two Mafia families decades before.

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Bene , bene. ’ The priest nodded. ‘Good.’ There was an anxious edge to the man’s voice that surprised Tom. For a pro he seemed a little tense, although twenty million was enough to make most people tighten up.

‘I need to see the painting first,’ Tom reminded him.

‘Of course,’ the priest said. ‘You have a car?’

‘The painting’s not here?’

‘It’s not far. Where’s your car?’

‘The money’s going nowhere until I see the painting,’ Tom warned him.

‘Don’t worry,’ the priest immediately reassured him. ‘We have a deal, see -’ He reached for Tom’s hand and shook it energetically. ‘You have the money, I have the painting, we have a deal, yes?’

‘We have a deal,’ Tom agreed.

‘You want this painting, yes?’

‘As much as you want the money,’ Tom answered with a puzzled smile. It was a strange question to ask. Why else would he be there? ‘My car’s in the garage.’

‘It has been a long time. You will be the first, the first in many years to see it.’ His eyes flicked over Tom’s shoulder as he spoke and then back again. ‘It is beautiful, still beautiful, despite everything it has been through.’

Tom felt his stomach tightening. Something wasn’t right. First a hint of nervousness. Now an abrupt shift from urgency to an almost languid calm as if…as if he was trying to waste time so that somewhere else…

A shot rang out, its whiplash crack cutting through the casino’s raucous din. Tom staggered back, the world suddenly slowing, as if someone was holding the movie projector to stop the reel from turning – the individual frames crawling across the screen; a roulette ball, frozen in midflight; the soundtrack stretched into a low, slurring moan as words folded into each other.

Then, almost immediately, everything sprang forward, only sharper, louder and faster than before, as if time was overcompensating as it tried to catch up with itself. The ball landed, the winner cheered. But their celebration was drowned out by a terrified scream, one voice triggering another and that one two more until, like a flock of migrating birds wheeling through a darkening sky, a sustained, shrieking lament filled the air.

Tom glanced instinctively to his left. Jennifer was lying on the floor. Her blouse was blotted poppy red.

FIFTEEN

Institute for Religious Works,

Via della Statzione Vaticana, Rome

18th March – 8.08 a.m.

As the six men opposite him bowed their heads, Antonio Santos picked up his spoon and studied the hallmarks. To the left he recognised the symbol of the Papal State, and next to it the initials NL – Lorenzini Nicola, an Italian silversmith active in the mid eighteenth century, if he wasn’t mistaken.

Nos miseri homines et egeni, pro cibis quos nobis ad corporis subsidium benigne es largitus, tibi Deus omnipotens, Pater cælestis, gratias reverenter agimus …’ Archbishop Ancelotti intoned grace, his voice rising and falling as if he was reciting some mediaeval incantation. Turning the spoon over, Santos smiled at the way its polished surface distorted his reflection.

Simul obsecrantes, ut iis sobries, modeste, atque grate utamur. Per Iesum Christum Dominum nostrum. Amen.

‘Amen,’ Santos agreed enthusiastically, carefully returning the spoon to its proper place before anyone had opened their eyes.

Ancelotti looked up and nodded at the two young priests standing near the door to serve breakfast. He was wearing a black simar with amaranth-red piping and buttons together with a purple fascia and zuchetto. A large gold pectoral cross dangled from his neck. The other five men sitting either side of him were similarly dressed, although, as cardinals, their buttons, sashes and skull-caps were scarlet.

‘Thank you for coming, Antonio,’ Ancelotti said, motioning with his finger to indicate that he wanted one, two, three spoonfuls of sugar. ‘I apologise for the short notice.’

‘Not at all, Your Grace,’ Santos said with a generous shrug, holding his hand over his coffee as one of the priests went to add cream. ‘I apologise for being late. The Carabinieri seem to have closed off half the city.’

‘Nothing too serious, I hope,’ Ancelotti enquired, brushing his hands together over his plate to dust some crumbs from his fingers.

‘My driver told me that they’ve found a body in the Pantheon,’ Cardinal Simoes volunteered, pushing his gold-rimmed glasses back up his nose.

‘Dear, dear,’ Ancelotti tutted, licking some jam from his thumb with a loud sucking noise. ‘We live in such wicked times. Jam?’

‘No, thank you.’ Santos gave a tight smile. ‘I don’t eat breakfast.’

‘You should, you should,’ Ancelotti admonished him. ‘Most important meal of the day. Now, does everyone have what they need?’

Seeing that they did, he waved at the two priests to retire to the outer room, then turned back to face Santos.

‘I believe you know everyone here?’

He nodded. Cardinals Villot, Neuman, Simoes, Pisani and Carter. The Oversight Commission of the Istituto per le Opere di Religione. The Vatican Bank.

‘Your eminences,’ he said, bowing his head. Their murmured greetings were muffled by fresh croissants.

‘Antonio, we asked you here today in our capacity as the largest shareholder in the Banco Rosalia,’ Ancelotti began, sipping his coffee.

‘Largest and most important shareholder,’ Santos added generously. ‘We are, after all, working to help finance God’s work.’

‘Ah yes, God’s work.’ Ancelotti clasped his hands together as if in prayer, pressing them against his lips. ‘Which is, as I’m sure you understand, why we need to be especially vigilant.’

‘I’m not sure I do understand, Your Grace,’ Santos said with a frown, placing his cup back down on the table. ‘Vigilant for what?’

‘For anything that could harm the reputation of the Catholic Church, of course.’

‘I hope you are not suggesting that -’

‘Of course not, Antonio, of course not,’ Ancelotti reassured him warmly, ‘But after what happened before…well, we have to go through the motions, be seen to be asking the right questions.’

He was referring, Santos knew, to the huge scandal that had engulfed the Vatican Bank in the 1980s, when it had been implicated in laundering billions of dollars of mafia drug money. It was partly in response to this that the Oversight Commission had been set up in the first place.

‘I fail to see how…’

‘Your year-end accounts are almost a month overdue,’ Cardinal Villot said in an accusing tone.

‘As I’ve already explained to Archbishop Ancelotti, there are a number of small, purely technical matters that the auditors have…’

‘We’ve also heard your liquidity position’s deteriorated,’ Cardinal Carter added, his voice equally sharp.

‘Not to mention the provisions on your real estate portfolio,’ Cardinal Neuman chimed.

Santos took a deep breath. So much for casting the money lenders out of the temple, he thought ruefully. Instead, armed with an MBA and a bible, the Oversight Commission seemed to be setting up shop right next to them.

‘A number of banks have withdrawn their funding lines, yes, but that’s to be expected with the squeeze that the whole market is feeling. We still have more than enough headroom, given our deposit and capital base. As for our real estate book, we’ve seen a slight uptick in bad debts like everyone else, but the provisions we took last year should be more than…’

‘I think what we’re suggesting is that a short, sharp financial review would help allay our concerns, in light of the extreme volatility of the markets and the rather bleak economic outlook,’ Ancelotti said in a gentle tone.

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